Act I
Back to topScene I. Orchard of Oliver's house.
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[Enter Orlando and Adam]
Orlando
1As I remember, Adam, it was upon this fashion
2bequeathed me by will but poor a thousand crowns,
3and, as thou sayest, charged my brother, on his
4blessing, to breed me well: and there begins my
5sadness. My brother Jaques he keeps at school, and
6report speaks goldenly of his profit: for my part,
7he keeps me rustically at home, or, to speak more
8properly, stays me here at home unkept; for call you
9that keeping for a gentleman of my birth, that
10differs not from the stalling of an ox? His horses
11are bred better; for, besides that they are fair
12with their feeding, they are taught their manage,
13and to that end riders dearly hired: but I, his
14brother, gain nothing under him but growth; for the
15which his animals on his dunghills are as much
16bound to him as I. Besides this nothing that he so
17plentifully gives me, the something that nature gave
18me his countenance seems to take from me: he lets
19me feed with his hinds, bars me the place of a
20brother, and, as much as in him lies, mines my
21gentility with my education. This is it, Adam, that
22grieves me; and the spirit of my father, which I
23think is within me, begins to mutiny against this
24servitude: I will no longer endure it, though yet I
25know no wise remedy how to avoid it.
Adam
26Yonder comes my master, your brother.
Orlando
27Go apart, Adam, and thou shalt hear how he will
28shake me up.
[Enter Oliver]
Oliver
29Now, sir! what make you here?
Orlando
30Nothing: I am not taught to make any thing.
Oliver
31What mar you then, sir?
Orlando
32Marry, sir, I am helping you to mar that which God
33made, a poor unworthy brother of yours, with idleness.
Oliver
34Marry, sir, be better employed, and be naught awhile.
Orlando
35Shall I keep your hogs and eat husks with them?
36What prodigal portion have I spent, that I should
37come to such penury?
Oliver
38Know you where your are, sir?
Orlando
39O, sir, very well; here in your orchard.
Oliver
40Know you before whom, sir?
Orlando
41Ay, better than him I am before knows me. I know
42you are my eldest brother; and, in the gentle
43condition of blood, you should so know me. The
44courtesy of nations allows you my better, in that
45you are the first-born; but the same tradition
46takes not away my blood, were there twenty brothers
47betwixt us: I have as much of my father in me as
48you; albeit, I confess, your coming before me is
49nearer to his reverence.
Oliver
50What, boy!
Orlando
51Come, come, elder brother, you are too young in this.
Oliver
52Wilt thou lay hands on me, villain?
Orlando
53I am no villain; I am the youngest son of Sir
54Rowland de Boys; he was my father, and he is thrice
55a villain that says such a father begot villains.
56Wert thou not my brother, I would not take this hand
57from thy throat till this other had pulled out thy
58tongue for saying so: thou hast railed on thyself.
Adam
59Sweet masters, be patient: for your father's
60remembrance, be at accord.
Oliver
61Let me go, I say.
Orlando
62I will not, till I please: you shall hear me. My
63father charged you in his will to give me good
64education: you have trained me like a peasant,
65obscuring and hiding from me all gentleman-like
66qualities. The spirit of my father grows strong in
67me, and I will no longer endure it: therefore allow
68me such exercises as may become a gentleman, or
69give me the poor allottery my father left me by
70testament; with that I will go buy my fortunes.
Oliver
71And what wilt thou do? beg, when that is spent?
72Well, sir, get you in: I will not long be troubled
73with you; you shall have some part of your will: I
74pray you, leave me.
Orlando
75I will no further offend you than becomes me for my good.
Oliver
76Get you with him, you old dog.
Adam
77Is 'old dog' my reward? Most true, I have lost my
78teeth in your service. God be with my old master!
79he would not have spoke such a word.
[Exeunt Orlando and Adam]
Oliver
80Is it even so? begin you to grow upon me? I will
81physic your rankness, and yet give no thousand
82crowns neither. Holla, Dennis!
[Enter Dennis]
Dennis
83Calls your worship?
Oliver
84Was not Charles, the duke's wrestler, here to speak with me?
Dennis
85So please you, he is here at the door and importunes
86access to you.
Oliver
87Call him in.
[Exit Dennis]
Oliver
88'Twill be a good way; and to-morrow the wrestling is.
[Enter Charles]
Charles
89Good morrow to your worship.
Oliver
90Good Monsieur Charles, what's the new news at the
91new court?
Charles
92There's no news at the court, sir, but the old news:
93that is, the old duke is banished by his younger
94brother the new duke; and three or four loving lords
95have put themselves into voluntary exile with him,
96whose lands and revenues enrich the new duke;
97therefore he gives them good leave to wander.
Oliver
98Can you tell if Rosalind, the duke's daughter, be
99banished with her father?
Charles
100O, no; for the duke's daughter, her cousin, so loves
101her, being ever from their cradles bred together,
102that she would have followed her exile, or have died
103to stay behind her. She is at the court, and no
104less beloved of her uncle than his own daughter; and
105never two ladies loved as they do.
Oliver
106Where will the old duke live?
Charles
107They say he is already in the forest of Arden, and
108a many merry men with him; and there they live like
109the old Robin Hood of England: they say many young
110gentlemen flock to him every day, and fleet the time
111carelessly, as they did in the golden world.
Oliver
112What, you wrestle to-morrow before the new duke?
Charles
113Marry, do I, sir; and I came to acquaint you with a
114matter. I am given, sir, secretly to understand
115that your younger brother Orlando hath a disposition
116to come in disguised against me to try a fall.
117To-morrow, sir, I wrestle for my credit; and he that
118escapes me without some broken limb shall acquit him
119well. Your brother is but young and tender; and,
120for your love, I would be loath to foil him, as I
121must, for my own honour, if he come in: therefore,
122out of my love to you, I came hither to acquaint you
123withal, that either you might stay him from his
124intendment or brook such disgrace well as he shall
125run into, in that it is a thing of his own search
126and altogether against my will.
Oliver
127Charles, I thank thee for thy love to me, which
128thou shalt find I will most kindly requite. I had
129myself notice of my brother's purpose herein and
130have by underhand means laboured to dissuade him from
131it, but he is resolute. I'll tell thee, Charles:
132it is the stubbornest young fellow of France, full
133of ambition, an envious emulator of every man's
134good parts, a secret and villanous contriver against
135me his natural brother: therefore use thy
136discretion; I had as lief thou didst break his neck
137as his finger. And thou wert best look to't; for if
138thou dost him any slight disgrace or if he do not
139mightily grace himself on thee, he will practise
140against thee by poison, entrap thee by some
141treacherous device and never leave thee till he
142hath ta'en thy life by some indirect means or other;
143for, I assure thee, and almost with tears I speak
144it, there is not one so young and so villanous this
145day living. I speak but brotherly of him; but
146should I anatomize him to thee as he is, I must
147blush and weep and thou must look pale and wonder.
Charles
148I am heartily glad I came hither to you. If he come
149to-morrow, I'll give him his payment: if ever he go
150alone again, I'll never wrestle for prize more: and
151so God keep your worship!
Oliver
152Farewell, good Charles.
[Exit Charles]
Oliver
153Now will I stir this gamester: I hope I shall see
154an end of him; for my soul, yet I know not why,
155hates nothing more than he. Yet he's gentle, never
156schooled and yet learned, full of noble device, of
157all sorts enchantingly beloved, and indeed so much
158in the heart of the world, and especially of my own
159people, who best know him, that I am altogether
160misprised: but it shall not be so long; this
161wrestler shall clear all: nothing remains but that
162I kindle the boy thither; which now I'll go about.
[Exit]
Scene II. Lawn before the Duke's palace.
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[Enter Celia and Rosalind]
Celia
1I pray thee, Rosalind, sweet my coz, be merry.
Rosalind
2Dear Celia, I show more mirth than I am mistress of;
3and would you yet I were merrier? Unless you could
4teach me to forget a banished father, you must not
5learn me how to remember any extraordinary pleasure.
Celia
6Herein I see thou lovest me not with the full weight
7that I love thee. If my uncle, thy banished father,
8had banished thy uncle, the duke my father, so thou
9hadst been still with me, I could have taught my
10love to take thy father for mine: so wouldst thou,
11if the truth of thy love to me were so righteously
12tempered as mine is to thee.
Rosalind
13Well, I will forget the condition of my estate, to
14rejoice in yours.
Celia
15You know my father hath no child but I, nor none is
16like to have: and, truly, when he dies, thou shalt
17be his heir, for what he hath taken away from thy
18father perforce, I will render thee again in
19affection; by mine honour, I will; and when I break
20that oath, let me turn monster: therefore, my
21sweet Rose, my dear Rose, be merry.
Rosalind
22From henceforth I will, coz, and devise sports. Let
23me see; what think you of falling in love?
Celia
24Marry, I prithee, do, to make sport withal: but
25love no man in good earnest; nor no further in sport
26neither than with safety of a pure blush thou mayst
27in honour come off again.
Rosalind
28What shall be our sport, then?
Celia
29Let us sit and mock the good housewife Fortune from
30her wheel, that her gifts may henceforth be bestowed equally.
Rosalind
31I would we could do so, for her benefits are
32mightily misplaced, and the bountiful blind woman
33doth most mistake in her gifts to women.
Celia
34'Tis true; for those that she makes fair she scarce
35makes honest, and those that she makes honest she
36makes very ill-favouredly.
Rosalind
37Nay, now thou goest from Fortune's office to
38Nature's: Fortune reigns in gifts of the world,
39not in the lineaments of Nature.
[Enter Touchstone]
Celia
40No? when Nature hath made a fair creature, may she
41not by Fortune fall into the fire? Though Nature
42hath given us wit to flout at Fortune, hath not
43Fortune sent in this fool to cut off the argument?
Rosalind
44Indeed, there is Fortune too hard for Nature, when
45Fortune makes Nature's natural the cutter-off of
46Nature's wit.
Celia
47Peradventure this is not Fortune's work neither, but
48Nature's; who perceiveth our natural wits too dull
49to reason of such goddesses and hath sent this
50natural for our whetstone; for always the dulness of
51the fool is the whetstone of the wits. How now,
52wit! whither wander you?
Touchstone
53Mistress, you must come away to your father.
Celia
54Were you made the messenger?
Touchstone
55No, by mine honour, but I was bid to come for you.
Rosalind
56Where learned you that oath, fool?
Touchstone
57Of a certain knight that swore by his honour they
58were good pancakes and swore by his honour the
59mustard was naught: now I'll stand to it, the
60pancakes were naught and the mustard was good, and
61yet was not the knight forsworn.
Celia
62How prove you that, in the great heap of your
63knowledge?
Rosalind
64Ay, marry, now unmuzzle your wisdom.
Touchstone
65Stand you both forth now: stroke your chins, and
66swear by your beards that I am a knave.
Celia
67By our beards, if we had them, thou art.
Touchstone
68By my knavery, if I had it, then I were; but if you
69swear by that that is not, you are not forsworn: no
70more was this knight swearing by his honour, for he
71never had any; or if he had, he had sworn it away
72before ever he saw those pancakes or that mustard.
Celia
73Prithee, who is't that thou meanest?
Touchstone
74One that old Frederick, your father, loves.
Celia
75My father's love is enough to honour him: enough!
76speak no more of him; you'll be whipped for taxation
77one of these days.
Touchstone
78The more pity, that fools may not speak wisely what
79wise men do foolishly.
Celia
80By my troth, thou sayest true; for since the little
81wit that fools have was silenced, the little foolery
82that wise men have makes a great show. Here comes
83Monsieur Le Beau.
Rosalind
84With his mouth full of news.
Celia
85Which he will put on us, as pigeons feed their young.
Rosalind
86Then shall we be news-crammed.
Celia
87All the better; we shall be the more marketable.
[Enter Le Beau]
Celia
88Bon jour, Monsieur Le Beau: what's the news?
Le Beau
89Fair princess, you have lost much good sport.
Celia
90Sport! of what colour?
Le Beau
91What colour, madam! how shall I answer you?
Rosalind
92As wit and fortune will.
Touchstone
93Or as the Destinies decree.
Celia
94Well said: that was laid on with a trowel.
Touchstone
95Nay, if I keep not my rank,--
Rosalind
96Thou losest thy old smell.
Le Beau
97You amaze me, ladies: I would have told you of good
98wrestling, which you have lost the sight of.
Rosalind
99You tell us the manner of the wrestling.
Le Beau
100I will tell you the beginning; and, if it please
101your ladyships, you may see the end; for the best is
102yet to do; and here, where you are, they are coming
103to perform it.
Celia
104Well, the beginning, that is dead and buried.
Le Beau
105There comes an old man and his three sons,--
Celia
106I could match this beginning with an old tale.
Le Beau
107Three proper young men, of excellent growth and presence.
Rosalind
108With bills on their necks, 'Be it known unto all men
109by these presents.'
Le Beau
110The eldest of the three wrestled with Charles, the
111duke's wrestler; which Charles in a moment threw him
112and broke three of his ribs, that there is little
113hope of life in him: so he served the second, and
114so the third. Yonder they lie; the poor old man,
115their father, making such pitiful dole over them
116that all the beholders take his part with weeping.
Rosalind
117Alas!
Touchstone
118But what is the sport, monsieur, that the ladies
119have lost?
Le Beau
120Why, this that I speak of.
Touchstone
121Thus men may grow wiser every day: it is the first
122time that ever I heard breaking of ribs was sport
123for ladies.
Celia
124Or I, I promise thee.
Rosalind
125But is there any else longs to see this broken music
126in his sides? is there yet another dotes upon
127rib-breaking? Shall we see this wrestling, cousin?
Le Beau
128You must, if you stay here; for here is the place
129appointed for the wrestling, and they are ready to
130perform it.
Celia
131Yonder, sure, they are coming: let us now stay and see it.
[Flourish. Enter Duke Frederick, Lords, Orlando, Charles, and Attendants]
Duke Frederick
132Come on: since the youth will not be entreated, his
133own peril on his forwardness.
Rosalind
134Is yonder the man?
Le Beau
135Even he, madam.
Celia
136Alas, he is too young! yet he looks successfully.
Duke Frederick
137How now, daughter and cousin! are you crept hither
138to see the wrestling?
Rosalind
139Ay, my liege, so please you give us leave.
Duke Frederick
140You will take little delight in it, I can tell you;
141there is such odds in the man. In pity of the
142challenger's youth I would fain dissuade him, but he
143will not be entreated. Speak to him, ladies; see if
144you can move him.
Celia
145Call him hither, good Monsieur Le Beau.
Duke Frederick
146Do so: I'll not be by.
Le Beau
147Monsieur the challenger, the princesses call for you.
Orlando
148I attend them with all respect and duty.
Rosalind
149Young man, have you challenged Charles the wrestler?
Orlando
150No, fair princess; he is the general challenger: I
151come but in, as others do, to try with him the
152strength of my youth.
Celia
153Young gentleman, your spirits are too bold for your
154years. You have seen cruel proof of this man's
155strength: if you saw yourself with your eyes or
156knew yourself with your judgment, the fear of your
157adventure would counsel you to a more equal
158enterprise. We pray you, for your own sake, to
159embrace your own safety and give over this attempt.
Rosalind
160Do, young sir; your reputation shall not therefore
161be misprised: we will make it our suit to the duke
162that the wrestling might not go forward.
Orlando
163I beseech you, punish me not with your hard
164thoughts; wherein I confess me much guilty, to deny
165so fair and excellent ladies any thing. But let
166your fair eyes and gentle wishes go with me to my
167trial: wherein if I be foiled, there is but one
168shamed that was never gracious; if killed, but one
169dead that was willing to be so: I shall do my
170friends no wrong, for I have none to lament me, the
171world no injury, for in it I have nothing; only in
172the world I fill up a place, which may be better
173supplied when I have made it empty.
Rosalind
174The little strength that I have, I would it were with you.
Celia
175And mine, to eke out hers.
Rosalind
176Fare you well: pray heaven I be deceived in you!
Celia
177Your heart's desires be with you!
Charles
178Come, where is this young gallant that is so
179desirous to lie with his mother earth?
Orlando
180Ready, sir; but his will hath in it a more modest working.
Duke Frederick
181You shall try but one fall.
Charles
182No, I warrant your grace, you shall not entreat him
183to a second, that have so mightily persuaded him
184from a first.
Orlando
185An you mean to mock me after, you should not have
186mocked me before: but come your ways.
Rosalind
187Now Hercules be thy speed, young man!
Celia
188I would I were invisible, to catch the strong
189fellow by the leg.
[They wrestle]
Rosalind
190O excellent young man!
Celia
191If I had a thunderbolt in mine eye, I can tell who
192should down.
[Shout. Charles is thrown]
Duke Frederick
193No more, no more.
Orlando
194Yes, I beseech your grace: I am not yet well breathed.
Duke Frederick
195How dost thou, Charles?
Le Beau
196He cannot speak, my lord.
Duke Frederick
197Bear him away. What is thy name, young man?
Orlando
198Orlando, my liege; the youngest son of Sir Rowland de Boys.
Duke Frederick
199I would thou hadst been son to some man else:
200The world esteem'd thy father honourable,
201But I did find him still mine enemy:
202Thou shouldst have better pleased me with this deed,
203Hadst thou descended from another house.
204But fare thee well; thou art a gallant youth:
205I would thou hadst told me of another father.
[Exeunt Duke Frederick, train, and Le Beau]
Celia
206Were I my father, coz, would I do this?
Orlando
207I am more proud to be Sir Rowland's son,
208His youngest son; and would not change that calling,
209To be adopted heir to Frederick.
Rosalind
210My father loved Sir Rowland as his soul,
211And all the world was of my father's mind:
212Had I before known this young man his son,
213I should have given him tears unto entreaties,
214Ere he should thus have ventured.
Celia
215Gentle cousin,
216Let us go thank him and encourage him:
217My father's rough and envious disposition
218Sticks me at heart. Sir, you have well deserved:
219If you do keep your promises in love
220But justly, as you have exceeded all promise,
221Your mistress shall be happy.
Rosalind
222Gentleman,
[Giving him a chain from her neck]
Rosalind
223Wear this for me, one out of suits with fortune,
224That could give more, but that her hand lacks means.
225Shall we go, coz?
Celia
226Ay. Fare you well, fair gentleman.
Orlando
227Can I not say, I thank you? My better parts
228Are all thrown down, and that which here stands up
229Is but a quintain, a mere lifeless block.
Rosalind
230He calls us back: my pride fell with my fortunes;
231I'll ask him what he would. Did you call, sir?
232Sir, you have wrestled well and overthrown
233More than your enemies.
Celia
234Will you go, coz?
Rosalind
235Have with you. Fare you well.
[Exeunt Rosalind and Celia]
Orlando
236What passion hangs these weights upon my tongue?
237I cannot speak to her, yet she urged conference.
238O poor Orlando, thou art overthrown!
239Or Charles or something weaker masters thee.
[Re-enter Le Beau]
Le Beau
240Good sir, I do in friendship counsel you
241To leave this place. Albeit you have deserved
242High commendation, true applause and love,
243Yet such is now the duke's condition
244That he misconstrues all that you have done.
245The duke is humorous; what he is indeed,
246More suits you to conceive than I to speak of.
Orlando
247I thank you, sir: and, pray you, tell me this:
248Which of the two was daughter of the duke
249That here was at the wrestling?
Le Beau
250Neither his daughter, if we judge by manners;
251But yet indeed the lesser is his daughter
252The other is daughter to the banish'd duke,
253And here detain'd by her usurping uncle,
254To keep his daughter company; whose loves
255Are dearer than the natural bond of sisters.
256But I can tell you that of late this duke
257Hath ta'en displeasure 'gainst his gentle niece,
258Grounded upon no other argument
259But that the people praise her for her virtues
260And pity her for her good father's sake;
261And, on my life, his malice 'gainst the lady
262Will suddenly break forth. Sir, fare you well:
263Hereafter, in a better world than this,
264I shall desire more love and knowledge of you.
Orlando
265I rest much bounden to you: fare you well.
[Exit Le Beau]
Orlando
266Thus must I from the smoke into the smother;
267From tyrant duke unto a tyrant brother:
268But heavenly Rosalind!
[Exit]
Scene III. A room in the palace.
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[Enter Celia and Rosalind]
Celia
1Why, cousin! why, Rosalind! Cupid have mercy! not a word?
Rosalind
2Not one to throw at a dog.
Celia
3No, thy words are too precious to be cast away upon
4curs; throw some of them at me; come, lame me with reasons.
Rosalind
5Then there were two cousins laid up; when the one
6should be lamed with reasons and the other mad
7without any.
Celia
8But is all this for your father?
Rosalind
9No, some of it is for my child's father. O, how
10full of briers is this working-day world!
Celia
11They are but burs, cousin, thrown upon thee in
12holiday foolery: if we walk not in the trodden
13paths our very petticoats will catch them.
Rosalind
14I could shake them off my coat: these burs are in my heart.
Celia
15Hem them away.
Rosalind
16I would try, if I could cry 'hem' and have him.
Celia
17Come, come, wrestle with thy affections.
Rosalind
18O, they take the part of a better wrestler than myself!
Celia
19O, a good wish upon you! you will try in time, in
20despite of a fall. But, turning these jests out of
21service, let us talk in good earnest: is it
22possible, on such a sudden, you should fall into so
23strong a liking with old Sir Rowland's youngest son?
Rosalind
24The duke my father loved his father dearly.
Celia
25Doth it therefore ensue that you should love his son
26dearly? By this kind of chase, I should hate him,
27for my father hated his father dearly; yet I hate
28not Orlando.
Rosalind
29No, faith, hate him not, for my sake.
Celia
30Why should I not? doth he not deserve well?
Rosalind
31Let me love him for that, and do you love him
32because I do. Look, here comes the duke.
Celia
33With his eyes full of anger.
[Enter Duke Frederick, with Lords]
Duke Frederick
34Mistress, dispatch you with your safest haste
35And get you from our court.
Rosalind
36Me, uncle?
Duke Frederick
37You, cousin
38Within these ten days if that thou be'st found
39So near our public court as twenty miles,
40Thou diest for it.
Rosalind
41I do beseech your grace,
42Let me the knowledge of my fault bear with me:
43If with myself I hold intelligence
44Or have acquaintance with mine own desires,
45If that I do not dream or be not frantic,--
46As I do trust I am not--then, dear uncle,
47Never so much as in a thought unborn
48Did I offend your highness.
Duke Frederick
49Thus do all traitors:
50If their purgation did consist in words,
51They are as innocent as grace itself:
52Let it suffice thee that I trust thee not.
Rosalind
53Yet your mistrust cannot make me a traitor:
54Tell me whereon the likelihood depends.
Duke Frederick
55Thou art thy father's daughter; there's enough.
Rosalind
56So was I when your highness took his dukedom;
57So was I when your highness banish'd him:
58Treason is not inherited, my lord;
59Or, if we did derive it from our friends,
60What's that to me? my father was no traitor:
61Then, good my liege, mistake me not so much
62To think my poverty is treacherous.
Celia
63Dear sovereign, hear me speak.
Duke Frederick
64Ay, Celia; we stay'd her for your sake,
65Else had she with her father ranged along.
Celia
66I did not then entreat to have her stay;
67It was your pleasure and your own remorse:
68I was too young that time to value her;
69But now I know her: if she be a traitor,
70Why so am I; we still have slept together,
71Rose at an instant, learn'd, play'd, eat together,
72And wheresoever we went, like Juno's swans,
73Still we went coupled and inseparable.
Duke Frederick
74She is too subtle for thee; and her smoothness,
75Her very silence and her patience
76Speak to the people, and they pity her.
77Thou art a fool: she robs thee of thy name;
78And thou wilt show more bright and seem more virtuous
79When she is gone. Then open not thy lips:
80Firm and irrevocable is my doom
81Which I have pass'd upon her; she is banish'd.
Celia
82Pronounce that sentence then on me, my liege:
83I cannot live out of her company.
Duke Frederick
84You are a fool. You, niece, provide yourself:
85If you outstay the time, upon mine honour,
86And in the greatness of my word, you die.
[Exeunt Duke Frederick and Lords]
Celia
87O my poor Rosalind, whither wilt thou go?
88Wilt thou change fathers? I will give thee mine.
89I charge thee, be not thou more grieved than I am.
Rosalind
90I have more cause.
Celia
91Thou hast not, cousin;
92Prithee be cheerful: know'st thou not, the duke
93Hath banish'd me, his daughter?
Rosalind
94That he hath not.
Celia
95No, hath not? Rosalind lacks then the love
96Which teacheth thee that thou and I am one:
97Shall we be sunder'd? shall we part, sweet girl?
98No: let my father seek another heir.
99Therefore devise with me how we may fly,
100Whither to go and what to bear with us;
101And do not seek to take your change upon you,
102To bear your griefs yourself and leave me out;
103For, by this heaven, now at our sorrows pale,
104Say what thou canst, I'll go along with thee.
Rosalind
105Why, whither shall we go?
Celia
106To seek my uncle in the forest of Arden.
Rosalind
107Alas, what danger will it be to us,
108Maids as we are, to travel forth so far!
109Beauty provoketh thieves sooner than gold.
Celia
110I'll put myself in poor and mean attire
111And with a kind of umber smirch my face;
112The like do you: so shall we pass along
113And never stir assailants.
Rosalind
114Were it not better,
115Because that I am more than common tall,
116That I did suit me all points like a man?
117A gallant curtle-axe upon my thigh,
118A boar-spear in my hand; and--in my heart
119Lie there what hidden woman's fear there will--
120We'll have a swashing and a martial outside,
121As many other mannish cowards have
122That do outface it with their semblances.
Celia
123What shall I call thee when thou art a man?
Rosalind
124I'll have no worse a name than Jove's own page;
125And therefore look you call me Ganymede.
126But what will you be call'd?
Celia
127Something that hath a reference to my state
128No longer Celia, but Aliena.
Rosalind
129But, cousin, what if we assay'd to steal
130The clownish fool out of your father's court?
131Would he not be a comfort to our travel?
Celia
132He'll go along o'er the wide world with me;
133Leave me alone to woo him. Let's away,
134And get our jewels and our wealth together,
135Devise the fittest time and safest way
136To hide us from pursuit that will be made
137After my flight. Now go we in content
138To liberty and not to banishment.
[Exeunt]
Act II
Back to topScene I. The Forest of Arden.
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[Enter Duke Senior, Amiens, and two or three Lords, like foresters]
Duke Senior
1Now, my co-mates and brothers in exile,
2Hath not old custom made this life more sweet
3Than that of painted pomp? Are not these woods
4More free from peril than the envious court?
5Here feel we but the penalty of Adam,
6The seasons' difference, as the icy fang
7And churlish chiding of the winter's wind,
8Which, when it bites and blows upon my body,
9Even till I shrink with cold, I smile and say
10'This is no flattery: these are counsellors
11That feelingly persuade me what I am.'
12Sweet are the uses of adversity,
13Which, like the toad, ugly and venomous,
14Wears yet a precious jewel in his head;
15And this our life exempt from public haunt
16Finds tongues in trees, books in the running brooks,
17Sermons in stones and good in every thing.
18I would not change it.
Amiens
19Happy is your grace,
20That can translate the stubbornness of fortune
21Into so quiet and so sweet a style.
Duke Senior
22Come, shall we go and kill us venison?
23And yet it irks me the poor dappled fools,
24Being native burghers of this desert city,
25Should in their own confines with forked heads
26Have their round haunches gored.
First Lord
27Indeed, my lord,
28The melancholy Jaques grieves at that,
29And, in that kind, swears you do more usurp
30Than doth your brother that hath banish'd you.
31To-day my Lord of Amiens and myself
32Did steal behind him as he lay along
33Under an oak whose antique root peeps out
34Upon the brook that brawls along this wood:
35To the which place a poor sequester'd stag,
36That from the hunter's aim had ta'en a hurt,
37Did come to languish, and indeed, my lord,
38The wretched animal heaved forth such groans
39That their discharge did stretch his leathern coat
40Almost to bursting, and the big round tears
41Coursed one another down his innocent nose
42In piteous chase; and thus the hairy fool
43Much marked of the melancholy Jaques,
44Stood on the extremest verge of the swift brook,
45Augmenting it with tears.
Duke Senior
46But what said Jaques?
47Did he not moralize this spectacle?
First Lord
48O, yes, into a thousand similes.
49First, for his weeping into the needless stream;
50'Poor deer,' quoth he, 'thou makest a testament
51As worldlings do, giving thy sum of more
52To that which had too much:' then, being there alone,
53Left and abandon'd of his velvet friends,
54''Tis right:' quoth he; 'thus misery doth part
55The flux of company:' anon a careless herd,
56Full of the pasture, jumps along by him
57And never stays to greet him; 'Ay' quoth Jaques,
58'Sweep on, you fat and greasy citizens;
59'Tis just the fashion: wherefore do you look
60Upon that poor and broken bankrupt there?'
61Thus most invectively he pierceth through
62The body of the country, city, court,
63Yea, and of this our life, swearing that we
64Are mere usurpers, tyrants and what's worse,
65To fright the animals and to kill them up
66In their assign'd and native dwelling-place.
Duke Senior
67And did you leave him in this contemplation?
Second Lord
68We did, my lord, weeping and commenting
69Upon the sobbing deer.
Duke Senior
70Show me the place:
71I love to cope him in these sullen fits,
72For then he's full of matter.
First Lord
73I'll bring you to him straight.
[Exeunt]
Scene II. A room in the palace.
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[Enter Duke Frederick, with Lords]
Duke Frederick
1Can it be possible that no man saw them?
2It cannot be: some villains of my court
3Are of consent and sufferance in this.
First Lord
4I cannot hear of any that did see her.
5The ladies, her attendants of her chamber,
6Saw her abed, and in the morning early
7They found the bed untreasured of their mistress.
Second Lord
8My lord, the roynish clown, at whom so oft
9Your grace was wont to laugh, is also missing.
10Hisperia, the princess' gentlewoman,
11Confesses that she secretly o'erheard
12Your daughter and her cousin much commend
13The parts and graces of the wrestler
14That did but lately foil the sinewy Charles;
15And she believes, wherever they are gone,
16That youth is surely in their company.
Duke Frederick
17Send to his brother; fetch that gallant hither;
18If he be absent, bring his brother to me;
19I'll make him find him: do this suddenly,
20And let not search and inquisition quail
21To bring again these foolish runaways.
[Exeunt]
Scene III. Before Oliver's house.
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[Enter Orlando and Adam, meeting]
Orlando
1Who's there?
Adam
2What, my young master? O, my gentle master!
3O my sweet master! O you memory
4Of old Sir Rowland! why, what make you here?
5Why are you virtuous? why do people love you?
6And wherefore are you gentle, strong and valiant?
7Why would you be so fond to overcome
8The bonny priser of the humorous duke?
9Your praise is come too swiftly home before you.
10Know you not, master, to some kind of men
11Their graces serve them but as enemies?
12No more do yours: your virtues, gentle master,
13Are sanctified and holy traitors to you.
14O, what a world is this, when what is comely
15Envenoms him that bears it!
Orlando
16Why, what's the matter?
Adam
17O unhappy youth!
18Come not within these doors; within this roof
19The enemy of all your graces lives:
20Your brother--no, no brother; yet the son--
21Yet not the son, I will not call him son
22Of him I was about to call his father--
23Hath heard your praises, and this night he means
24To burn the lodging where you use to lie
25And you within it: if he fail of that,
26He will have other means to cut you off.
27I overheard him and his practises.
28This is no place; this house is but a butchery:
29Abhor it, fear it, do not enter it.
Orlando
30Why, whither, Adam, wouldst thou have me go?
Adam
31No matter whither, so you come not here.
Orlando
32What, wouldst thou have me go and beg my food?
33Or with a base and boisterous sword enforce
34A thievish living on the common road?
35This I must do, or know not what to do:
36Yet this I will not do, do how I can;
37I rather will subject me to the malice
38Of a diverted blood and bloody brother.
Adam
39But do not so. I have five hundred crowns,
40The thrifty hire I saved under your father,
41Which I did store to be my foster-nurse
42When service should in my old limbs lie lame
43And unregarded age in corners thrown:
44Take that, and He that doth the ravens feed,
45Yea, providently caters for the sparrow,
46Be comfort to my age! Here is the gold;
47And all this I give you. Let me be your servant:
48Though I look old, yet I am strong and lusty;
49For in my youth I never did apply
50Hot and rebellious liquors in my blood,
51Nor did not with unbashful forehead woo
52The means of weakness and debility;
53Therefore my age is as a lusty winter,
54Frosty, but kindly: let me go with you;
55I'll do the service of a younger man
56In all your business and necessities.
Orlando
57O good old man, how well in thee appears
58The constant service of the antique world,
59When service sweat for duty, not for meed!
60Thou art not for the fashion of these times,
61Where none will sweat but for promotion,
62And having that, do choke their service up
63Even with the having: it is not so with thee.
64But, poor old man, thou prunest a rotten tree,
65That cannot so much as a blossom yield
66In lieu of all thy pains and husbandry
67But come thy ways; well go along together,
68And ere we have thy youthful wages spent,
69We'll light upon some settled low content.
Adam
70Master, go on, and I will follow thee,
71To the last gasp, with truth and loyalty.
72From seventeen years till now almost fourscore
73Here lived I, but now live here no more.
74At seventeen years many their fortunes seek;
75But at fourscore it is too late a week:
76Yet fortune cannot recompense me better
77Than to die well and not my master's debtor.
[Exeunt]
Scene IV. The Forest of Arden.
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[Enter Rosalind for Ganymede, Celia for Aliena, and Touchstone]
Rosalind
1O Jupiter, how weary are my spirits!
Touchstone
2I care not for my spirits, if my legs were not weary.
Rosalind
3I could find in my heart to disgrace my man's
4apparel and to cry like a woman; but I must comfort
5the weaker vessel, as doublet and hose ought to show
6itself courageous to petticoat: therefore courage,
7good Aliena!
Celia
8I pray you, bear with me; I cannot go no further.
Touchstone
9For my part, I had rather bear with you than bear
10you; yet I should bear no cross if I did bear you,
11for I think you have no money in your purse.
Rosalind
12Well, this is the forest of Arden.
Touchstone
13Ay, now am I in Arden; the more fool I; when I was
14at home, I was in a better place: but travellers
15must be content.
Rosalind
16Ay, be so, good Touchstone.
[Enter Corin and Silvius]
Rosalind
17Look you, who comes here; a young man and an old in
18solemn talk.
Corin
19That is the way to make her scorn you still.
Silvius
20O Corin, that thou knew'st how I do love her!
Corin
21I partly guess; for I have loved ere now.
Silvius
22No, Corin, being old, thou canst not guess,
23Though in thy youth thou wast as true a lover
24As ever sigh'd upon a midnight pillow:
25But if thy love were ever like to mine--
26As sure I think did never man love so--
27How many actions most ridiculous
28Hast thou been drawn to by thy fantasy?
Corin
29Into a thousand that I have forgotten.
Silvius
30O, thou didst then ne'er love so heartily!
31If thou remember'st not the slightest folly
32That ever love did make thee run into,
33Thou hast not loved:
34Or if thou hast not sat as I do now,
35Wearying thy hearer in thy mistress' praise,
36Thou hast not loved:
37Or if thou hast not broke from company
38Abruptly, as my passion now makes me,
39Thou hast not loved.
40O Phebe, Phebe, Phebe!
[Exit]
Rosalind
41Alas, poor shepherd! searching of thy wound,
42I have by hard adventure found mine own.
Touchstone
43And I mine. I remember, when I was in love I broke
44my sword upon a stone and bid him take that for
45coming a-night to Jane Smile; and I remember the
46kissing of her batlet and the cow's dugs that her
47pretty chopt hands had milked; and I remember the
48wooing of a peascod instead of her, from whom I took
49two cods and, giving her them again, said with
50weeping tears 'Wear these for my sake.' We that are
51true lovers run into strange capers; but as all is
52mortal in nature, so is all nature in love mortal in folly.
Rosalind
53Thou speakest wiser than thou art ware of.
Touchstone
54Nay, I shall ne'er be ware of mine own wit till I
55break my shins against it.
Rosalind
56Jove, Jove! this shepherd's passion
57Is much upon my fashion.
Touchstone
58And mine; but it grows something stale with me.
Celia
59I pray you, one of you question yond man
60If he for gold will give us any food:
61I faint almost to death.
Touchstone
62Holla, you clown!
Rosalind
63Peace, fool: he's not thy kinsman.
Corin
64Who calls?
Touchstone
65Your betters, sir.
Corin
66Else are they very wretched.
Rosalind
67Peace, I say. Good even to you, friend.
Corin
68And to you, gentle sir, and to you all.
Rosalind
69I prithee, shepherd, if that love or gold
70Can in this desert place buy entertainment,
71Bring us where we may rest ourselves and feed:
72Here's a young maid with travel much oppress'd
73And faints for succor.
Corin
74Fair sir, I pity her
75And wish, for her sake more than for mine own,
76My fortunes were more able to relieve her;
77But I am shepherd to another man
78And do not shear the fleeces that I graze:
79My master is of churlish disposition
80And little recks to find the way to heaven
81By doing deeds of hospitality:
82Besides, his cote, his flocks and bounds of feed
83Are now on sale, and at our sheepcote now,
84By reason of his absence, there is nothing
85That you will feed on; but what is, come see.
86And in my voice most welcome shall you be.
Rosalind
87What is he that shall buy his flock and pasture?
Corin
88That young swain that you saw here but erewhile,
89That little cares for buying any thing.
Rosalind
90I pray thee, if it stand with honesty,
91Buy thou the cottage, pasture and the flock,
92And thou shalt have to pay for it of us.
Celia
93And we will mend thy wages. I like this place.
94And willingly could waste my time in it.
Corin
95Assuredly the thing is to be sold:
96Go with me: if you like upon report
97The soil, the profit and this kind of life,
98I will your very faithful feeder be
99And buy it with your gold right suddenly.
[Exeunt]
Scene V. The Forest.
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[Enter Amiens, Jaques, and others]
Amiens
1Under the greenwood tree
2Who loves to lie with me,
3And turn his merry note
4Unto the sweet bird's throat,
5Come hither, come hither, come hither:
6Here shall he see No enemy
7But winter and rough weather.
Jaques
8More, more, I prithee, more.
Amiens
9It will make you melancholy, Monsieur Jaques.
Jaques
10I thank it. More, I prithee, more. I can suck
11melancholy out of a song, as a weasel sucks eggs.
12More, I prithee, more.
Amiens
13My voice is ragged: I know I cannot please you.
Jaques
14I do not desire you to please me; I do desire you to
15sing. Come, more; another stanzo: call you 'em stanzos?
Amiens
16What you will, Monsieur Jaques.
Jaques
17Nay, I care not for their names; they owe me
18nothing. Will you sing?
Amiens
19More at your request than to please myself.
Jaques
20Well then, if ever I thank any man, I'll thank you;
21but that they call compliment is like the encounter
22of two dog-apes, and when a man thanks me heartily,
23methinks I have given him a penny and he renders me
24the beggarly thanks. Come, sing; and you that will
25not, hold your tongues.
Amiens
26Well, I'll end the song. Sirs, cover the while; the
27duke will drink under this tree. He hath been all
28this day to look you.
Jaques
29And I have been all this day to avoid him. He is
30too disputable for my company: I think of as many
31matters as he, but I give heaven thanks and make no
32boast of them. Come, warble, come.
33SONG.
34Who doth ambition shun
[All together here]
Jaques
35And loves to live i' the sun,
36Seeking the food he eats
37And pleased with what he gets,
38Come hither, come hither, come hither:
39Here shall he see No enemy
40But winter and rough weather.
41I'll give you a verse to this note that I made
42yesterday in despite of my invention.
Amiens
43And I'll sing it.
Jaques
44Thus it goes:--
45If it do come to pass
46That any man turn ass,
47Leaving his wealth and ease,
48A stubborn will to please,
49Ducdame, ducdame, ducdame:
50Here shall he see
51Gross fools as he,
52An if he will come to me.
Amiens
53What's that 'ducdame'?
Jaques
54'Tis a Greek invocation, to call fools into a
55circle. I'll go sleep, if I can; if I cannot, I'll
56rail against all the first-born of Egypt.
Amiens
57And I'll go seek the duke: his banquet is prepared.
[Exeunt severally]
Scene VI. The forest.
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[Enter Orlando and Adam]
Adam
1Dear master, I can go no further. O, I die for food!
2Here lie I down, and measure out my grave. Farewell,
3kind master.
Orlando
4Why, how now, Adam! no greater heart in thee? Live
5a little; comfort a little; cheer thyself a little.
6If this uncouth forest yield any thing savage, I
7will either be food for it or bring it for food to
8thee. Thy conceit is nearer death than thy powers.
9For my sake be comfortable; hold death awhile at
10the arm's end: I will here be with thee presently;
11and if I bring thee not something to eat, I will
12give thee leave to die: but if thou diest before I
13come, thou art a mocker of my labour. Well said!
14thou lookest cheerly, and I'll be with thee quickly.
15Yet thou liest in the bleak air: come, I will bear
16thee to some shelter; and thou shalt not die for
17lack of a dinner, if there live any thing in this
18desert. Cheerly, good Adam!
[Exeunt]
Scene VII. The forest.
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[A table set out. Enter Duke Senior, Amiens, and Lords like outlaws]
Duke Senior
1I think he be transform'd into a beast;
2For I can no where find him like a man.
First Lord
3My lord, he is but even now gone hence:
4Here was he merry, hearing of a song.
Duke Senior
5If he, compact of jars, grow musical,
6We shall have shortly discord in the spheres.
7Go, seek him: tell him I would speak with him.
[Enter Jaques]
First Lord
8He saves my labour by his own approach.
Duke Senior
9Why, how now, monsieur! what a life is this,
10That your poor friends must woo your company?
11What, you look merrily!
Jaques
12A fool, a fool! I met a fool i' the forest,
13A motley fool; a miserable world!
14As I do live by food, I met a fool
15Who laid him down and bask'd him in the sun,
16And rail'd on Lady Fortune in good terms,
17In good set terms and yet a motley fool.
18'Good morrow, fool,' quoth I. 'No, sir,' quoth he,
19'Call me not fool till heaven hath sent me fortune:'
20And then he drew a dial from his poke,
21And, looking on it with lack-lustre eye,
22Says very wisely, 'It is ten o'clock:
23Thus we may see,' quoth he, 'how the world wags:
24'Tis but an hour ago since it was nine,
25And after one hour more 'twill be eleven;
26And so, from hour to hour, we ripe and ripe,
27And then, from hour to hour, we rot and rot;
28And thereby hangs a tale.' When I did hear
29The motley fool thus moral on the time,
30My lungs began to crow like chanticleer,
31That fools should be so deep-contemplative,
32And I did laugh sans intermission
33An hour by his dial. O noble fool!
34A worthy fool! Motley's the only wear.
Duke Senior
35What fool is this?
Jaques
36O worthy fool! One that hath been a courtier,
37And says, if ladies be but young and fair,
38They have the gift to know it: and in his brain,
39Which is as dry as the remainder biscuit
40After a voyage, he hath strange places cramm'd
41With observation, the which he vents
42In mangled forms. O that I were a fool!
43I am ambitious for a motley coat.
Duke Senior
44Thou shalt have one.
Jaques
45It is my only suit;
46Provided that you weed your better judgments
47Of all opinion that grows rank in them
48That I am wise. I must have liberty
49Withal, as large a charter as the wind,
50To blow on whom I please; for so fools have;
51And they that are most galled with my folly,
52They most must laugh. And why, sir, must they so?
53The 'why' is plain as way to parish church:
54He that a fool doth very wisely hit
55Doth very foolishly, although he smart,
56Not to seem senseless of the bob: if not,
57The wise man's folly is anatomized
58Even by the squandering glances of the fool.
59Invest me in my motley; give me leave
60To speak my mind, and I will through and through
61Cleanse the foul body of the infected world,
62If they will patiently receive my medicine.
Duke Senior
63Fie on thee! I can tell what thou wouldst do.
Jaques
64What, for a counter, would I do but good?
Duke Senior
65Most mischievous foul sin, in chiding sin:
66For thou thyself hast been a libertine,
67As sensual as the brutish sting itself;
68And all the embossed sores and headed evils,
69That thou with licence of free foot hast caught,
70Wouldst thou disgorge into the general world.
Jaques
71Why, who cries out on pride,
72That can therein tax any private party?
73Doth it not flow as hugely as the sea,
74Till that the weary very means do ebb?
75What woman in the city do I name,
76When that I say the city-woman bears
77The cost of princes on unworthy shoulders?
78Who can come in and say that I mean her,
79When such a one as she such is her neighbour?
80Or what is he of basest function
81That says his bravery is not of my cost,
82Thinking that I mean him, but therein suits
83His folly to the mettle of my speech?
84There then; how then? what then? Let me see wherein
85My tongue hath wrong'd him: if it do him right,
86Then he hath wrong'd himself; if he be free,
87Why then my taxing like a wild-goose flies,
88Unclaim'd of any man. But who comes here?
[Enter Orlando, with his sword drawn]
Orlando
89Forbear, and eat no more.
Jaques
90Why, I have eat none yet.
Orlando
91Nor shalt not, till necessity be served.
Jaques
92Of what kind should this cock come of?
Duke Senior
93Art thou thus bolden'd, man, by thy distress,
94Or else a rude despiser of good manners,
95That in civility thou seem'st so empty?
Orlando
96You touch'd my vein at first: the thorny point
97Of bare distress hath ta'en from me the show
98Of smooth civility: yet am I inland bred
99And know some nurture. But forbear, I say:
100He dies that touches any of this fruit
101Till I and my affairs are answered.
Jaques
102An you will not be answered with reason, I must die.
Duke Senior
103What would you have? Your gentleness shall force
104More than your force move us to gentleness.
Orlando
105I almost die for food; and let me have it.
Duke Senior
106Sit down and feed, and welcome to our table.
Orlando
107Speak you so gently? Pardon me, I pray you:
108I thought that all things had been savage here;
109And therefore put I on the countenance
110Of stern commandment. But whate'er you are
111That in this desert inaccessible,
112Under the shade of melancholy boughs,
113Lose and neglect the creeping hours of time
114If ever you have look'd on better days,
115If ever been where bells have knoll'd to church,
116If ever sat at any good man's feast,
117If ever from your eyelids wiped a tear
118And know what 'tis to pity and be pitied,
119Let gentleness my strong enforcement be:
120In the which hope I blush, and hide my sword.
Duke Senior
121True is it that we have seen better days,
122And have with holy bell been knoll'd to church
123And sat at good men's feasts and wiped our eyes
124Of drops that sacred pity hath engender'd:
125And therefore sit you down in gentleness
126And take upon command what help we have
127That to your wanting may be minister'd.
Orlando
128Then but forbear your food a little while,
129Whiles, like a doe, I go to find my fawn
130And give it food. There is an old poor man,
131Who after me hath many a weary step
132Limp'd in pure love: till he be first sufficed,
133Oppress'd with two weak evils, age and hunger,
134I will not touch a bit.
Duke Senior
135Go find him out,
136And we will nothing waste till you return.
Orlando
137I thank ye; and be blest for your good comfort!
[Exit]
Duke Senior
138Thou seest we are not all alone unhappy:
139This wide and universal theatre
140Presents more woeful pageants than the scene
141Wherein we play in.
Jaques
142All the world's a stage,
143And all the men and women merely players:
144They have their exits and their entrances;
145And one man in his time plays many parts,
146His acts being seven ages. At first the infant,
147Mewling and puking in the nurse's arms.
148And then the whining school-boy, with his satchel
149And shining morning face, creeping like snail
150Unwillingly to school. And then the lover,
151Sighing like furnace, with a woeful ballad
152Made to his mistress' eyebrow. Then a soldier,
153Full of strange oaths and bearded like the pard,
154Jealous in honour, sudden and quick in quarrel,
155Seeking the bubble reputation
156Even in the cannon's mouth. And then the justice,
157In fair round belly with good capon lined,
158With eyes severe and beard of formal cut,
159Full of wise saws and modern instances;
160And so he plays his part. The sixth age shifts
161Into the lean and slipper'd pantaloon,
162With spectacles on nose and pouch on side,
163His youthful hose, well saved, a world too wide
164For his shrunk shank; and his big manly voice,
165Turning again toward childish treble, pipes
166And whistles in his sound. Last scene of all,
167That ends this strange eventful history,
168Is second childishness and mere oblivion,
169Sans teeth, sans eyes, sans taste, sans everything.
[Re-enter Orlando, with Adam]
Duke Senior
170Welcome. Set down your venerable burthen,
171And let him feed.
Orlando
172I thank you most for him.
Adam
173So had you need:
174I scarce can speak to thank you for myself.
Duke Senior
175Welcome; fall to: I will not trouble you
176As yet, to question you about your fortunes.
177Give us some music; and, good cousin, sing.
178SONG.
Amiens
179Blow, blow, thou winter wind.
180Thou art not so unkind
181As man's ingratitude;
182Thy tooth is not so keen,
183Because thou art not seen,
184Although thy breath be rude.
185Heigh-ho! sing, heigh-ho! unto the green holly:
186Most friendship is feigning, most loving mere folly:
187Then, heigh-ho, the holly!
188This life is most jolly.
189Freeze, freeze, thou bitter sky,
190That dost not bite so nigh
191As benefits forgot:
192Though thou the waters warp,
193Thy sting is not so sharp
194As friend remember'd not.
195Heigh-ho! sing, & c.
Duke Senior
196If that you were the good Sir Rowland's son,
197As you have whisper'd faithfully you were,
198And as mine eye doth his effigies witness
199Most truly limn'd and living in your face,
200Be truly welcome hither: I am the duke
201That loved your father: the residue of your fortune,
202Go to my cave and tell me. Good old man,
203Thou art right welcome as thy master is.
204Support him by the arm. Give me your hand,
205And let me all your fortunes understand.
[Exeunt]
Act III
Back to topScene I. A room in the palace.
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[Enter Duke Frederick, Lords, and Oliver]
Duke Frederick
1Not see him since? Sir, sir, that cannot be:
2But were I not the better part made mercy,
3I should not seek an absent argument
4Of my revenge, thou present. But look to it:
5Find out thy brother, wheresoe'er he is;
6Seek him with candle; bring him dead or living
7Within this twelvemonth, or turn thou no more
8To seek a living in our territory.
9Thy lands and all things that thou dost call thine
10Worth seizure do we seize into our hands,
11Till thou canst quit thee by thy brothers mouth
12Of what we think against thee.
Oliver
13O that your highness knew my heart in this!
14I never loved my brother in my life.
Duke Frederick
15More villain thou. Well, push him out of doors;
16And let my officers of such a nature
17Make an extent upon his house and lands:
18Do this expediently and turn him going.
[Exeunt]
Scene II. The forest.
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[Enter Orlando, with a paper]
Orlando
1Hang there, my verse, in witness of my love:
2And thou, thrice-crowned queen of night, survey
3With thy chaste eye, from thy pale sphere above,
4Thy huntress' name that my full life doth sway.
5O Rosalind! these trees shall be my books
6And in their barks my thoughts I'll character;
7That every eye which in this forest looks
8Shall see thy virtue witness'd every where.
9Run, run, Orlando; carve on every tree
10The fair, the chaste and unexpressive she.
[Exit]
[Enter Corin and Touchstone]
Corin
11And how like you this shepherd's life, Master Touchstone?
Touchstone
12Truly, shepherd, in respect of itself, it is a good
13life, but in respect that it is a shepherd's life,
14it is naught. In respect that it is solitary, I
15like it very well; but in respect that it is
16private, it is a very vile life. Now, in respect it
17is in the fields, it pleaseth me well; but in
18respect it is not in the court, it is tedious. As
19is it a spare life, look you, it fits my humour well;
20but as there is no more plenty in it, it goes much
21against my stomach. Hast any philosophy in thee, shepherd?
Corin
22No more but that I know the more one sickens the
23worse at ease he is; and that he that wants money,
24means and content is without three good friends;
25that the property of rain is to wet and fire to
26burn; that good pasture makes fat sheep, and that a
27great cause of the night is lack of the sun; that
28he that hath learned no wit by nature nor art may
29complain of good breeding or comes of a very dull kindred.
Touchstone
30Such a one is a natural philosopher. Wast ever in
31court, shepherd?
Corin
32No, truly.
Touchstone
33Then thou art damned.
Corin
34Nay, I hope.
Touchstone
35Truly, thou art damned like an ill-roasted egg, all
36on one side.
Corin
37For not being at court? Your reason.
Touchstone
38Why, if thou never wast at court, thou never sawest
39good manners; if thou never sawest good manners,
40then thy manners must be wicked; and wickedness is
41sin, and sin is damnation. Thou art in a parlous
42state, shepherd.
Corin
43Not a whit, Touchstone: those that are good manners
44at the court are as ridiculous in the country as the
45behavior of the country is most mockable at the
46court. You told me you salute not at the court, but
47you kiss your hands: that courtesy would be
48uncleanly, if courtiers were shepherds.
Touchstone
49Instance, briefly; come, instance.
Corin
50Why, we are still handling our ewes, and their
51fells, you know, are greasy.
Touchstone
52Why, do not your courtier's hands sweat? and is not
53the grease of a mutton as wholesome as the sweat of
54a man? Shallow, shallow. A better instance, I say; come.
Corin
55Besides, our hands are hard.
Touchstone
56Your lips will feel them the sooner. Shallow again.
57A more sounder instance, come.
Corin
58And they are often tarred over with the surgery of
59our sheep: and would you have us kiss tar? The
60courtier's hands are perfumed with civet.
Touchstone
61Most shallow man! thou worms-meat, in respect of a
62good piece of flesh indeed! Learn of the wise, and
63perpend: civet is of a baser birth than tar, the
64very uncleanly flux of a cat. Mend the instance, shepherd.
Corin
65You have too courtly a wit for me: I'll rest.
Touchstone
66Wilt thou rest damned? God help thee, shallow man!
67God make incision in thee! thou art raw.
Corin
68Sir, I am a true labourer: I earn that I eat, get
69that I wear, owe no man hate, envy no man's
70happiness, glad of other men's good, content with my
71harm, and the greatest of my pride is to see my ewes
72graze and my lambs suck.
Touchstone
73That is another simple sin in you, to bring the ewes
74and the rams together and to offer to get your
75living by the copulation of cattle; to be bawd to a
76bell-wether, and to betray a she-lamb of a
77twelvemonth to a crooked-pated, old, cuckoldly ram,
78out of all reasonable match. If thou beest not
79damned for this, the devil himself will have no
80shepherds; I cannot see else how thou shouldst
81'scape.
Corin
82Here comes young Master Ganymede, my new mistress's brother.
[Enter Rosalind, with a paper, reading]
Rosalind
83From the east to western Ind,
84No jewel is like Rosalind.
85Her worth, being mounted on the wind,
86Through all the world bears Rosalind.
87All the pictures fairest lined
88Are but black to Rosalind.
89Let no fair be kept in mind
90But the fair of Rosalind.
Touchstone
91I'll rhyme you so eight years together, dinners and
92suppers and sleeping-hours excepted: it is the
93right butter-women's rank to market.
Rosalind
94Out, fool!
Touchstone
95For a taste:
96If a hart do lack a hind,
97Let him seek out Rosalind.
98If the cat will after kind,
99So be sure will Rosalind.
100Winter garments must be lined,
101So must slender Rosalind.
102They that reap must sheaf and bind;
103Then to cart with Rosalind.
104Sweetest nut hath sourest rind,
105Such a nut is Rosalind.
106He that sweetest rose will find
107Must find love's prick and Rosalind.
108This is the very false gallop of verses: why do you
109infect yourself with them?
Rosalind
110Peace, you dull fool! I found them on a tree.
Touchstone
111Truly, the tree yields bad fruit.
Rosalind
112I'll graff it with you, and then I shall graff it
113with a medlar: then it will be the earliest fruit
114i' the country; for you'll be rotten ere you be half
115ripe, and that's the right virtue of the medlar.
Touchstone
116You have said; but whether wisely or no, let the
117forest judge.
[Enter Celia, with a writing]
Rosalind
118Peace! Here comes my sister, reading: stand aside.
Celia
119[Reads]
120Why should this a desert be?
121For it is unpeopled? No:
122Tongues I'll hang on every tree,
123That shall civil sayings show:
124Some, how brief the life of man
125Runs his erring pilgrimage,
126That the stretching of a span
127Buckles in his sum of age;
128Some, of violated vows
129'Twixt the souls of friend and friend:
130But upon the fairest boughs,
131Or at every sentence end,
132Will I Rosalinda write,
133Teaching all that read to know
134The quintessence of every sprite
135Heaven would in little show.
136Therefore Heaven Nature charged
137That one body should be fill'd
138With all graces wide-enlarged:
139Nature presently distill'd
140Helen's cheek, but not her heart,
141Cleopatra's majesty,
142Atalanta's better part,
143Sad Lucretia's modesty.
144Thus Rosalind of many parts
145By heavenly synod was devised,
146Of many faces, eyes and hearts,
147To have the touches dearest prized.
148Heaven would that she these gifts should have,
149And I to live and die her slave.
Rosalind
150O most gentle pulpiter! what tedious homily of love
151have you wearied your parishioners withal, and never
152cried 'Have patience, good people!'
Celia
153How now! back, friends! Shepherd, go off a little.
154Go with him, sirrah.
Touchstone
155Come, shepherd, let us make an honourable retreat;
156though not with bag and baggage, yet with scrip and scrippage.
[Exeunt Corin and Touchstone]
Celia
157Didst thou hear these verses?
Rosalind
158O, yes, I heard them all, and more too; for some of
159them had in them more feet than the verses would bear.
Celia
160That's no matter: the feet might bear the verses.
Rosalind
161Ay, but the feet were lame and could not bear
162themselves without the verse and therefore stood
163lamely in the verse.
Celia
164But didst thou hear without wondering how thy name
165should be hanged and carved upon these trees?
Rosalind
166I was seven of the nine days out of the wonder
167before you came; for look here what I found on a
168palm-tree. I was never so be-rhymed since
169Pythagoras' time, that I was an Irish rat, which I
170can hardly remember.
Celia
171Trow you who hath done this?
Rosalind
172Is it a man?
Celia
173And a chain, that you once wore, about his neck.
174Change you colour?
Rosalind
175I prithee, who?
Celia
176O Lord, Lord! it is a hard matter for friends to
177meet; but mountains may be removed with earthquakes
178and so encounter.
Rosalind
179Nay, but who is it?
Celia
180Is it possible?
Rosalind
181Nay, I prithee now with most petitionary vehemence,
182tell me who it is.
Celia
183O wonderful, wonderful, and most wonderful
184wonderful! and yet again wonderful, and after that,
185out of all hooping!
Rosalind
186Good my complexion! dost thou think, though I am
187caparisoned like a man, I have a doublet and hose in
188my disposition? One inch of delay more is a
189South-sea of discovery; I prithee, tell me who is it
190quickly, and speak apace. I would thou couldst
191stammer, that thou mightst pour this concealed man
192out of thy mouth, as wine comes out of a narrow-
193mouthed bottle, either too much at once, or none at
194all. I prithee, take the cork out of thy mouth that
195may drink thy tidings.
Celia
196So you may put a man in your belly.
Rosalind
197Is he of God's making? What manner of man? Is his
198head worth a hat, or his chin worth a beard?
Celia
199Nay, he hath but a little beard.
Rosalind
200Why, God will send more, if the man will be
201thankful: let me stay the growth of his beard, if
202thou delay me not the knowledge of his chin.
Celia
203It is young Orlando, that tripped up the wrestler's
204heels and your heart both in an instant.
Rosalind
205Nay, but the devil take mocking: speak, sad brow and
206true maid.
Celia
207I' faith, coz, 'tis he.
Rosalind
208Orlando?
Celia
209Orlando.
Rosalind
210Alas the day! what shall I do with my doublet and
211hose? What did he when thou sawest him? What said
212he? How looked he? Wherein went he? What makes
213him here? Did he ask for me? Where remains he?
214How parted he with thee? and when shalt thou see
215him again? Answer me in one word.
Celia
216You must borrow me Gargantua's mouth first: 'tis a
217word too great for any mouth of this age's size. To
218say ay and no to these particulars is more than to
219answer in a catechism.
Rosalind
220But doth he know that I am in this forest and in
221man's apparel? Looks he as freshly as he did the
222day he wrestled?
Celia
223It is as easy to count atomies as to resolve the
224propositions of a lover; but take a taste of my
225finding him, and relish it with good observance.
226I found him under a tree, like a dropped acorn.
Rosalind
227It may well be called Jove's tree, when it drops
228forth such fruit.
Celia
229Give me audience, good madam.
Rosalind
230Proceed.
Celia
231There lay he, stretched along, like a wounded knight.
Rosalind
232Though it be pity to see such a sight, it well
233becomes the ground.
Celia
234Cry 'holla' to thy tongue, I prithee; it curvets
235unseasonably. He was furnished like a hunter.
Rosalind
236O, ominous! he comes to kill my heart.
Celia
237I would sing my song without a burden: thou bringest
238me out of tune.
Rosalind
239Do you not know I am a woman? when I think, I must
240speak. Sweet, say on.
Celia
241You bring me out. Soft! comes he not here?
[Enter Orlando and Jaques]
Rosalind
242'Tis he: slink by, and note him.
Jaques
243I thank you for your company; but, good faith, I had
244as lief have been myself alone.
Orlando
245And so had I; but yet, for fashion sake, I thank you
246too for your society.
Jaques
247God be wi' you: let's meet as little as we can.
Orlando
248I do desire we may be better strangers.
Jaques
249I pray you, mar no more trees with writing
250love-songs in their barks.
Orlando
251I pray you, mar no more of my verses with reading
252them ill-favouredly.
Jaques
253Rosalind is your love's name?
Orlando
254Yes, just.
Jaques
255I do not like her name.
Orlando
256There was no thought of pleasing you when she was
257christened.
Jaques
258What stature is she of?
Orlando
259Just as high as my heart.
Jaques
260You are full of pretty answers. Have you not been
261acquainted with goldsmiths' wives, and conned them
262out of rings?
Orlando
263Not so; but I answer you right painted cloth, from
264whence you have studied your questions.
Jaques
265You have a nimble wit: I think 'twas made of
266Atalanta's heels. Will you sit down with me? and
267we two will rail against our mistress the world and
268all our misery.
Orlando
269I will chide no breather in the world but myself,
270against whom I know most faults.
Jaques
271The worst fault you have is to be in love.
Orlando
272'Tis a fault I will not change for your best virtue.
273I am weary of you.
Jaques
274By my troth, I was seeking for a fool when I found
275you.
Orlando
276He is drowned in the brook: look but in, and you
277shall see him.
Jaques
278There I shall see mine own figure.
Orlando
279Which I take to be either a fool or a cipher.
Jaques
280I'll tarry no longer with you: farewell, good
281Signior Love.
Orlando
282I am glad of your departure: adieu, good Monsieur
283Melancholy.
[Exit Jaques]
Rosalind
284[Aside to CELIA] I will speak to him, like a saucy
285lackey and under that habit play the knave with him.
286Do you hear, forester?
Orlando
287Very well: what would you?
Rosalind
288I pray you, what is't o'clock?
Orlando
289You should ask me what time o' day: there's no clock
290in the forest.
Rosalind
291Then there is no true lover in the forest; else
292sighing every minute and groaning every hour would
293detect the lazy foot of Time as well as a clock.
Orlando
294And why not the swift foot of Time? had not that
295been as proper?
Rosalind
296By no means, sir: Time travels in divers paces with
297divers persons. I'll tell you who Time ambles
298withal, who Time trots withal, who Time gallops
299withal and who he stands still withal.
Orlando
300I prithee, who doth he trot withal?
Rosalind
301Marry, he trots hard with a young maid between the
302contract of her marriage and the day it is
303solemnized: if the interim be but a se'nnight,
304Time's pace is so hard that it seems the length of
305seven year.
Orlando
306Who ambles Time withal?
Rosalind
307With a priest that lacks Latin and a rich man that
308hath not the gout, for the one sleeps easily because
309he cannot study, and the other lives merrily because
310he feels no pain, the one lacking the burden of lean
311and wasteful learning, the other knowing no burden
312of heavy tedious penury; these Time ambles withal.
Orlando
313Who doth he gallop withal?
Rosalind
314With a thief to the gallows, for though he go as
315softly as foot can fall, he thinks himself too soon there.
Orlando
316Who stays it still withal?
Rosalind
317With lawyers in the vacation, for they sleep between
318term and term and then they perceive not how Time moves.
Orlando
319Where dwell you, pretty youth?
Rosalind
320With this shepherdess, my sister; here in the
321skirts of the forest, like fringe upon a petticoat.
Orlando
322Are you native of this place?
Rosalind
323As the cony that you see dwell where she is kindled.
Orlando
324Your accent is something finer than you could
325purchase in so removed a dwelling.
Rosalind
326I have been told so of many: but indeed an old
327religious uncle of mine taught me to speak, who was
328in his youth an inland man; one that knew courtship
329too well, for there he fell in love. I have heard
330him read many lectures against it, and I thank God
331I am not a woman, to be touched with so many
332giddy offences as he hath generally taxed their
333whole sex withal.
Orlando
334Can you remember any of the principal evils that he
335laid to the charge of women?
Rosalind
336There were none principal; they were all like one
337another as half-pence are, every one fault seeming
338monstrous till his fellow fault came to match it.
Orlando
339I prithee, recount some of them.
Rosalind
340No, I will not cast away my physic but on those that
341are sick. There is a man haunts the forest, that
342abuses our young plants with carving 'Rosalind' on
343their barks; hangs odes upon hawthorns and elegies
344on brambles, all, forsooth, deifying the name of
345Rosalind: if I could meet that fancy-monger I would
346give him some good counsel, for he seems to have the
347quotidian of love upon him.
Orlando
348I am he that is so love-shaked: I pray you tell me
349your remedy.
Rosalind
350There is none of my uncle's marks upon you: he
351taught me how to know a man in love; in which cage
352of rushes I am sure you are not prisoner.
Orlando
353What were his marks?
Rosalind
354A lean cheek, which you have not, a blue eye and
355sunken, which you have not, an unquestionable
356spirit, which you have not, a beard neglected,
357which you have not; but I pardon you for that, for
358simply your having in beard is a younger brother's
359revenue: then your hose should be ungartered, your
360bonnet unbanded, your sleeve unbuttoned, your shoe
361untied and every thing about you demonstrating a
362careless desolation; but you are no such man; you
363are rather point-device in your accoutrements as
364loving yourself than seeming the lover of any other.
Orlando
365Fair youth, I would I could make thee believe I love.
Rosalind
366Me believe it! you may as soon make her that you
367love believe it; which, I warrant, she is apter to
368do than to confess she does: that is one of the
369points in the which women still give the lie to
370their consciences. But, in good sooth, are you he
371that hangs the verses on the trees, wherein Rosalind
372is so admired?
Orlando
373I swear to thee, youth, by the white hand of
374Rosalind, I am that he, that unfortunate he.
Rosalind
375But are you so much in love as your rhymes speak?
Orlando
376Neither rhyme nor reason can express how much.
Rosalind
377Love is merely a madness, and, I tell you, deserves
378as well a dark house and a whip as madmen do: and
379the reason why they are not so punished and cured
380is, that the lunacy is so ordinary that the whippers
381are in love too. Yet I profess curing it by counsel.
Orlando
382Did you ever cure any so?
Rosalind
383Yes, one, and in this manner. He was to imagine me
384his love, his mistress; and I set him every day to
385woo me: at which time would I, being but a moonish
386youth, grieve, be effeminate, changeable, longing
387and liking, proud, fantastical, apish, shallow,
388inconstant, full of tears, full of smiles, for every
389passion something and for no passion truly any
390thing, as boys and women are for the most part
391cattle of this colour; would now like him, now loathe
392him; then entertain him, then forswear him; now weep
393for him, then spit at him; that I drave my suitor
394from his mad humour of love to a living humour of
395madness; which was, to forswear the full stream of
396the world, and to live in a nook merely monastic.
397And thus I cured him; and this way will I take upon
398me to wash your liver as clean as a sound sheep's
399heart, that there shall not be one spot of love in't.
Orlando
400I would not be cured, youth.
Rosalind
401I would cure you, if you would but call me Rosalind
402and come every day to my cote and woo me.
Orlando
403Now, by the faith of my love, I will: tell me
404where it is.
Rosalind
405Go with me to it and I'll show it you and by the way
406you shall tell me where in the forest you live.
407Will you go?
Orlando
408With all my heart, good youth.
Rosalind
409Nay you must call me Rosalind. Come, sister, will you go?
[Exeunt]
Scene III. The forest.
Want highlights, notes, and AI? Switch this scene to Reader + Notes.
[Enter Touchstone and Audrey; Jaques behind]
Touchstone
1Come apace, good Audrey: I will fetch up your
2goats, Audrey. And how, Audrey? am I the man yet?
3doth my simple feature content you?
Audrey
4Your features! Lord warrant us! what features!
Touchstone
5I am here with thee and thy goats, as the most
6capricious poet, honest Ovid, was among the Goths.
Jaques
7[Aside] O knowledge ill-inhabited, worse than Jove
8in a thatched house!
Touchstone
9When a man's verses cannot be understood, nor a
10man's good wit seconded with the forward child
11Understanding, it strikes a man more dead than a
12great reckoning in a little room. Truly, I would
13the gods had made thee poetical.
Audrey
14I do not know what 'poetical' is: is it honest in
15deed and word? is it a true thing?
Touchstone
16No, truly; for the truest poetry is the most
17feigning; and lovers are given to poetry, and what
18they swear in poetry may be said as lovers they do feign.
Audrey
19Do you wish then that the gods had made me poetical?
Touchstone
20I do, truly; for thou swearest to me thou art
21honest: now, if thou wert a poet, I might have some
22hope thou didst feign.
Audrey
23Would you not have me honest?
Touchstone
24No, truly, unless thou wert hard-favoured; for
25honesty coupled to beauty is to have honey a sauce to sugar.
Jaques
26[Aside] A material fool!
Audrey
27Well, I am not fair; and therefore I pray the gods
28make me honest.
Touchstone
29Truly, and to cast away honesty upon a foul slut
30were to put good meat into an unclean dish.
Audrey
31I am not a slut, though I thank the gods I am foul.
Touchstone
32Well, praised be the gods for thy foulness!
33sluttishness may come hereafter. But be it as it may
34be, I will marry thee, and to that end I have been
35with Sir Oliver Martext, the vicar of the next
36village, who hath promised to meet me in this place
37of the forest and to couple us.
Jaques
38[Aside] I would fain see this meeting.
Audrey
39Well, the gods give us joy!
Touchstone
40Amen. A man may, if he were of a fearful heart,
41stagger in this attempt; for here we have no temple
42but the wood, no assembly but horn-beasts. But what
43though? C ourage! As horns are odious, they are
44necessary. It is said, 'many a man knows no end of
45his goods:' right; many a man has good horns, and
46knows no end of them. Well, that is the dowry of
47his wife; 'tis none of his own getting. Horns?
48Even so. Poor men alone? No, no; the noblest deer
49hath them as huge as the rascal. Is the single man
50therefore blessed? No: as a walled town is more
51worthier than a village, so is the forehead of a
52married man more honourable than the bare brow of a
53bachelor; and by how much defence is better than no
54skill, by so much is a horn more precious than to
55want. Here comes Sir Oliver.
[Enter Sir Oliver Martext]
Touchstone
56Sir Oliver Martext, you are well met: will you
57dispatch us here under this tree, or shall we go
58with you to your chapel?
Sir Oliver Martext
59Is there none here to give the woman?
Touchstone
60I will not take her on gift of any man.
Sir Oliver Martext
61Truly, she must be given, or the marriage is not lawful.
Jaques
62[Advancing]
63Proceed, proceed I'll give her.
Touchstone
64Good even, good Master What-ye-call't: how do you,
65sir? You are very well met: God 'ild you for your
66last company: I am very glad to see you: even a
67toy in hand here, sir: nay, pray be covered.
Jaques
68Will you be married, motley?
Touchstone
69As the ox hath his bow, sir, the horse his curb and
70the falcon her bells, so man hath his desires; and
71as pigeons bill, so wedlock would be nibbling.
Jaques
72And will you, being a man of your breeding, be
73married under a bush like a beggar? Get you to
74church, and have a good priest that can tell you
75what marriage is: this fellow will but join you
76together as they join wainscot; then one of you will
77prove a shrunk panel and, like green timber, warp, warp.
Touchstone
78[Aside] I am not in the mind but I were better to be
79married of him than of another: for he is not like
80to marry me well; and not being well married, it
81will be a good excuse for me hereafter to leave my wife.
Jaques
82Go thou with me, and let me counsel thee.
Touchstone
83'Come, sweet Audrey:
84We must be married, or we must live in bawdry.
85Farewell, good Master Oliver: not,--
86O sweet Oliver,
87O brave Oliver,
88Leave me not behind thee: but,--
89Wind away,
90Begone, I say,
91I will not to wedding with thee.
[Exeunt Jaques, Touchstone and Audrey]
Sir Oliver Martext
92'Tis no matter: ne'er a fantastical knave of them
93all shall flout me out of my calling.
[Exit]
Scene IV. The forest.
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[Enter Rosalind and Celia]
Rosalind
1Never talk to me; I will weep.
Celia
2Do, I prithee; but yet have the grace to consider
3that tears do not become a man.
Rosalind
4But have I not cause to weep?
Celia
5As good cause as one would desire; therefore weep.
Rosalind
6His very hair is of the dissembling colour.
Celia
7Something browner than Judas's marry, his kisses are
8Judas's own children.
Rosalind
9I' faith, his hair is of a good colour.
Celia
10An excellent colour: your chestnut was ever the only colour.
Rosalind
11And his kissing is as full of sanctity as the touch
12of holy bread.
Celia
13He hath bought a pair of cast lips of Diana: a nun
14of winter's sisterhood kisses not more religiously;
15the very ice of chastity is in them.
Rosalind
16But why did he swear he would come this morning, and
17comes not?
Celia
18Nay, certainly, there is no truth in him.
Rosalind
19Do you think so?
Celia
20Yes; I think he is not a pick-purse nor a
21horse-stealer, but for his verity in love, I do
22think him as concave as a covered goblet or a
23worm-eaten nut.
Rosalind
24Not true in love?
Celia
25Yes, when he is in; but I think he is not in.
Rosalind
26You have heard him swear downright he was.
Celia
27'Was' is not 'is:' besides, the oath of a lover is
28no stronger than the word of a tapster; they are
29both the confirmer of false reckonings. He attends
30here in the forest on the duke your father.
Rosalind
31I met the duke yesterday and had much question with
32him: he asked me of what parentage I was; I told
33him, of as good as he; so he laughed and let me go.
34But what talk we of fathers, when there is such a
35man as Orlando?
Celia
36O, that's a brave man! he writes brave verses,
37speaks brave words, swears brave oaths and breaks
38them bravely, quite traverse, athwart the heart of
39his lover; as a puisny tilter, that spurs his horse
40but on one side, breaks his staff like a noble
41goose: but all's brave that youth mounts and folly
42guides. Who comes here?
[Enter Corin]
Corin
43Mistress and master, you have oft inquired
44After the shepherd that complain'd of love,
45Who you saw sitting by me on the turf,
46Praising the proud disdainful shepherdess
47That was his mistress.
Celia
48Well, and what of him?
Corin
49If you will see a pageant truly play'd,
50Between the pale complexion of true love
51And the red glow of scorn and proud disdain,
52Go hence a little and I shall conduct you,
53If you will mark it.
Rosalind
54O, come, let us remove:
55The sight of lovers feedeth those in love.
56Bring us to this sight, and you shall say
57I'll prove a busy actor in their play.
[Exeunt]
Scene V. Another part of the forest.
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[Enter Silvius and Phebe]
Silvius
1Sweet Phebe, do not scorn me; do not, Phebe;
2Say that you love me not, but say not so
3In bitterness. The common executioner,
4Whose heart the accustom'd sight of death makes hard,
5Falls not the axe upon the humbled neck
6But first begs pardon: will you sterner be
7Than he that dies and lives by bloody drops?
[Enter Rosalind, Celia, and Corin, behind]
Phebe
8I would not be thy executioner:
9I fly thee, for I would not injure thee.
10Thou tell'st me there is murder in mine eye:
11'Tis pretty, sure, and very probable,
12That eyes, that are the frail'st and softest things,
13Who shut their coward gates on atomies,
14Should be call'd tyrants, butchers, murderers!
15Now I do frown on thee with all my heart;
16And if mine eyes can wound, now let them kill thee:
17Now counterfeit to swoon; why now fall down;
18Or if thou canst not, O, for shame, for shame,
19Lie not, to say mine eyes are murderers!
20Now show the wound mine eye hath made in thee:
21Scratch thee but with a pin, and there remains
22Some scar of it; lean but upon a rush,
23The cicatrice and capable impressure
24Thy palm some moment keeps; but now mine eyes,
25Which I have darted at thee, hurt thee not,
26Nor, I am sure, there is no force in eyes
27That can do hurt.
Silvius
28O dear Phebe,
29If ever,--as that ever may be near,--
30You meet in some fresh cheek the power of fancy,
31Then shall you know the wounds invisible
32That love's keen arrows make.
Phebe
33But till that time
34Come not thou near me: and when that time comes,
35Afflict me with thy mocks, pity me not;
36As till that time I shall not pity thee.
Rosalind
37And why, I pray you? Who might be your mother,
38That you insult, exult, and all at once,
39Over the wretched? What though you have no beauty,--
40As, by my faith, I see no more in you
41Than without candle may go dark to bed--
42Must you be therefore proud and pitiless?
43Why, what means this? Why do you look on me?
44I see no more in you than in the ordinary
45Of nature's sale-work. 'Od's my little life,
46I think she means to tangle my eyes too!
47No, faith, proud mistress, hope not after it:
48'Tis not your inky brows, your black silk hair,
49Your bugle eyeballs, nor your cheek of cream,
50That can entame my spirits to your worship.
51You foolish shepherd, wherefore do you follow her,
52Like foggy south puffing with wind and rain?
53You are a thousand times a properer man
54Than she a woman: 'tis such fools as you
55That makes the world full of ill-favour'd children:
56'Tis not her glass, but you, that flatters her;
57And out of you she sees herself more proper
58Than any of her lineaments can show her.
59But, mistress, know yourself: down on your knees,
60And thank heaven, fasting, for a good man's love:
61For I must tell you friendly in your ear,
62Sell when you can: you are not for all markets:
63Cry the man mercy; love him; take his offer:
64Foul is most foul, being foul to be a scoffer.
65So take her to thee, shepherd: fare you well.
Phebe
66Sweet youth, I pray you, chide a year together:
67I had rather hear you chide than this man woo.
Rosalind
68He's fallen in love with your foulness and she'll
69fall in love with my anger. If it be so, as fast as
70she answers thee with frowning looks, I'll sauce her
71with bitter words. Why look you so upon me?
Phebe
72For no ill will I bear you.
Rosalind
73I pray you, do not fall in love with me,
74For I am falser than vows made in wine:
75Besides, I like you not. If you will know my house,
76'Tis at the tuft of olives here hard by.
77Will you go, sister? Shepherd, ply her hard.
78Come, sister. Shepherdess, look on him better,
79And be not proud: though all the world could see,
80None could be so abused in sight as he.
81Come, to our flock.
[Exeunt Rosalind, Celia and Corin]
Phebe
82Dead Shepherd, now I find thy saw of might,
83'Who ever loved that loved not at first sight?'
Silvius
84Sweet Phebe,--
Phebe
85Ha, what say'st thou, Silvius?
Silvius
86Sweet Phebe, pity me.
Phebe
87Why, I am sorry for thee, gentle Silvius.
Silvius
88Wherever sorrow is, relief would be:
89If you do sorrow at my grief in love,
90By giving love your sorrow and my grief
91Were both extermined.
Phebe
92Thou hast my love: is not that neighbourly?
Silvius
93I would have you.
Phebe
94Why, that were covetousness.
95Silvius, the time was that I hated thee,
96And yet it is not that I bear thee love;
97But since that thou canst talk of love so well,
98Thy company, which erst was irksome to me,
99I will endure, and I'll employ thee too:
100But do not look for further recompense
101Than thine own gladness that thou art employ'd.
Silvius
102So holy and so perfect is my love,
103And I in such a poverty of grace,
104That I shall think it a most plenteous crop
105To glean the broken ears after the man
106That the main harvest reaps: loose now and then
107A scatter'd smile, and that I'll live upon.
Phebe
108Know'st now the youth that spoke to me erewhile?
Silvius
109Not very well, but I have met him oft;
110And he hath bought the cottage and the bounds
111That the old carlot once was master of.
Phebe
112Think not I love him, though I ask for him:
113'Tis but a peevish boy; yet he talks well;
114But what care I for words? yet words do well
115When he that speaks them pleases those that hear.
116It is a pretty youth: not very pretty:
117But, sure, he's proud, and yet his pride becomes him:
118He'll make a proper man: the best thing in him
119Is his complexion; and faster than his tongue
120Did make offence his eye did heal it up.
121He is not very tall; yet for his years he's tall:
122His leg is but so so; and yet 'tis well:
123There was a pretty redness in his lip,
124A little riper and more lusty red
125Than that mix'd in his cheek; 'twas just the difference
126Between the constant red and mingled damask.
127There be some women, Silvius, had they mark'd him
128In parcels as I did, would have gone near
129To fall in love with him; but, for my part,
130I love him not nor hate him not; and yet
131I have more cause to hate him than to love him:
132For what had he to do to chide at me?
133He said mine eyes were black and my hair black:
134And, now I am remember'd, scorn'd at me:
135I marvel why I answer'd not again:
136But that's all one; omittance is no quittance.
137I'll write to him a very taunting letter,
138And thou shalt bear it: wilt thou, Silvius?
Silvius
139Phebe, with all my heart.
Phebe
140I'll write it straight;
141The matter's in my head and in my heart:
142I will be bitter with him and passing short.
143Go with me, Silvius.
[Exeunt]
Act IV
Back to topScene I. The forest.
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[Enter Rosalind, Celia, and Jaques]
Jaques
1I prithee, pretty youth, let me be better acquainted
2with thee.
Rosalind
3They say you are a melancholy fellow.
Jaques
4I am so; I do love it better than laughing.
Rosalind
5Those that are in extremity of either are abominable
6fellows and betray themselves to every modern
7censure worse than drunkards.
Jaques
8Why, 'tis good to be sad and say nothing.
Rosalind
9Why then, 'tis good to be a post.
Jaques
10I have neither the scholar's melancholy, which is
11emulation, nor the musician's, which is fantastical,
12nor the courtier's, which is proud, nor the
13soldier's, which is ambitious, nor the lawyer's,
14which is politic, nor the lady's, which is nice, nor
15the lover's, which is all these: but it is a
16melancholy of mine own, compounded of many simples,
17extracted from many objects, and indeed the sundry's
18contemplation of my travels, in which my often
19rumination wraps me m a most humorous sadness.
Rosalind
20A traveller! By my faith, you have great reason to
21be sad: I fear you have sold your own lands to see
22other men's; then, to have seen much and to have
23nothing, is to have rich eyes and poor hands.
Jaques
24Yes, I have gained my experience.
Rosalind
25And your experience makes you sad: I had rather have
26a fool to make me merry than experience to make me
27sad; and to travel for it too!
[Enter Orlando]
Orlando
28Good day and happiness, dear Rosalind!
Jaques
29Nay, then, God be wi' you, an you talk in blank verse.
[Exit]
Rosalind
30Farewell, Monsieur Traveller: look you lisp and
31wear strange suits, disable all the benefits of your
32own country, be out of love with your nativity and
33almost chide God for making you that countenance you
34are, or I will scarce think you have swam in a
35gondola. Why, how now, Orlando! where have you been
36all this while? You a lover! An you serve me such
37another trick, never come in my sight more.
Orlando
38My fair Rosalind, I come within an hour of my promise.
Rosalind
39Break an hour's promise in love! He that will
40divide a minute into a thousand parts and break but
41a part of the thousandth part of a minute in the
42affairs of love, it may be said of him that Cupid
43hath clapped him o' the shoulder, but I'll warrant
44him heart-whole.
Orlando
45Pardon me, dear Rosalind.
Rosalind
46Nay, an you be so tardy, come no more in my sight: I
47had as lief be wooed of a snail.
Orlando
48Of a snail?
Rosalind
49Ay, of a snail; for though he comes slowly, he
50carries his house on his head; a better jointure,
51I think, than you make a woman: besides he brings
52his destiny with him.
Orlando
53What's that?
Rosalind
54Why, horns, which such as you are fain to be
55beholding to your wives for: but he comes armed in
56his fortune and prevents the slander of his wife.
Orlando
57Virtue is no horn-maker; and my Rosalind is virtuous.
Rosalind
58And I am your Rosalind.
Celia
59It pleases him to call you so; but he hath a
60Rosalind of a better leer than you.
Rosalind
61Come, woo me, woo me, for now I am in a holiday
62humour and like enough to consent. What would you
63say to me now, an I were your very very Rosalind?
Orlando
64I would kiss before I spoke.
Rosalind
65Nay, you were better speak first, and when you were
66gravelled for lack of matter, you might take
67occasion to kiss. Very good orators, when they are
68out, they will spit; and for lovers lacking--God
69warn us!--matter, the cleanliest shift is to kiss.
Orlando
70How if the kiss be denied?
Rosalind
71Then she puts you to entreaty, and there begins new matter.
Orlando
72Who could be out, being before his beloved mistress?
Rosalind
73Marry, that should you, if I were your mistress, or
74I should think my honesty ranker than my wit.
Orlando
75What, of my suit?
Rosalind
76Not out of your apparel, and yet out of your suit.
77Am not I your Rosalind?
Orlando
78I take some joy to say you are, because I would be
79talking of her.
Rosalind
80Well in her person I say I will not have you.
Orlando
81Then in mine own person I die.
Rosalind
82No, faith, die by attorney. The poor world is
83almost six thousand years old, and in all this time
84there was not any man died in his own person,
85videlicit, in a love-cause. Troilus had his brains
86dashed out with a Grecian club; yet he did what he
87could to die before, and he is one of the patterns
88of love. Leander, he would have lived many a fair
89year, though Hero had turned nun, if it had not been
90for a hot midsummer night; for, good youth, he went
91but forth to wash him in the Hellespont and being
92taken with the cramp was drowned and the foolish
93coroners of that age found it was 'Hero of Sestos.'
94But these are all lies: men have died from time to
95time and worms have eaten them, but not for love.
Orlando
96I would not have my right Rosalind of this mind,
97for, I protest, her frown might kill me.
Rosalind
98By this hand, it will not kill a fly. But come, now
99I will be your Rosalind in a more coming-on
100disposition, and ask me what you will. I will grant
101it.
Orlando
102Then love me, Rosalind.
Rosalind
103Yes, faith, will I, Fridays and Saturdays and all.
Orlando
104And wilt thou have me?
Rosalind
105Ay, and twenty such.
Orlando
106What sayest thou?
Rosalind
107Are you not good?
Orlando
108I hope so.
Rosalind
109Why then, can one desire too much of a good thing?
110Come, sister, you shall be the priest and marry us.
111Give me your hand, Orlando. What do you say, sister?
Orlando
112Pray thee, marry us.
Celia
113I cannot say the words.
Rosalind
114You must begin, 'Will you, Orlando--'
Celia
115Go to. Will you, Orlando, have to wife this Rosalind?
Orlando
116I will.
Rosalind
117Ay, but when?
Orlando
118Why now; as fast as she can marry us.
Rosalind
119Then you must say 'I take thee, Rosalind, for wife.'
Orlando
120I take thee, Rosalind, for wife.
Rosalind
121I might ask you for your commission; but I do take
122thee, Orlando, for my husband: there's a girl goes
123before the priest; and certainly a woman's thought
124runs before her actions.
Orlando
125So do all thoughts; they are winged.
Rosalind
126Now tell me how long you would have her after you
127have possessed her.
Orlando
128For ever and a day.
Rosalind
129Say 'a day,' without the 'ever.' No, no, Orlando;
130men are April when they woo, December when they wed:
131maids are May when they are maids, but the sky
132changes when they are wives. I will be more jealous
133of thee than a Barbary cock-pigeon over his hen,
134more clamorous than a parrot against rain, more
135new-fangled than an ape, more giddy in my desires
136than a monkey: I will weep for nothing, like Diana
137in the fountain, and I will do that when you are
138disposed to be merry; I will laugh like a hyen, and
139that when thou art inclined to sleep.
Orlando
140But will my Rosalind do so?
Rosalind
141By my life, she will do as I do.
Orlando
142O, but she is wise.
Rosalind
143Or else she could not have the wit to do this: the
144wiser, the waywarder: make the doors upon a woman's
145wit and it will out at the casement; shut that and
146'twill out at the key-hole; stop that, 'twill fly
147with the smoke out at the chimney.
Orlando
148A man that had a wife with such a wit, he might say
149'Wit, whither wilt?'
Rosalind
150Nay, you might keep that cheque for it till you met
151your wife's wit going to your neighbour's bed.
Orlando
152And what wit could wit have to excuse that?
Rosalind
153Marry, to say she came to seek you there. You shall
154never take her without her answer, unless you take
155her without her tongue. O, that woman that cannot
156make her fault her husband's occasion, let her
157never nurse her child herself, for she will breed
158it like a fool!
Orlando
159For these two hours, Rosalind, I will leave thee.
Rosalind
160Alas! dear love, I cannot lack thee two hours.
Orlando
161I must attend the duke at dinner: by two o'clock I
162will be with thee again.
Rosalind
163Ay, go your ways, go your ways; I knew what you
164would prove: my friends told me as much, and I
165thought no less: that flattering tongue of yours
166won me: 'tis but one cast away, and so, come,
167death! Two o'clock is your hour?
Orlando
168Ay, sweet Rosalind.
Rosalind
169By my troth, and in good earnest, and so God mend
170me, and by all pretty oaths that are not dangerous,
171if you break one jot of your promise or come one
172minute behind your hour, I will think you the most
173pathetical break-promise and the most hollow lover
174and the most unworthy of her you call Rosalind that
175may be chosen out of the gross band of the
176unfaithful: therefore beware my censure and keep
177your promise.
Orlando
178With no less religion than if thou wert indeed my
179Rosalind: so adieu.
Rosalind
180Well, Time is the old justice that examines all such
181offenders, and let Time try: adieu.
[Exit Orlando]
Celia
182You have simply misused our sex in your love-prate:
183we must have your doublet and hose plucked over your
184head, and show the world what the bird hath done to
185her own nest.
Rosalind
186O coz, coz, coz, my pretty little coz, that thou
187didst know how many fathom deep I am in love! But
188it cannot be sounded: my affection hath an unknown
189bottom, like the bay of Portugal.
Celia
190Or rather, bottomless, that as fast as you pour
191affection in, it runs out.
Rosalind
192No, that same wicked bastard of Venus that was begot
193of thought, conceived of spleen and born of madness,
194that blind rascally boy that abuses every one's eyes
195because his own are out, let him be judge how deep I
196am in love. I'll tell thee, Aliena, I cannot be out
197of the sight of Orlando: I'll go find a shadow and
198sigh till he come.
Celia
199And I'll sleep.
[Exeunt]
Scene II. The forest.
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[Enter Jaques, Lords, and Foresters]
Jaques
1Which is he that killed the deer?
Lord
2Sir, it was I.
Jaques
3Let's present him to the duke, like a Roman
4conqueror; and it would do well to set the deer's
5horns upon his head, for a branch of victory. Have
6you no song, forester, for this purpose?
Forester
7Yes, sir.
Jaques
8Sing it: 'tis no matter how it be in tune, so it
9make noise enough.
10SONG.
Forester
11What shall he have that kill'd the deer?
12His leather skin and horns to wear.
13Then sing him home;
[The rest shall bear this burden]
Forester
14Take thou no scorn to wear the horn;
15It was a crest ere thou wast born:
16Thy father's father wore it,
17And thy father bore it:
18The horn, the horn, the lusty horn
19Is not a thing to laugh to scorn.
[Exeunt]
Scene III. The forest.
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[Enter Rosalind and Celia]
Rosalind
1How say you now? Is it not past two o'clock? and
2here much Orlando!
Celia
3I warrant you, with pure love and troubled brain, he
4hath ta'en his bow and arrows and is gone forth to
5sleep. Look, who comes here.
[Enter Silvius]
Silvius
6My errand is to you, fair youth;
7My gentle Phebe bid me give you this:
8I know not the contents; but, as I guess
9By the stern brow and waspish action
10Which she did use as she was writing of it,
11It bears an angry tenor: pardon me:
12I am but as a guiltless messenger.
Rosalind
13Patience herself would startle at this letter
14And play the swaggerer; bear this, bear all:
15She says I am not fair, that I lack manners;
16She calls me proud, and that she could not love me,
17Were man as rare as phoenix. 'Od's my will!
18Her love is not the hare that I do hunt:
19Why writes she so to me? Well, shepherd, well,
20This is a letter of your own device.
Silvius
21No, I protest, I know not the contents:
22Phebe did write it.
Rosalind
23Come, come, you are a fool
24And turn'd into the extremity of love.
25I saw her hand: she has a leathern hand.
26A freestone-colour'd hand; I verily did think
27That her old gloves were on, but 'twas her hands:
28She has a huswife's hand; but that's no matter:
29I say she never did invent this letter;
30This is a man's invention and his hand.
Silvius
31Sure, it is hers.
Rosalind
32Why, 'tis a boisterous and a cruel style.
33A style for-challengers; why, she defies me,
34Like Turk to Christian: women's gentle brain
35Could not drop forth such giant-rude invention
36Such Ethiope words, blacker in their effect
37Than in their countenance. Will you hear the letter?
Silvius
38So please you, for I never heard it yet;
39Yet heard too much of Phebe's cruelty.
Rosalind
40She Phebes me: mark how the tyrant writes.
[Reads]
Rosalind
41Art thou god to shepherd turn'd,
42That a maiden's heart hath burn'd?
43Can a woman rail thus?
Silvius
44Call you this railing?
Rosalind
45[Reads]
46Why, thy godhead laid apart,
47Warr'st thou with a woman's heart?
48Did you ever hear such railing?
49Whiles the eye of man did woo me,
50That could do no vengeance to me.
51Meaning me a beast.
52If the scorn of your bright eyne
53Have power to raise such love in mine,
54Alack, in me what strange effect
55Would they work in mild aspect!
56Whiles you chid me, I did love;
57How then might your prayers move!
58He that brings this love to thee
59Little knows this love in me:
60And by him seal up thy mind;
61Whether that thy youth and kind
62Will the faithful offer take
63Of me and all that I can make;
64Or else by him my love deny,
65And then I'll study how to die.
Silvius
66Call you this chiding?
Celia
67Alas, poor shepherd!
Rosalind
68Do you pity him? no, he deserves no pity. Wilt
69thou love such a woman? What, to make thee an
70instrument and play false strains upon thee! not to
71be endured! Well, go your way to her, for I see
72love hath made thee a tame snake, and say this to
73her: that if she love me, I charge her to love
74thee; if she will not, I will never have her unless
75thou entreat for her. If you be a true lover,
76hence, and not a word; for here comes more company.
[Exit Silvius]
[Enter Oliver]
Oliver
77Good morrow, fair ones: pray you, if you know,
78Where in the purlieus of this forest stands
79A sheep-cote fenced about with olive trees?
Celia
80West of this place, down in the neighbour bottom:
81The rank of osiers by the murmuring stream
82Left on your right hand brings you to the place.
83But at this hour the house doth keep itself;
84There's none within.
Oliver
85If that an eye may profit by a tongue,
86Then should I know you by description;
87Such garments and such years: 'The boy is fair,
88Of female favour, and bestows himself
89Like a ripe sister: the woman low
90And browner than her brother.' Are not you
91The owner of the house I did inquire for?
Celia
92It is no boast, being ask'd, to say we are.
Oliver
93Orlando doth commend him to you both,
94And to that youth he calls his Rosalind
95He sends this bloody napkin. Are you he?
Rosalind
96I am: what must we understand by this?
Oliver
97Some of my shame; if you will know of me
98What man I am, and how, and why, and where
99This handkercher was stain'd.
Celia
100I pray you, tell it.
Oliver
101When last the young Orlando parted from you
102He left a promise to return again
103Within an hour, and pacing through the forest,
104Chewing the food of sweet and bitter fancy,
105Lo, what befell! he threw his eye aside,
106And mark what object did present itself:
107Under an oak, whose boughs were moss'd with age
108And high top bald with dry antiquity,
109A wretched ragged man, o'ergrown with hair,
110Lay sleeping on his back: about his neck
111A green and gilded snake had wreathed itself,
112Who with her head nimble in threats approach'd
113The opening of his mouth; but suddenly,
114Seeing Orlando, it unlink'd itself,
115And with indented glides did slip away
116Into a bush: under which bush's shade
117A lioness, with udders all drawn dry,
118Lay couching, head on ground, with catlike watch,
119When that the sleeping man should stir; for 'tis
120The royal disposition of that beast
121To prey on nothing that doth seem as dead:
122This seen, Orlando did approach the man
123And found it was his brother, his elder brother.
Celia
124O, I have heard him speak of that same brother;
125And he did render him the most unnatural
126That lived amongst men.
Oliver
127And well he might so do,
128For well I know he was unnatural.
Rosalind
129But, to Orlando: did he leave him there,
130Food to the suck'd and hungry lioness?
Oliver
131Twice did he turn his back and purposed so;
132But kindness, nobler ever than revenge,
133And nature, stronger than his just occasion,
134Made him give battle to the lioness,
135Who quickly fell before him: in which hurtling
136From miserable slumber I awaked.
Celia
137Are you his brother?
Rosalind
138Wast you he rescued?
Celia
139Was't you that did so oft contrive to kill him?
Oliver
140'Twas I; but 'tis not I I do not shame
141To tell you what I was, since my conversion
142So sweetly tastes, being the thing I am.
Rosalind
143But, for the bloody napkin?
Oliver
144By and by.
145When from the first to last betwixt us two
146Tears our recountments had most kindly bathed,
147As how I came into that desert place:--
148In brief, he led me to the gentle duke,
149Who gave me fresh array and entertainment,
150Committing me unto my brother's love;
151Who led me instantly unto his cave,
152There stripp'd himself, and here upon his arm
153The lioness had torn some flesh away,
154Which all this while had bled; and now he fainted
155And cried, in fainting, upon Rosalind.
156Brief, I recover'd him, bound up his wound;
157And, after some small space, being strong at heart,
158He sent me hither, stranger as I am,
159To tell this story, that you might excuse
160His broken promise, and to give this napkin
161Dyed in his blood unto the shepherd youth
162That he in sport doth call his Rosalind.
[Rosalind swoons]
Celia
163Why, how now, Ganymede! sweet Ganymede!
Oliver
164Many will swoon when they do look on blood.
Celia
165There is more in it. Cousin Ganymede!
Oliver
166Look, he recovers.
Rosalind
167I would I were at home.
Celia
168We'll lead you thither.
169I pray you, will you take him by the arm?
Oliver
170Be of good cheer, youth: you a man! you lack a
171man's heart.
Rosalind
172I do so, I confess it. Ah, sirrah, a body would
173think this was well counterfeited! I pray you, tell
174your brother how well I counterfeited. Heigh-ho!
Oliver
175This was not counterfeit: there is too great
176testimony in your complexion that it was a passion
177of earnest.
Rosalind
178Counterfeit, I assure you.
Oliver
179Well then, take a good heart and counterfeit to be a man.
Rosalind
180So I do: but, i' faith, I should have been a woman by right.
Celia
181Come, you look paler and paler: pray you, draw
182homewards. Good sir, go with us.
Oliver
183That will I, for I must bear answer back
184How you excuse my brother, Rosalind.
Rosalind
185I shall devise something: but, I pray you, commend
186my counterfeiting to him. Will you go?
[Exeunt]
Act V
Back to topScene I. The forest.
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[Enter Touchstone and Audrey]
Touchstone
1We shall find a time, Audrey; patience, gentle Audrey.
Audrey
2Faith, the priest was good enough, for all the old
3gentleman's saying.
Touchstone
4A most wicked Sir Oliver, Audrey, a most vile
5Martext. But, Audrey, there is a youth here in the
6forest lays claim to you.
Audrey
7Ay, I know who 'tis; he hath no interest in me in
8the world: here comes the man you mean.
Touchstone
9It is meat and drink to me to see a clown: by my
10troth, we that have good wits have much to answer
11for; we shall be flouting; we cannot hold.
[Enter William]
William
12Good even, Audrey.
Audrey
13God ye good even, William.
William
14And good even to you, sir.
Touchstone
15Good even, gentle friend. Cover thy head, cover thy
16head; nay, prithee, be covered. How old are you, friend?
William
17Five and twenty, sir.
Touchstone
18A ripe age. Is thy name William?
William
19William, sir.
Touchstone
20A fair name. Wast born i' the forest here?
William
21Ay, sir, I thank God.
Touchstone
22'Thank God;' a good answer. Art rich?
William
23Faith, sir, so so.
Touchstone
24'So so' is good, very good, very excellent good; and
25yet it is not; it is but so so. Art thou wise?
William
26Ay, sir, I have a pretty wit.
Touchstone
27Why, thou sayest well. I do now remember a saying,
28'The fool doth think he is wise, but the wise man
29knows himself to be a fool.' The heathen
30philosopher, when he had a desire to eat a grape,
31would open his lips when he put it into his mouth;
32meaning thereby that grapes were made to eat and
33lips to open. You do love this maid?
William
34I do, sir.
Touchstone
35Give me your hand. Art thou learned?
William
36No, sir.
Touchstone
37Then learn this of me: to have, is to have; for it
38is a figure in rhetoric that drink, being poured out
39of a cup into a glass, by filling the one doth empty
40the other; for all your writers do consent that ipse
41is he: now, you are not ipse, for I am he.
William
42Which he, sir?
Touchstone
43He, sir, that must marry this woman. Therefore, you
44clown, abandon,--which is in the vulgar leave,--the
45society,--which in the boorish is company,--of this
46female,--which in the common is woman; which
47together is, abandon the society of this female, or,
48clown, thou perishest; or, to thy better
49understanding, diest; or, to wit I kill thee, make
50thee away, translate thy life into death, thy
51liberty into bondage: I will deal in poison with
52thee, or in bastinado, or in steel; I will bandy
53with thee in faction; I will o'errun thee with
54policy; I will kill thee a hundred and fifty ways:
55therefore tremble and depart.
Audrey
56Do, good William.
William
57God rest you merry, sir.
[Exit]
[Enter Corin]
Corin
58Our master and mistress seeks you; come, away, away!
Touchstone
59Trip, Audrey! trip, Audrey! I attend, I attend.
[Exeunt]
Scene II. The forest.
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[Enter Orlando and Oliver]
Orlando
1Is't possible that on so little acquaintance you
2should like her? that but seeing you should love
3her? and loving woo? and, wooing, she should
4grant? and will you persever to enjoy her?
Oliver
5Neither call the giddiness of it in question, the
6poverty of her, the small acquaintance, my sudden
7wooing, nor her sudden consenting; but say with me,
8I love Aliena; say with her that she loves me;
9consent with both that we may enjoy each other: it
10shall be to your good; for my father's house and all
11the revenue that was old Sir Rowland's will I
12estate upon you, and here live and die a shepherd.
Orlando
13You have my consent. Let your wedding be to-morrow:
14thither will I invite the duke and all's contented
15followers. Go you and prepare Aliena; for look
16you, here comes my Rosalind.
[Enter Rosalind]
Rosalind
17God save you, brother.
Oliver
18And you, fair sister.
[Exit]
Rosalind
19O, my dear Orlando, how it grieves me to see thee
20wear thy heart in a scarf!
Orlando
21It is my arm.
Rosalind
22I thought thy heart had been wounded with the claws
23of a lion.
Orlando
24Wounded it is, but with the eyes of a lady.
Rosalind
25Did your brother tell you how I counterfeited to
26swoon when he showed me your handkerchief?
Orlando
27Ay, and greater wonders than that.
Rosalind
28O, I know where you are: nay, 'tis true: there was
29never any thing so sudden but the fight of two rams
30and Caesar's thrasonical brag of 'I came, saw, and
31overcame:' for your brother and my sister no sooner
32met but they looked, no sooner looked but they
33loved, no sooner loved but they sighed, no sooner
34sighed but they asked one another the reason, no
35sooner knew the reason but they sought the remedy;
36and in these degrees have they made a pair of stairs
37to marriage which they will climb incontinent, or
38else be incontinent before marriage: they are in
39the very wrath of love and they will together; clubs
40cannot part them.
Orlando
41They shall be married to-morrow, and I will bid the
42duke to the nuptial. But, O, how bitter a thing it
43is to look into happiness through another man's
44eyes! By so much the more shall I to-morrow be at
45the height of heart-heaviness, by how much I shall
46think my brother happy in having what he wishes for.
Rosalind
47Why then, to-morrow I cannot serve your turn for Rosalind?
Orlando
48I can live no longer by thinking.
Rosalind
49I will weary you then no longer with idle talking.
50Know of me then, for now I speak to some purpose,
51that I know you are a gentleman of good conceit: I
52speak not this that you should bear a good opinion
53of my knowledge, insomuch I say I know you are;
54neither do I labour for a greater esteem than may in
55some little measure draw a belief from you, to do
56yourself good and not to grace me. Believe then, if
57you please, that I can do strange things: I have,
58since I was three year old, conversed with a
59magician, most profound in his art and yet not
60damnable. If you do love Rosalind so near the heart
61as your gesture cries it out, when your brother
62marries Aliena, shall you marry her: I know into
63what straits of fortune she is driven; and it is
64not impossible to me, if it appear not inconvenient
65to you, to set her before your eyes tomorrow human
66as she is and without any danger.
Orlando
67Speakest thou in sober meanings?
Rosalind
68By my life, I do; which I tender dearly, though I
69say I am a magician. Therefore, put you in your
70best array: bid your friends; for if you will be
71married to-morrow, you shall, and to Rosalind, if you will.
[Enter Silvius and Phebe]
Rosalind
72Look, here comes a lover of mine and a lover of hers.
Phebe
73Youth, you have done me much ungentleness,
74To show the letter that I writ to you.
Rosalind
75I care not if I have: it is my study
76To seem despiteful and ungentle to you:
77You are there followed by a faithful shepherd;
78Look upon him, love him; he worships you.
Phebe
79Good shepherd, tell this youth what 'tis to love.
Silvius
80It is to be all made of sighs and tears;
81And so am I for Phebe.
Phebe
82And I for Ganymede.
Orlando
83And I for Rosalind.
Rosalind
84And I for no woman.
Silvius
85It is to be all made of faith and service;
86And so am I for Phebe.
Phebe
87And I for Ganymede.
Orlando
88And I for Rosalind.
Rosalind
89And I for no woman.
Silvius
90It is to be all made of fantasy,
91All made of passion and all made of wishes,
92All adoration, duty, and observance,
93All humbleness, all patience and impatience,
94All purity, all trial, all observance;
95And so am I for Phebe.
Phebe
96And so am I for Ganymede.
Orlando
97And so am I for Rosalind.
Rosalind
98And so am I for no woman.
Phebe
99If this be so, why blame you me to love you?
Silvius
100If this be so, why blame you me to love you?
Orlando
101If this be so, why blame you me to love you?
Rosalind
102Who do you speak to, 'Why blame you me to love you?'
Orlando
103To her that is not here, nor doth not hear.
Rosalind
104Pray you, no more of this; 'tis like the howling
105of Irish wolves against the moon.
[To Silvius]
Rosalind
106I will help you, if I can:
[To Phebe]
Rosalind
107I would love you, if I could. To-morrow meet me all together.
[To Phebe]
Rosalind
108I will marry you, if ever I marry woman, and I'll be
109married to-morrow:
[To Orlando]
Rosalind
110I will satisfy you, if ever I satisfied man, and you
111shall be married to-morrow:
[To Silvius]
Rosalind
112I will content you, if what pleases you contents
113you, and you shall be married to-morrow.
[To Orlando]
Rosalind
114As you love Rosalind, meet:
[To Silvius]
Rosalind
115as you love Phebe, meet: and as I love no woman,
116I'll meet. So fare you well: I have left you commands.
Silvius
117I'll not fail, if I live.
Phebe
118Nor I.
Orlando
119Nor I.
[Exeunt]
Scene III. The forest.
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[Enter Touchstone and Audrey]
Touchstone
1To-morrow is the joyful day, Audrey; to-morrow will
2we be married.
Audrey
3I do desire it with all my heart; and I hope it is
4no dishonest desire to desire to be a woman of the
5world. Here comes two of the banished duke's pages.
[Enter two Pages]
First Page
6Well met, honest gentleman.
Touchstone
7By my troth, well met. Come, sit, sit, and a song.
Second Page
8We are for you: sit i' the middle.
First Page
9Shall we clap into't roundly, without hawking or
10spitting or saying we are hoarse, which are the only
11prologues to a bad voice?
Second Page
12I'faith, i'faith; and both in a tune, like two
13gipsies on a horse.
14SONG.
15It was a lover and his lass,
16With a hey, and a ho, and a hey nonino,
17That o'er the green corn-field did pass
18In the spring time, the only pretty ring time,
19When birds do sing, hey ding a ding, ding:
20Sweet lovers love the spring.
21Between the acres of the rye,
22With a hey, and a ho, and a hey nonino
23These pretty country folks would lie,
24In spring time, & c.
25This carol they began that hour,
26With a hey, and a ho, and a hey nonino,
27How that a life was but a flower
28In spring time, & c.
29And therefore take the present time,
30With a hey, and a ho, and a hey nonino;
31For love is crowned with the prime
32In spring time, & c.
Touchstone
33Truly, young gentlemen, though there was no great
34matter in the ditty, yet the note was very
35untuneable.
First Page
36You are deceived, sir: we kept time, we lost not our time.
Touchstone
37By my troth, yes; I count it but time lost to hear
38such a foolish song. God be wi' you; and God mend
39your voices! Come, Audrey.
[Exeunt]
Scene IV. The forest.
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[Enter Duke Senior, Amiens, Jaques, Orlando, Oliver, and Celia]
Duke Senior
1Dost thou believe, Orlando, that the boy
2Can do all this that he hath promised?
Orlando
3I sometimes do believe, and sometimes do not;
4As those that fear they hope, and know they fear.
[Enter Rosalind, Silvius, and Phebe]
Rosalind
5Patience once more, whiles our compact is urged:
6You say, if I bring in your Rosalind,
7You will bestow her on Orlando here?
Duke Senior
8That would I, had I kingdoms to give with her.
Rosalind
9And you say, you will have her, when I bring her?
Orlando
10That would I, were I of all kingdoms king.
Rosalind
11You say, you'll marry me, if I be willing?
Phebe
12That will I, should I die the hour after.
Rosalind
13But if you do refuse to marry me,
14You'll give yourself to this most faithful shepherd?
Phebe
15So is the bargain.
Rosalind
16You say, that you'll have Phebe, if she will?
Silvius
17Though to have her and death were both one thing.
Rosalind
18I have promised to make all this matter even.
19Keep you your word, O duke, to give your daughter;
20You yours, Orlando, to receive his daughter:
21Keep your word, Phebe, that you'll marry me,
22Or else refusing me, to wed this shepherd:
23Keep your word, Silvius, that you'll marry her.
24If she refuse me: and from hence I go,
25To make these doubts all even.
[Exeunt Rosalind and Celia]
Duke Senior
26I do remember in this shepherd boy
27Some lively touches of my daughter's favour.
Orlando
28My lord, the first time that I ever saw him
29Methought he was a brother to your daughter:
30But, my good lord, this boy is forest-born,
31And hath been tutor'd in the rudiments
32Of many desperate studies by his uncle,
33Whom he reports to be a great magician,
34Obscured in the circle of this forest.
[Enter Touchstone and Audrey]
Jaques
35There is, sure, another flood toward, and these
36couples are coming to the ark. Here comes a pair of
37very strange beasts, which in all tongues are called fools.
Touchstone
38Salutation and greeting to you all!
Jaques
39Good my lord, bid him welcome: this is the
40motley-minded gentleman that I have so often met in
41the forest: he hath been a courtier, he swears.
Touchstone
42If any man doubt that, let him put me to my
43purgation. I have trod a measure; I have flattered
44a lady; I have been politic with my friend, smooth
45with mine enemy; I have undone three tailors; I have
46had four quarrels, and like to have fought one.
Jaques
47And how was that ta'en up?
Touchstone
48Faith, we met, and found the quarrel was upon the
49seventh cause.
Jaques
50How seventh cause? Good my lord, like this fellow.
Duke Senior
51I like him very well.
Touchstone
52God 'ild you, sir; I desire you of the like. I
53press in here, sir, amongst the rest of the country
54copulatives, to swear and to forswear: according as
55marriage binds and blood breaks: a poor virgin,
56sir, an ill-favoured thing, sir, but mine own; a poor
57humour of mine, sir, to take that that no man else
58will: rich honesty dwells like a miser, sir, in a
59poor house; as your pearl in your foul oyster.
Duke Senior
60By my faith, he is very swift and sententious.
Touchstone
61According to the fool's bolt, sir, and such dulcet diseases.
Jaques
62But, for the seventh cause; how did you find the
63quarrel on the seventh cause?
Touchstone
64Upon a lie seven times removed:--bear your body more
65seeming, Audrey:--as thus, sir. I did dislike the
66cut of a certain courtier's beard: he sent me word,
67if I said his beard was not cut well, he was in the
68mind it was: this is called the Retort Courteous.
69If I sent him word again 'it was not well cut,' he
70would send me word, he cut it to please himself:
71this is called the Quip Modest. If again 'it was
72not well cut,' he disabled my judgment: this is
73called the Reply Churlish. If again 'it was not
74well cut,' he would answer, I spake not true: this
75is called the Reproof Valiant. If again 'it was not
76well cut,' he would say I lied: this is called the
77Counter-cheque Quarrelsome: and so to the Lie
78Circumstantial and the Lie Direct.
Jaques
79And how oft did you say his beard was not well cut?
Touchstone
80I durst go no further than the Lie Circumstantial,
81nor he durst not give me the Lie Direct; and so we
82measured swords and parted.
Jaques
83Can you nominate in order now the degrees of the lie?
Touchstone
84O sir, we quarrel in print, by the book; as you have
85books for good manners: I will name you the degrees.
86The first, the Retort Courteous; the second, the
87Quip Modest; the third, the Reply Churlish; the
88fourth, the Reproof Valiant; the fifth, the
89Countercheque Quarrelsome; the sixth, the Lie with
90Circumstance; the seventh, the Lie Direct. All
91these you may avoid but the Lie Direct; and you may
92avoid that too, with an If. I knew when seven
93justices could not take up a quarrel, but when the
94parties were met themselves, one of them thought but
95of an If, as, 'If you said so, then I said so;' and
96they shook hands and swore brothers. Your If is the
97only peacemaker; much virtue in If.
Jaques
98Is not this a rare fellow, my lord? he's as good at
99any thing and yet a fool.
Duke Senior
100He uses his folly like a stalking-horse and under
101the presentation of that he shoots his wit.
[Enter Hymen, Rosalind, and Celia]
[Still Music]
Hymen
102Then is there mirth in heaven,
103When earthly things made even
104Atone together.
105Good duke, receive thy daughter
106Hymen from heaven brought her,
107Yea, brought her hither,
108That thou mightst join her hand with his
109Whose heart within his bosom is.
Rosalind
110[To DUKE SENIOR] To you I give myself, for I am yours.
[To Orlando]
Rosalind
111To you I give myself, for I am yours.
Duke Senior
112If there be truth in sight, you are my daughter.
Orlando
113If there be truth in sight, you are my Rosalind.
Phebe
114If sight and shape be true,
115Why then, my love adieu!
Rosalind
116I'll have no father, if you be not he:
117I'll have no husband, if you be not he:
118Nor ne'er wed woman, if you be not she.
Hymen
119Peace, ho! I bar confusion:
120'Tis I must make conclusion
121Of these most strange events:
122Here's eight that must take hands
123To join in Hymen's bands,
124If truth holds true contents.
125You and you no cross shall part:
126You and you are heart in heart
127You to his love must accord,
128Or have a woman to your lord:
129You and you are sure together,
130As the winter to foul weather.
131Whiles a wedlock-hymn we sing,
132Feed yourselves with questioning;
133That reason wonder may diminish,
134How thus we met, and these things finish.
135SONG.
136Wedding is great Juno's crown:
137O blessed bond of board and bed!
138'Tis Hymen peoples every town;
139High wedlock then be honoured:
140Honour, high honour and renown,
141To Hymen, god of every town!
Duke Senior
142O my dear niece, welcome thou art to me!
143Even daughter, welcome, in no less degree.
Phebe
144I will not eat my word, now thou art mine;
145Thy faith my fancy to thee doth combine.
[Enter Jaques De Boys]
Jaques De Boys
146Let me have audience for a word or two:
147I am the second son of old Sir Rowland,
148That bring these tidings to this fair assembly.
149Duke Frederick, hearing how that every day
150Men of great worth resorted to this forest,
151Address'd a mighty power; which were on foot,
152In his own conduct, purposely to take
153His brother here and put him to the sword:
154And to the skirts of this wild wood he came;
155Where meeting with an old religious man,
156After some question with him, was converted
157Both from his enterprise and from the world,
158His crown bequeathing to his banish'd brother,
159And all their lands restored to them again
160That were with him exiled. This to be true,
161I do engage my life.
Duke Senior
162Welcome, young man;
163Thou offer'st fairly to thy brothers' wedding:
164To one his lands withheld, and to the other
165A land itself at large, a potent dukedom.
166First, in this forest, let us do those ends
167That here were well begun and well begot:
168And after, every of this happy number
169That have endured shrewd days and nights with us
170Shall share the good of our returned fortune,
171According to the measure of their states.
172Meantime, forget this new-fall'n dignity
173And fall into our rustic revelry.
174Play, music! And you, brides and bridegrooms all,
175With measure heap'd in joy, to the measures fall.
Jaques
176Sir, by your patience. If I heard you rightly,
177The duke hath put on a religious life
178And thrown into neglect the pompous court?
Jaques De Boys
179He hath.
Jaques
180To him will I: out of these convertites
181There is much matter to be heard and learn'd.
[To Duke Senior]
Jaques
182You to your former honour I bequeath;
183Your patience and your virtue well deserves it:
[To Orlando]
Jaques
184You to a love that your true faith doth merit:
[To Oliver]
Jaques
185You to your land and love and great allies:
[To Silvius]
Jaques
186You to a long and well-deserved bed:
[To Touchstone]
Jaques
187And you to wrangling; for thy loving voyage
188Is but for two months victuall'd. So, to your pleasures:
189I am for other than for dancing measures.
Duke Senior
190Stay, Jaques, stay.
Jaques
191To see no pastime I what you would have
192I'll stay to know at your abandon'd cave.
[Exit]
Duke Senior
193Proceed, proceed: we will begin these rites,
194As we do trust they'll end, in true delights.
[A dance]
Rosalind
195It is not the fashion to see the lady the epilogue;
196but it is no more unhandsome than to see the lord
197the prologue. If it be true that good wine needs
198no bush, 'tis true that a good play needs no
199epilogue; yet to good wine they do use good bushes,
200and good plays prove the better by the help of good
201epilogues. What a case am I in then, that am
202neither a good epilogue nor cannot insinuate with
203you in the behalf of a good play! I am not
204furnished like a beggar, therefore to beg will not
205become me: my way is to conjure you; and I'll begin
206with the women. I charge you, O women, for the love
207you bear to men, to like as much of this play as
208please you: and I charge you, O men, for the love
209you bear to women--as I perceive by your simpering,
210none of you hates them--that between you and the
211women the play may please. If I were a woman I
212would kiss as many of you as had beards that pleased
213me, complexions that liked me and breaths that I
214defied not: and, I am sure, as many as have good
215beards or good faces or sweet breaths will, for my
216kind offer, when I make curtsy, bid me farewell.
[Exeunt]