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Twelfth Night

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Act I

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Scene I. Duke Orsino's palace.

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[Enter Duke Orsino, Curio, and other Lords; Musicians attending]

Duke Orsino

1If music be the food of love, play on;

2Give me excess of it, that, surfeiting,

3The appetite may sicken, and so die.

4That strain again! it had a dying fall:

5O, it came o'er my ear like the sweet sound,

6That breathes upon a bank of violets,

7Stealing and giving odour! Enough; no more:

8'Tis not so sweet now as it was before.

9O spirit of love! how quick and fresh art thou,

10That, notwithstanding thy capacity

11Receiveth as the sea, nought enters there,

12Of what validity and pitch soe'er,

13But falls into abatement and low price,

14Even in a minute: so full of shapes is fancy

15That it alone is high fantastical.

Curio

16Will you go hunt, my lord?

Duke Orsino

17What, Curio?

Curio

18The hart.

Duke Orsino

19Why, so I do, the noblest that I have:

20O, when mine eyes did see Olivia first,

21Methought she purged the air of pestilence!

22That instant was I turn'd into a hart;

23And my desires, like fell and cruel hounds,

24E'er since pursue me.

[Enter Valentine]

Duke Orsino

25How now! what news from her?

Valentine

26So please my lord, I might not be admitted;

27But from her handmaid do return this answer:

28The element itself, till seven years' heat,

29Shall not behold her face at ample view;

30But, like a cloistress, she will veiled walk

31And water once a day her chamber round

32With eye-offending brine: all this to season

33A brother's dead love, which she would keep fresh

34And lasting in her sad remembrance.

Duke Orsino

35O, she that hath a heart of that fine frame

36To pay this debt of love but to a brother,

37How will she love, when the rich golden shaft

38Hath kill'd the flock of all affections else

39That live in her; when liver, brain and heart,

40These sovereign thrones, are all supplied, and fill'd

41Her sweet perfections with one self king!

42Away before me to sweet beds of flowers:

43Love-thoughts lie rich when canopied with bowers.

[Exeunt]

Scene II. The sea-coast.

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[Enter Viola, a Captain, and Sailors]

Viola

1What country, friends, is this?

Captain

2This is Illyria, lady.

Viola

3And what should I do in Illyria?

4My brother he is in Elysium.

5Perchance he is not drown'd: what think you, sailors?

Captain

6It is perchance that you yourself were saved.

Viola

7O my poor brother! and so perchance may he be.

Captain

8True, madam: and, to comfort you with chance,

9Assure yourself, after our ship did split,

10When you and those poor number saved with you

11Hung on our driving boat, I saw your brother,

12Most provident in peril, bind himself,

13Courage and hope both teaching him the practise,

14To a strong mast that lived upon the sea;

15Where, like Arion on the dolphin's back,

16I saw him hold acquaintance with the waves

17So long as I could see.

Viola

18For saying so, there's gold:

19Mine own escape unfoldeth to my hope,

20Whereto thy speech serves for authority,

21The like of him. Know'st thou this country?

Captain

22Ay, madam, well; for I was bred and born

23Not three hours' travel from this very place.

Viola

24Who governs here?

Captain

25A noble duke, in nature as in name.

Viola

26What is the name?

Captain

27Orsino.

Viola

28Orsino! I have heard my father name him:

29He was a bachelor then.

Captain

30And so is now, or was so very late;

31For but a month ago I went from hence,

32And then 'twas fresh in murmur,--as, you know,

33What great ones do the less will prattle of,--

34That he did seek the love of fair Olivia.

Viola

35What's she?

Captain

36A virtuous maid, the daughter of a count

37That died some twelvemonth since, then leaving her

38In the protection of his son, her brother,

39Who shortly also died: for whose dear love,

40They say, she hath abjured the company

41And sight of men.

Viola

42O that I served that lady

43And might not be delivered to the world,

44Till I had made mine own occasion mellow,

45What my estate is!

Captain

46That were hard to compass;

47Because she will admit no kind of suit,

48No, not the duke's.

Viola

49There is a fair behavior in thee, captain;

50And though that nature with a beauteous wall

51Doth oft close in pollution, yet of thee

52I will believe thou hast a mind that suits

53With this thy fair and outward character.

54I prithee, and I'll pay thee bounteously,

55Conceal me what I am, and be my aid

56For such disguise as haply shall become

57The form of my intent. I'll serve this duke:

58Thou shall present me as an eunuch to him:

59It may be worth thy pains; for I can sing

60And speak to him in many sorts of music

61That will allow me very worth his service.

62What else may hap to time I will commit;

63Only shape thou thy silence to my wit.

Captain

64Be you his eunuch, and your mute I'll be:

65When my tongue blabs, then let mine eyes not see.

Viola

66I thank thee: lead me on.

[Exeunt]

Scene III. Olivia's house.

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[Enter Sir Toby Belch and Maria]

Sir Toby Belch

1What a plague means my niece, to take the death of

2her brother thus? I am sure care's an enemy to life.

Maria

3By my troth, Sir Toby, you must come in earlier o'

4nights: your cousin, my lady, takes great

5exceptions to your ill hours.

Sir Toby Belch

6Why, let her except, before excepted.

Maria

7Ay, but you must confine yourself within the modest

8limits of order.

Sir Toby Belch

9Confine! I'll confine myself no finer than I am:

10these clothes are good enough to drink in; and so be

11these boots too: an they be not, let them hang

12themselves in their own straps.

Maria

13That quaffing and drinking will undo you: I heard

14my lady talk of it yesterday; and of a foolish

15knight that you brought in one night here to be her wooer.

Sir Toby Belch

16Who, Sir Andrew Aguecheek?

Maria

17Ay, he.

Sir Toby Belch

18He's as tall a man as any's in Illyria.

Maria

19What's that to the purpose?

Sir Toby Belch

20Why, he has three thousand ducats a year.

Maria

21Ay, but he'll have but a year in all these ducats:

22he's a very fool and a prodigal.

Sir Toby Belch

23Fie, that you'll say so! he plays o' the

24viol-de-gamboys, and speaks three or four languages

25word for word without book, and hath all the good

26gifts of nature.

Maria

27He hath indeed, almost natural: for besides that

28he's a fool, he's a great quarreller: and but that

29he hath the gift of a coward to allay the gust he

30hath in quarrelling, 'tis thought among the prudent

31he would quickly have the gift of a grave.

Sir Toby Belch

32By this hand, they are scoundrels and subtractors

33that say so of him. Who are they?

Maria

34They that add, moreover, he's drunk nightly in your company.

Sir Toby Belch

35With drinking healths to my niece: I'll drink to

36her as long as there is a passage in my throat and

37drink in Illyria: he's a coward and a coystrill

38that will not drink to my niece till his brains turn

39o' the toe like a parish-top. What, wench!

40Castiliano vulgo! for here comes Sir Andrew Agueface.

[Enter Sir Andrew]

Sir Andrew

41Sir Toby Belch! how now, Sir Toby Belch!

Sir Toby Belch

42Sweet Sir Andrew!

Sir Andrew

43Bless you, fair shrew.

Maria

44And you too, sir.

Sir Toby Belch

45Accost, Sir Andrew, accost.

Sir Andrew

46What's that?

Sir Toby Belch

47My niece's chambermaid.

Sir Andrew

48Good Mistress Accost, I desire better acquaintance.

Maria

49My name is Mary, sir.

Sir Andrew

50Good Mistress Mary Accost,--

Sir Toby Belch

51You mistake, knight; 'accost' is front her, board

52her, woo her, assail her.

Sir Andrew

53By my troth, I would not undertake her in this

54company. Is that the meaning of 'accost'?

Maria

55Fare you well, gentlemen.

Sir Toby Belch

56An thou let part so, Sir Andrew, would thou mightst

57never draw sword again.

Sir Andrew

58An you part so, mistress, I would I might never

59draw sword again. Fair lady, do you think you have

60fools in hand?

Maria

61Sir, I have not you by the hand.

Sir Andrew

62Marry, but you shall have; and here's my hand.

Maria

63Now, sir, 'thought is free:' I pray you, bring

64your hand to the buttery-bar and let it drink.

Sir Andrew

65Wherefore, sweet-heart? what's your metaphor?

Maria

66It's dry, sir.

Sir Andrew

67Why, I think so: I am not such an ass but I can

68keep my hand dry. But what's your jest?

Maria

69A dry jest, sir.

Sir Andrew

70Are you full of them?

Maria

71Ay, sir, I have them at my fingers' ends: marry,

72now I let go your hand, I am barren.

[Exit]

Sir Toby Belch

73O knight thou lackest a cup of canary: when did I

74see thee so put down?

Sir Andrew

75Never in your life, I think; unless you see canary

76put me down. Methinks sometimes I have no more wit

77than a Christian or an ordinary man has: but I am a

78great eater of beef and I believe that does harm to my wit.

Sir Toby Belch

79No question.

Sir Andrew

80An I thought that, I'ld forswear it. I'll ride home

81to-morrow, Sir Toby.

Sir Toby Belch

82Pourquoi, my dear knight?

Sir Andrew

83What is 'Pourquoi'? do or not do? I would I had

84bestowed that time in the tongues that I have in

85fencing, dancing and bear-baiting: O, had I but

86followed the arts!

Sir Toby Belch

87Then hadst thou had an excellent head of hair.

Sir Andrew

88Why, would that have mended my hair?

Sir Toby Belch

89Past question; for thou seest it will not curl by nature.

Sir Andrew

90But it becomes me well enough, does't not?

Sir Toby Belch

91Excellent; it hangs like flax on a distaff; and I

92hope to see a housewife take thee between her legs

93and spin it off.

Sir Andrew

94Faith, I'll home to-morrow, Sir Toby: your niece

95will not be seen; or if she be, it's four to one

96she'll none of me: the count himself here hard by woos her.

Sir Toby Belch

97She'll none o' the count: she'll not match above

98her degree, neither in estate, years, nor wit; I

99have heard her swear't. Tut, there's life in't,

100man.

Sir Andrew

101I'll stay a month longer. I am a fellow o' the

102strangest mind i' the world; I delight in masques

103and revels sometimes altogether.

Sir Toby Belch

104Art thou good at these kickshawses, knight?

Sir Andrew

105As any man in Illyria, whatsoever he be, under the

106degree of my betters; and yet I will not compare

107with an old man.

Sir Toby Belch

108What is thy excellence in a galliard, knight?

Sir Andrew

109Faith, I can cut a caper.

Sir Toby Belch

110And I can cut the mutton to't.

Sir Andrew

111And I think I have the back-trick simply as strong

112as any man in Illyria.

Sir Toby Belch

113Wherefore are these things hid? wherefore have

114these gifts a curtain before 'em? are they like to

115take dust, like Mistress Mall's picture? why dost

116thou not go to church in a galliard and come home in

117a coranto? My very walk should be a jig; I would not

118so much as make water but in a sink-a-pace. What

119dost thou mean? Is it a world to hide virtues in?

120I did think, by the excellent constitution of thy

121leg, it was formed under the star of a galliard.

Sir Andrew

122Ay, 'tis strong, and it does indifferent well in a

123flame-coloured stock. Shall we set about some revels?

Sir Toby Belch

124What shall we do else? were we not born under Taurus?

Sir Andrew

125Taurus! That's sides and heart.

Sir Toby Belch

126No, sir; it is legs and thighs. Let me see the

127caper; ha! higher: ha, ha! excellent!

[Exeunt]

Scene IV. Duke Orsino's palace.

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[Enter Valentine and Viola in man's attire]

Valentine

1If the duke continue these favours towards you,

2Cesario, you are like to be much advanced: he hath

3known you but three days, and already you are no stranger.

Viola

4You either fear his humour or my negligence, that

5you call in question the continuance of his love:

6is he inconstant, sir, in his favours?

Valentine

7No, believe me.

Viola

8I thank you. Here comes the count.

[Enter Duke Orsino, Curio, and Attendants]

Duke Orsino

9Who saw Cesario, ho?

Viola

10On your attendance, my lord; here.

Duke Orsino

11Stand you a while aloof, Cesario,

12Thou know'st no less but all; I have unclasp'd

13To thee the book even of my secret soul:

14Therefore, good youth, address thy gait unto her;

15Be not denied access, stand at her doors,

16And tell them, there thy fixed foot shall grow

17Till thou have audience.

Viola

18Sure, my noble lord,

19If she be so abandon'd to her sorrow

20As it is spoke, she never will admit me.

Duke Orsino

21Be clamorous and leap all civil bounds

22Rather than make unprofited return.

Viola

23Say I do speak with her, my lord, what then?

Duke Orsino

24O, then unfold the passion of my love,

25Surprise her with discourse of my dear faith:

26It shall become thee well to act my woes;

27She will attend it better in thy youth

28Than in a nuncio's of more grave aspect.

Viola

29I think not so, my lord.

Duke Orsino

30Dear lad, believe it;

31For they shall yet belie thy happy years,

32That say thou art a man: Diana's lip

33Is not more smooth and rubious; thy small pipe

34Is as the maiden's organ, shrill and sound,

35And all is semblative a woman's part.

36I know thy constellation is right apt

37For this affair. Some four or five attend him;

38All, if you will; for I myself am best

39When least in company. Prosper well in this,

40And thou shalt live as freely as thy lord,

41To call his fortunes thine.

Viola

42I'll do my best

43To woo your lady:

[Aside]

Viola

44yet, a barful strife!

45Whoe'er I woo, myself would be his wife.

[Exeunt]

Scene V. Olivia's house.

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[Enter Maria and Clown]

Maria

1Nay, either tell me where thou hast been, or I will

2not open my lips so wide as a bristle may enter in

3way of thy excuse: my lady will hang thee for thy absence.

Clown

4Let her hang me: he that is well hanged in this

5world needs to fear no colours.

Maria

6Make that good.

Clown

7He shall see none to fear.

Maria

8A good lenten answer: I can tell thee where that

9saying was born, of 'I fear no colours.'

Clown

10Where, good Mistress Mary?

Maria

11In the wars; and that may you be bold to say in your foolery.

Clown

12Well, God give them wisdom that have it; and those

13that are fools, let them use their talents.

Maria

14Yet you will be hanged for being so long absent; or,

15to be turned away, is not that as good as a hanging to you?

Clown

16Many a good hanging prevents a bad marriage; and,

17for turning away, let summer bear it out.

Maria

18You are resolute, then?

Clown

19Not so, neither; but I am resolved on two points.

Maria

20That if one break, the other will hold; or, if both

21break, your gaskins fall.

Clown

22Apt, in good faith; very apt. Well, go thy way; if

23Sir Toby would leave drinking, thou wert as witty a

24piece of Eve's flesh as any in Illyria.

Maria

25Peace, you rogue, no more o' that. Here comes my

26lady: make your excuse wisely, you were best.

[Exit]

Clown

27Wit, an't be thy will, put me into good fooling!

28Those wits, that think they have thee, do very oft

29prove fools; and I, that am sure I lack thee, may

30pass for a wise man: for what says Quinapalus?

31'Better a witty fool, than a foolish wit.'

[Enter Olivia with Malvolio]

Clown

32God bless thee, lady!

Olivia

33Take the fool away.

Clown

34Do you not hear, fellows? Take away the lady.

Olivia

35Go to, you're a dry fool; I'll no more of you:

36besides, you grow dishonest.

Clown

37Two faults, madonna, that drink and good counsel

38will amend: for give the dry fool drink, then is

39the fool not dry: bid the dishonest man mend

40himself; if he mend, he is no longer dishonest; if

41he cannot, let the botcher mend him. Any thing

42that's mended is but patched: virtue that

43transgresses is but patched with sin; and sin that

44amends is but patched with virtue. If that this

45simple syllogism will serve, so; if it will not,

46what remedy? As there is no true cuckold but

47calamity, so beauty's a flower. The lady bade take

48away the fool; therefore, I say again, take her away.

Olivia

49Sir, I bade them take away you.

Clown

50Misprision in the highest degree! Lady, cucullus non

51facit monachum; that's as much to say as I wear not

52motley in my brain. Good madonna, give me leave to

53prove you a fool.

Olivia

54Can you do it?

Clown

55Dexterously, good madonna.

Olivia

56Make your proof.

Clown

57I must catechise you for it, madonna: good my mouse

58of virtue, answer me.

Olivia

59Well, sir, for want of other idleness, I'll bide your proof.

Clown

60Good madonna, why mournest thou?

Olivia

61Good fool, for my brother's death.

Clown

62I think his soul is in hell, madonna.

Olivia

63I know his soul is in heaven, fool.

Clown

64The more fool, madonna, to mourn for your brother's

65soul being in heaven. Take away the fool, gentlemen.

Olivia

66What think you of this fool, Malvolio? doth he not mend?

Malvolio

67Yes, and shall do till the pangs of death shake him:

68infirmity, that decays the wise, doth ever make the

69better fool.

Clown

70God send you, sir, a speedy infirmity, for the

71better increasing your folly! Sir Toby will be

72sworn that I am no fox; but he will not pass his

73word for two pence that you are no fool.

Olivia

74How say you to that, Malvolio?

Malvolio

75I marvel your ladyship takes delight in such a

76barren rascal: I saw him put down the other day

77with an ordinary fool that has no more brain

78than a stone. Look you now, he's out of his guard

79already; unless you laugh and minister occasion to

80him, he is gagged. I protest, I take these wise men,

81that crow so at these set kind of fools, no better

82than the fools' zanies.

Olivia

83Oh, you are sick of self-love, Malvolio, and taste

84with a distempered appetite. To be generous,

85guiltless and of free disposition, is to take those

86things for bird-bolts that you deem cannon-bullets:

87there is no slander in an allowed fool, though he do

88nothing but rail; nor no railing in a known discreet

89man, though he do nothing but reprove.

Clown

90Now Mercury endue thee with leasing, for thou

91speakest well of fools!

[Re-enter Maria]

Maria

92Madam, there is at the gate a young gentleman much

93desires to speak with you.

Olivia

94From the Count Orsino, is it?

Maria

95I know not, madam: 'tis a fair young man, and well attended.

Olivia

96Who of my people hold him in delay?

Maria

97Sir Toby, madam, your kinsman.

Olivia

98Fetch him off, I pray you; he speaks nothing but

99madman: fie on him!

[Exit Maria]

Olivia

100Go you, Malvolio: if it be a suit from the count, I

101am sick, or not at home; what you will, to dismiss it.

[Exit Malvolio]

Olivia

102Now you see, sir, how your fooling grows old, and

103people dislike it.

Clown

104Thou hast spoke for us, madonna, as if thy eldest

105son should be a fool; whose skull Jove cram with

106brains! for,--here he comes,--one of thy kin has a

107most weak pia mater.

[Enter Sir Toby Belch]

Olivia

108By mine honour, half drunk. What is he at the gate, cousin?

Sir Toby Belch

109A gentleman.

Olivia

110A gentleman! what gentleman?

Sir Toby Belch

111'Tis a gentle man here--a plague o' these

112pickle-herring! How now, sot!

Clown

113Good Sir Toby!

Olivia

114Cousin, cousin, how have you come so early by this lethargy?

Sir Toby Belch

115Lechery! I defy lechery. There's one at the gate.

Olivia

116Ay, marry, what is he?

Sir Toby Belch

117Let him be the devil, an he will, I care not: give

118me faith, say I. Well, it's all one.

[Exit]

Olivia

119What's a drunken man like, fool?

Clown

120Like a drowned man, a fool and a mad man: one

121draught above heat makes him a fool; the second mads

122him; and a third drowns him.

Olivia

123Go thou and seek the crowner, and let him sit o' my

124coz; for he's in the third degree of drink, he's

125drowned: go, look after him.

Clown

126He is but mad yet, madonna; and the fool shall look

127to the madman.

[Exit]

[Re-enter Malvolio]

Malvolio

128Madam, yond young fellow swears he will speak with

129you. I told him you were sick; he takes on him to

130understand so much, and therefore comes to speak

131with you. I told him you were asleep; he seems to

132have a foreknowledge of that too, and therefore

133comes to speak with you. What is to be said to him,

134lady? he's fortified against any denial.

Olivia

135Tell him he shall not speak with me.

Malvolio

136Has been told so; and he says, he'll stand at your

137door like a sheriff's post, and be the supporter to

138a bench, but he'll speak with you.

Olivia

139What kind o' man is he?

Malvolio

140Why, of mankind.

Olivia

141What manner of man?

Malvolio

142Of very ill manner; he'll speak with you, will you or no.

Olivia

143Of what personage and years is he?

Malvolio

144Not yet old enough for a man, nor young enough for

145a boy; as a squash is before 'tis a peascod, or a

146cooling when 'tis almost an apple: 'tis with him

147in standing water, between boy and man. He is very

148well-favoured and he speaks very shrewishly; one

149would think his mother's milk were scarce out of him.

Olivia

150Let him approach: call in my gentlewoman.

Malvolio

151Gentlewoman, my lady calls.

[Exit]

[Re-enter Maria]

Olivia

152Give me my veil: come, throw it o'er my face.

153We'll once more hear Orsino's embassy.

[Enter Viola, and Attendants]

Viola

154The honourable lady of the house, which is she?

Olivia

155Speak to me; I shall answer for her.

156Your will?

Viola

157Most radiant, exquisite and unmatchable beauty,--I

158pray you, tell me if this be the lady of the house,

159for I never saw her: I would be loath to cast away

160my speech, for besides that it is excellently well

161penned, I have taken great pains to con it. Good

162beauties, let me sustain no scorn; I am very

163comptible, even to the least sinister usage.

Olivia

164Whence came you, sir?

Viola

165I can say little more than I have studied, and that

166question's out of my part. Good gentle one, give me

167modest assurance if you be the lady of the house,

168that I may proceed in my speech.

Olivia

169Are you a comedian?

Viola

170No, my profound heart: and yet, by the very fangs

171of malice I swear, I am not that I play. Are you

172the lady of the house?

Olivia

173If I do not usurp myself, I am.

Viola

174Most certain, if you are she, you do usurp

175yourself; for what is yours to bestow is not yours

176to reserve. But this is from my commission: I will

177on with my speech in your praise, and then show you

178the heart of my message.

Olivia

179Come to what is important in't: I forgive you the praise.

Viola

180Alas, I took great pains to study it, and 'tis poetical.

Olivia

181It is the more like to be feigned: I pray you,

182keep it in. I heard you were saucy at my gates,

183and allowed your approach rather to wonder at you

184than to hear you. If you be not mad, be gone; if

185you have reason, be brief: 'tis not that time of

186moon with me to make one in so skipping a dialogue.

Maria

187Will you hoist sail, sir? here lies your way.

Viola

188No, good swabber; I am to hull here a little

189longer. Some mollification for your giant, sweet

190lady. Tell me your mind: I am a messenger.

Olivia

191Sure, you have some hideous matter to deliver, when

192the courtesy of it is so fearful. Speak your office.

Viola

193It alone concerns your ear. I bring no overture of

194war, no taxation of homage: I hold the olive in my

195hand; my words are as fun of peace as matter.

Olivia

196Yet you began rudely. What are you? what would you?

Viola

197The rudeness that hath appeared in me have I

198learned from my entertainment. What I am, and what I

199would, are as secret as maidenhead; to your ears,

200divinity, to any other's, profanation.

Olivia

201Give us the place alone: we will hear this divinity.

[Exeunt Maria and Attendants]

Olivia

202Now, sir, what is your text?

Viola

203Most sweet lady,--

Olivia

204A comfortable doctrine, and much may be said of it.

205Where lies your text?

Viola

206In Orsino's bosom.

Olivia

207In his bosom! In what chapter of his bosom?

Viola

208To answer by the method, in the first of his heart.

Olivia

209O, I have read it: it is heresy. Have you no more to say?

Viola

210Good madam, let me see your face.

Olivia

211Have you any commission from your lord to negotiate

212with my face? You are now out of your text: but

213we will draw the curtain and show you the picture.

214Look you, sir, such a one I was this present: is't

215not well done?

[Unveiling]

Viola

216Excellently done, if God did all.

Olivia

217'Tis in grain, sir; 'twill endure wind and weather.

Viola

218'Tis beauty truly blent, whose red and white

219Nature's own sweet and cunning hand laid on:

220Lady, you are the cruell'st she alive,

221If you will lead these graces to the grave

222And leave the world no copy.

Olivia

223O, sir, I will not be so hard-hearted; I will give

224out divers schedules of my beauty: it shall be

225inventoried, and every particle and utensil

226labelled to my will: as, item, two lips,

227indifferent red; item, two grey eyes, with lids to

228them; item, one neck, one chin, and so forth. Were

229you sent hither to praise me?

Viola

230I see you what you are, you are too proud;

231But, if you were the devil, you are fair.

232My lord and master loves you: O, such love

233Could be but recompensed, though you were crown'd

234The nonpareil of beauty!

Olivia

235How does he love me?

Viola

236With adorations, fertile tears,

237With groans that thunder love, with sighs of fire.

Olivia

238Your lord does know my mind; I cannot love him:

239Yet I suppose him virtuous, know him noble,

240Of great estate, of fresh and stainless youth;

241In voices well divulged, free, learn'd and valiant;

242And in dimension and the shape of nature

243A gracious person: but yet I cannot love him;

244He might have took his answer long ago.

Viola

245If I did love you in my master's flame,

246With such a suffering, such a deadly life,

247In your denial I would find no sense;

248I would not understand it.

Olivia

249Why, what would you?

Viola

250Make me a willow cabin at your gate,

251And call upon my soul within the house;

252Write loyal cantons of contemned love

253And sing them loud even in the dead of night;

254Halloo your name to the reverberate hills

255And make the babbling gossip of the air

256Cry out 'Olivia!' O, You should not rest

257Between the elements of air and earth,

258But you should pity me!

Olivia

259You might do much.

260What is your parentage?

Viola

261Above my fortunes, yet my state is well:

262I am a gentleman.

Olivia

263Get you to your lord;

264I cannot love him: let him send no more;

265Unless, perchance, you come to me again,

266To tell me how he takes it. Fare you well:

267I thank you for your pains: spend this for me.

Viola

268I am no fee'd post, lady; keep your purse:

269My master, not myself, lacks recompense.

270Love make his heart of flint that you shall love;

271And let your fervor, like my master's, be

272Placed in contempt! Farewell, fair cruelty.

[Exit]

Olivia

273'What is your parentage?'

274'Above my fortunes, yet my state is well:

275I am a gentleman.' I'll be sworn thou art;

276Thy tongue, thy face, thy limbs, actions and spirit,

277Do give thee five-fold blazon: not too fast:

278soft, soft!

279Unless the master were the man. How now!

280Even so quickly may one catch the plague?

281Methinks I feel this youth's perfections

282With an invisible and subtle stealth

283To creep in at mine eyes. Well, let it be.

284What ho, Malvolio!

[Re-enter Malvolio]

Malvolio

285Here, madam, at your service.

Olivia

286Run after that same peevish messenger,

287The county's man: he left this ring behind him,

288Would I or not: tell him I'll none of it.

289Desire him not to flatter with his lord,

290Nor hold him up with hopes; I am not for him:

291If that the youth will come this way to-morrow,

292I'll give him reasons for't: hie thee, Malvolio.

Malvolio

293Madam, I will.

[Exit]

Olivia

294I do I know not what, and fear to find

295Mine eye too great a flatterer for my mind.

296Fate, show thy force: ourselves we do not owe;

297What is decreed must be, and be this so.

[Exit]

Act II

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Scene I. The sea-coast.

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[Enter Antonio and Sebastian]

Antonio

1Will you stay no longer? nor will you not that I go with you?

Sebastian

2By your patience, no. My stars shine darkly over

3me: the malignancy of my fate might perhaps

4distemper yours; therefore I shall crave of you your

5leave that I may bear my evils alone: it were a bad

6recompense for your love, to lay any of them on you.

7ANTONIO: Let me yet know of you whither you are bound.

8No, sooth, sir: my determinate voyage is mere

9extravagancy. But I perceive in you so excellent a

10touch of modesty, that you will not extort from me

11what I am willing to keep in; therefore it charges

12me in manners the rather to express myself. You

13must know of me then, Antonio, my name is Sebastian,

14which I called Roderigo. My father was that

15Sebastian of Messaline, whom I know you have heard

16of. He left behind him myself and a sister, both

17born in an hour: if the heavens had been pleased,

18would we had so ended! but you, sir, altered that;

19for some hour before you took me from the breach of

20the sea was my sister drowned.

Antonio

21Alas the day!

Sebastian

22A lady, sir, though it was said she much resembled

23me, was yet of many accounted beautiful: but,

24though I could not with such estimable wonder

25overfar believe that, yet thus far I will boldly

26publish her; she bore a mind that envy could not but

27call fair. She is drowned already, sir, with salt

28water, though I seem to drown her remembrance again with more.

Antonio

29Pardon me, sir, your bad entertainment.

Sebastian

30O good Antonio, forgive me your trouble.

Antonio

31If you will not murder me for my love, let me be

32your servant.

Sebastian

33If you will not undo what you have done, that is,

34kill him whom you have recovered, desire it not.

35Fare ye well at once: my bosom is full of kindness,

36and I am yet so near the manners of my mother, that

37upon the least occasion more mine eyes will tell

38tales of me. I am bound to the Count Orsino's court: farewell.

[Exit]

Antonio

39The gentleness of all the gods go with thee!

40I have many enemies in Orsino's court,

41Else would I very shortly see thee there.

42But, come what may, I do adore thee so,

43That danger shall seem sport, and I will go.

[Exit]

Scene II. A street.

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[Enter Viola, Malvolio following]

Malvolio

1Were not you even now with the Countess Olivia?

Viola

2Even now, sir; on a moderate pace I have since

3arrived but hither.

Malvolio

4She returns this ring to you, sir: you might have

5saved me my pains, to have taken it away yourself.

6She adds, moreover, that you should put your lord

7into a desperate assurance she will none of him:

8and one thing more, that you be never so hardy to

9come again in his affairs, unless it be to report

10your lord's taking of this. Receive it so.

Viola

11She took the ring of me: I'll none of it.

Malvolio

12Come, sir, you peevishly threw it to her; and her

13will is, it should be so returned: if it be worth

14stooping for, there it lies in your eye; if not, be

15it his that finds it.

[Exit]

Viola

16I left no ring with her: what means this lady?

17Fortune forbid my outside have not charm'd her!

18She made good view of me; indeed, so much,

19That sure methought her eyes had lost her tongue,

20For she did speak in starts distractedly.

21She loves me, sure; the cunning of her passion

22Invites me in this churlish messenger.

23None of my lord's ring! why, he sent her none.

24I am the man: if it be so, as 'tis,

25Poor lady, she were better love a dream.

26Disguise, I see, thou art a wickedness,

27Wherein the pregnant enemy does much.

28How easy is it for the proper-false

29In women's waxen hearts to set their forms!

30Alas, our frailty is the cause, not we!

31For such as we are made of, such we be.

32How will this fadge? my master loves her dearly;

33And I, poor monster, fond as much on him;

34And she, mistaken, seems to dote on me.

35What will become of this? As I am man,

36My state is desperate for my master's love;

37As I am woman,--now alas the day!--

38What thriftless sighs shall poor Olivia breathe!

39O time! thou must untangle this, not I;

40It is too hard a knot for me to untie!

[Exit]

Scene III. Olivia's house.

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[Enter Sir Toby Belch and Sir Andrew]

Sir Toby Belch

1Approach, Sir Andrew: not to be abed after

2midnight is to be up betimes; and 'diluculo

3surgere,' thou know'st,--

Sir Andrew

4Nay, my troth, I know not: but I know, to be up

5late is to be up late.

Sir Toby Belch

6A false conclusion: I hate it as an unfilled can.

7To be up after midnight and to go to bed then, is

8early: so that to go to bed after midnight is to go

9to bed betimes. Does not our life consist of the

10four elements?

Sir Andrew

11Faith, so they say; but I think it rather consists

12of eating and drinking.

Sir Toby Belch

13Thou'rt a scholar; let us therefore eat and drink.

14Marian, I say! a stoup of wine!

[Enter Clown]

Sir Andrew

15Here comes the fool, i' faith.

Clown

16How now, my hearts! did you never see the picture

17of 'we three'?

Sir Toby Belch

18Welcome, ass. Now let's have a catch.

Sir Andrew

19By my troth, the fool has an excellent breast. I

20had rather than forty shillings I had such a leg,

21and so sweet a breath to sing, as the fool has. In

22sooth, thou wast in very gracious fooling last

23night, when thou spokest of Pigrogromitus, of the

24Vapians passing the equinoctial of Queubus: 'twas

25very good, i' faith. I sent thee sixpence for thy

26leman: hadst it?

Clown

27I did impeticos thy gratillity; for Malvolio's nose

28is no whipstock: my lady has a white hand, and the

29Myrmidons are no bottle-ale houses.

Sir Andrew

30Excellent! why, this is the best fooling, when all

31is done. Now, a song.

Sir Toby Belch

32Come on; there is sixpence for you: let's have a song.

Sir Andrew

33There's a testril of me too: if one knight give a--

Clown

34Would you have a love-song, or a song of good life?

Sir Toby Belch

35A love-song, a love-song.

Sir Andrew

36Ay, ay: I care not for good life.

Clown

37[Sings]

38O mistress mine, where are you roaming?

39O, stay and hear; your true love's coming,

40That can sing both high and low:

41Trip no further, pretty sweeting;

42Journeys end in lovers meeting,

43Every wise man's son doth know.

Sir Andrew

44Excellent good, i' faith.

Sir Toby Belch

45Good, good.

Clown

46[Sings]

47What is love? 'tis not hereafter;

48Present mirth hath present laughter;

49What's to come is still unsure:

50In delay there lies no plenty;

51Then come kiss me, sweet and twenty,

52Youth's a stuff will not endure.

Sir Andrew

53A mellifluous voice, as I am true knight.

Sir Toby Belch

54A contagious breath.

Sir Andrew

55Very sweet and contagious, i' faith.

Sir Toby Belch

56To hear by the nose, it is dulcet in contagion.

57But shall we make the welkin dance indeed? shall we

58rouse the night-owl in a catch that will draw three

59souls out of one weaver? shall we do that?

Sir Andrew

60An you love me, let's do't: I am dog at a catch.

Clown

61By'r lady, sir, and some dogs will catch well.

Sir Andrew

62Most certain. Let our catch be, 'Thou knave.'

Clown

63'Hold thy peace, thou knave,' knight? I shall be

64constrained in't to call thee knave, knight.

Sir Andrew

65'Tis not the first time I have constrained one to

66call me knave. Begin, fool: it begins 'Hold thy peace.'

Clown

67I shall never begin if I hold my peace.

Sir Andrew

68Good, i' faith. Come, begin.

[Catch sung]

[Enter Maria]

Maria

69What a caterwauling do you keep here! If my lady

70have not called up her steward Malvolio and bid him

71turn you out of doors, never trust me.

Sir Toby Belch

72My lady's a Cataian, we are politicians, Malvolio's

73a Peg-a-Ramsey, and 'Three merry men be we.' Am not

74I consanguineous? am I not of her blood?

75Tillyvally. Lady!

[Sings]

Sir Toby Belch

76'There dwelt a man in Babylon, lady, lady!'

Clown

77Beshrew me, the knight's in admirable fooling.

Sir Andrew

78Ay, he does well enough if he be disposed, and so do

79I too: he does it with a better grace, but I do it

80more natural.

Sir Toby Belch

81[Sings] 'O, the twelfth day of December,'--

Maria

82For the love o' God, peace!

[Enter Malvolio]

Malvolio

83My masters, are you mad? or what are you? Have ye

84no wit, manners, nor honesty, but to gabble like

85tinkers at this time of night? Do ye make an

86alehouse of my lady's house, that ye squeak out your

87coziers' catches without any mitigation or remorse

88of voice? Is there no respect of place, persons, nor

89time in you?

Sir Toby Belch

90We did keep time, sir, in our catches. Sneck up!

Malvolio

91Sir Toby, I must be round with you. My lady bade me

92tell you, that, though she harbours you as her

93kinsman, she's nothing allied to your disorders. If

94you can separate yourself and your misdemeanors, you

95are welcome to the house; if not, an it would please

96you to take leave of her, she is very willing to bid

97you farewell.

Sir Toby Belch

98'Farewell, dear heart, since I must needs be gone.'

Maria

99Nay, good Sir Toby.

Clown

100'His eyes do show his days are almost done.'

Malvolio

101Is't even so?

Sir Toby Belch

102'But I will never die.'

Clown

103Sir Toby, there you lie.

Malvolio

104This is much credit to you.

Sir Toby Belch

105'Shall I bid him go?'

Clown

106'What an if you do?'

Sir Toby Belch

107'Shall I bid him go, and spare not?'

Clown

108'O no, no, no, no, you dare not.'

Sir Toby Belch

109Out o' tune, sir: ye lie. Art any more than a

110steward? Dost thou think, because thou art

111virtuous, there shall be no more cakes and ale?

Clown

112Yes, by Saint Anne, and ginger shall be hot i' the

113mouth too.

Sir Toby Belch

114Thou'rt i' the right. Go, sir, rub your chain with

115crumbs. A stoup of wine, Maria!

Malvolio

116Mistress Mary, if you prized my lady's favour at any

117thing more than contempt, you would not give means

118for this uncivil rule: she shall know of it, by this hand.

[Exit]

Maria

119Go shake your ears.

Sir Andrew

120'Twere as good a deed as to drink when a man's

121a-hungry, to challenge him the field, and then to

122break promise with him and make a fool of him.

Sir Toby Belch

123Do't, knight: I'll write thee a challenge: or I'll

124deliver thy indignation to him by word of mouth.

Maria

125Sweet Sir Toby, be patient for tonight: since the

126youth of the count's was today with thy lady, she is

127much out of quiet. For Monsieur Malvolio, let me

128alone with him: if I do not gull him into a

129nayword, and make him a common recreation, do not

130think I have wit enough to lie straight in my bed:

131I know I can do it.

Sir Toby Belch

132Possess us, possess us; tell us something of him.

Maria

133Marry, sir, sometimes he is a kind of puritan.

Sir Andrew

134O, if I thought that I'ld beat him like a dog!

Sir Toby Belch

135What, for being a puritan? thy exquisite reason,

136dear knight?

Sir Andrew

137I have no exquisite reason for't, but I have reason

138good enough.

Maria

139The devil a puritan that he is, or any thing

140constantly, but a time-pleaser; an affectioned ass,

141that cons state without book and utters it by great

142swarths: the best persuaded of himself, so

143crammed, as he thinks, with excellencies, that it is

144his grounds of faith that all that look on him love

145him; and on that vice in him will my revenge find

146notable cause to work.

Sir Toby Belch

147What wilt thou do?

Maria

148I will drop in his way some obscure epistles of

149love; wherein, by the colour of his beard, the shape

150of his leg, the manner of his gait, the expressure

151of his eye, forehead, and complexion, he shall find

152himself most feelingly personated. I can write very

153like my lady your niece: on a forgotten matter we

154can hardly make distinction of our hands.

Sir Toby Belch

155Excellent! I smell a device.

Sir Andrew

156I have't in my nose too.

Sir Toby Belch

157He shall think, by the letters that thou wilt drop,

158that they come from my niece, and that she's in

159love with him.

Maria

160My purpose is, indeed, a horse of that colour.

Sir Andrew

161And your horse now would make him an ass.

Maria

162Ass, I doubt not.

Sir Andrew

163O, 'twill be admirable!

Maria

164Sport royal, I warrant you: I know my physic will

165work with him. I will plant you two, and let the

166fool make a third, where he shall find the letter:

167observe his construction of it. For this night, to

168bed, and dream on the event. Farewell.

[Exit]

Sir Toby Belch

169Good night, Penthesilea.

Sir Andrew

170Before me, she's a good wench.

Sir Toby Belch

171She's a beagle, true-bred, and one that adores me:

172what o' that?

Sir Andrew

173I was adored once too.

Sir Toby Belch

174Let's to bed, knight. Thou hadst need send for

175more money.

Sir Andrew

176If I cannot recover your niece, I am a foul way out.

Sir Toby Belch

177Send for money, knight: if thou hast her not i'

178the end, call me cut.

Sir Andrew

179If I do not, never trust me, take it how you will.

Sir Toby Belch

180Come, come, I'll go burn some sack; 'tis too late

181to go to bed now: come, knight; come, knight.

[Exeunt]

Scene IV. Duke Orsino's palace.

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[Enter Duke Orsino, Viola, Curio, and others]

Duke Orsino

1Give me some music. Now, good morrow, friends.

2Now, good Cesario, but that piece of song,

3That old and antique song we heard last night:

4Methought it did relieve my passion much,

5More than light airs and recollected terms

6Of these most brisk and giddy-paced times:

7Come, but one verse.

Curio

8He is not here, so please your lordship that should sing it.

Duke Orsino

9Who was it?

Curio

10Feste, the jester, my lord; a fool that the lady

11Olivia's father took much delight in. He is about the house.

Duke Orsino

12Seek him out, and play the tune the while.

[Exit Curio. Music plays]

Duke Orsino

13Come hither, boy: if ever thou shalt love,

14In the sweet pangs of it remember me;

15For such as I am all true lovers are,

16Unstaid and skittish in all motions else,

17Save in the constant image of the creature

18That is beloved. How dost thou like this tune?

Viola

19It gives a very echo to the seat

20Where Love is throned.

Duke Orsino

21Thou dost speak masterly:

22My life upon't, young though thou art, thine eye

23Hath stay'd upon some favour that it loves:

24Hath it not, boy?

Viola

25A little, by your favour.

Duke Orsino

26What kind of woman is't?

Viola

27Of your complexion.

Duke Orsino

28She is not worth thee, then. What years, i' faith?

Viola

29About your years, my lord.

Duke Orsino

30Too old by heaven: let still the woman take

31An elder than herself: so wears she to him,

32So sways she level in her husband's heart:

33For, boy, however we do praise ourselves,

34Our fancies are more giddy and unfirm,

35More longing, wavering, sooner lost and worn,

36Than women's are.

Viola

37I think it well, my lord.

Duke Orsino

38Then let thy love be younger than thyself,

39Or thy affection cannot hold the bent;

40For women are as roses, whose fair flower

41Being once display'd, doth fall that very hour.

Viola

42And so they are: alas, that they are so;

43To die, even when they to perfection grow!

[Re-enter Curio and Clown]

Duke Orsino

44O, fellow, come, the song we had last night.

45Mark it, Cesario, it is old and plain;

46The spinsters and the knitters in the sun

47And the free maids that weave their thread with bones

48Do use to chant it: it is silly sooth,

49And dallies with the innocence of love,

50Like the old age.

Clown

51Are you ready, sir?

Duke Orsino

52Ay; prithee, sing.

[Music]

Duke Orsino

53SONG.

Clown

54Come away, come away, death,

55And in sad cypress let me be laid;

56Fly away, fly away breath;

57I am slain by a fair cruel maid.

58My shroud of white, stuck all with yew,

59O, prepare it!

60My part of death, no one so true

61Did share it.

62Not a flower, not a flower sweet

63On my black coffin let there be strown;

64Not a friend, not a friend greet

65My poor corpse, where my bones shall be thrown:

66A thousand thousand sighs to save,

67Lay me, O, where

68Sad true lover never find my grave,

69To weep there!

Duke Orsino

70There's for thy pains.

Clown

71No pains, sir: I take pleasure in singing, sir.

Duke Orsino

72I'll pay thy pleasure then.

Clown

73Truly, sir, and pleasure will be paid, one time or another.

Duke Orsino

74Give me now leave to leave thee.

Clown

75Now, the melancholy god protect thee; and the

76tailor make thy doublet of changeable taffeta, for

77thy mind is a very opal. I would have men of such

78constancy put to sea, that their business might be

79every thing and their intent every where; for that's

80it that always makes a good voyage of nothing. Farewell.

[Exit]

Duke Orsino

81Let all the rest give place.

[Curio and Attendants retire]

Duke Orsino

82Once more, Cesario,

83Get thee to yond same sovereign cruelty:

84Tell her, my love, more noble than the world,

85Prizes not quantity of dirty lands;

86The parts that fortune hath bestow'd upon her,

87Tell her, I hold as giddily as fortune;

88But 'tis that miracle and queen of gems

89That nature pranks her in attracts my soul.

Viola

90But if she cannot love you, sir?

Duke Orsino

91I cannot be so answer'd.

Viola

92Sooth, but you must.

93Say that some lady, as perhaps there is,

94Hath for your love a great a pang of heart

95As you have for Olivia: you cannot love her;

96You tell her so; must she not then be answer'd?

Duke Orsino

97There is no woman's sides

98Can bide the beating of so strong a passion

99As love doth give my heart; no woman's heart

100So big, to hold so much; they lack retention

101Alas, their love may be call'd appetite,

102No motion of the liver, but the palate,

103That suffer surfeit, cloyment and revolt;

104But mine is all as hungry as the sea,

105And can digest as much: make no compare

106Between that love a woman can bear me

107And that I owe Olivia.

Viola

108Ay, but I know--

Duke Orsino

109What dost thou know?

Viola

110Too well what love women to men may owe:

111In faith, they are as true of heart as we.

112My father had a daughter loved a man,

113As it might be, perhaps, were I a woman,

114I should your lordship.

Duke Orsino

115And what's her history?

Viola

116A blank, my lord. She never told her love,

117But let concealment, like a worm i' the bud,

118Feed on her damask cheek: she pined in thought,

119And with a green and yellow melancholy

120She sat like patience on a monument,

121Smiling at grief. Was not this love indeed?

122We men may say more, swear more: but indeed

123Our shows are more than will; for still we prove

124Much in our vows, but little in our love.

Duke Orsino

125But died thy sister of her love, my boy?

Viola

126I am all the daughters of my father's house,

127And all the brothers too: and yet I know not.

128Sir, shall I to this lady?

Duke Orsino

129Ay, that's the theme.

130To her in haste; give her this jewel; say,

131My love can give no place, bide no denay.

[Exeunt]

Scene V. Olivia's garden.

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[Enter Sir Toby Belch, Sir Andrew, and Fabian]

Sir Toby Belch

1Come thy ways, Signior Fabian.

Fabian

2Nay, I'll come: if I lose a scruple of this sport,

3let me be boiled to death with melancholy.

Sir Toby Belch

4Wouldst thou not be glad to have the niggardly

5rascally sheep-biter come by some notable shame?

Fabian

6I would exult, man: you know, he brought me out o'

7favour with my lady about a bear-baiting here.

Sir Toby Belch

8To anger him we'll have the bear again; and we will

9fool him black and blue: shall we not, Sir Andrew?

Sir Andrew

10An we do not, it is pity of our lives.

Sir Toby Belch

11Here comes the little villain.

[Enter Maria]

Sir Toby Belch

12How now, my metal of India!

Maria

13Get ye all three into the box-tree: Malvolio's

14coming down this walk: he has been yonder i' the

15sun practising behavior to his own shadow this half

16hour: observe him, for the love of mockery; for I

17know this letter will make a contemplative idiot of

18him. Close, in the name of jesting! Lie thou there,

[Throws down a letter]

Maria

19for here comes the trout that must be caught with tickling.

[Exit]

[Enter Malvolio]

Malvolio

20'Tis but fortune; all is fortune. Maria once told

21me she did affect me: and I have heard herself come

22thus near, that, should she fancy, it should be one

23of my complexion. Besides, she uses me with a more

24exalted respect than any one else that follows her.

25What should I think on't?

Sir Toby Belch

26Here's an overweening rogue!

Fabian

27O, peace! Contemplation makes a rare turkey-cock

28of him: how he jets under his advanced plumes!

Sir Andrew

29'Slight, I could so beat the rogue!

Sir Toby Belch

30Peace, I say.

Malvolio

31To be Count Malvolio!

Sir Toby Belch

32Ah, rogue!

Sir Andrew

33Pistol him, pistol him.

Sir Toby Belch

34Peace, peace!

Malvolio

35There is example for't; the lady of the Strachy

36married the yeoman of the wardrobe.

Sir Andrew

37Fie on him, Jezebel!

Fabian

38O, peace! now he's deeply in: look how

39imagination blows him.

Malvolio

40Having been three months married to her, sitting in

41my state,--

Sir Toby Belch

42O, for a stone-bow, to hit him in the eye!

Malvolio

43Calling my officers about me, in my branched velvet

44gown; having come from a day-bed, where I have left

45Olivia sleeping,--

Sir Toby Belch

46Fire and brimstone!

Fabian

47O, peace, peace!

Malvolio

48And then to have the humour of state; and after a

49demure travel of regard, telling them I know my

50place as I would they should do theirs, to for my

51kinsman Toby,--

Sir Toby Belch

52Bolts and shackles!

Fabian

53O peace, peace, peace! now, now.

Malvolio

54Seven of my people, with an obedient start, make

55out for him: I frown the while; and perchance wind

56up watch, or play with my--some rich jewel. Toby

57approaches; courtesies there to me,--

Sir Toby Belch

58Shall this fellow live?

Fabian

59Though our silence be drawn from us with cars, yet peace.

Malvolio

60I extend my hand to him thus, quenching my familiar

61smile with an austere regard of control,--

Sir Toby Belch

62And does not Toby take you a blow o' the lips then?

Malvolio

63Saying, 'Cousin Toby, my fortunes having cast me on

64your niece give me this prerogative of speech,'--

Sir Toby Belch

65What, what?

Malvolio

66'You must amend your drunkenness.'

Sir Toby Belch

67Out, scab!

Fabian

68Nay, patience, or we break the sinews of our plot.

Malvolio

69'Besides, you waste the treasure of your time with

70a foolish knight,'--

Sir Andrew

71That's me, I warrant you.

Malvolio

72'One Sir Andrew,'--

Sir Andrew

73I knew 'twas I; for many do call me fool.

Malvolio

74What employment have we here?

[Taking up the letter]

Fabian

75Now is the woodcock near the gin.

Sir Toby Belch

76O, peace! and the spirit of humour intimate reading

77aloud to him!

Malvolio

78By my life, this is my lady's hand these be her

79very C's, her U's and her T's and thus makes she her

80great P's. It is, in contempt of question, her hand.

Sir Andrew

81Her C's, her U's and her T's: why that?

Malvolio

82[Reads] 'To the unknown beloved, this, and my good

83wishes:'--her very phrases! By your leave, wax.

84Soft! and the impressure her Lucrece, with which she

85uses to seal: 'tis my lady. To whom should this be?

Fabian

86This wins him, liver and all.

Malvolio

87[Reads]

88Jove knows I love: But who?

89Lips, do not move;

90No man must know.

91'No man must know.' What follows? the numbers

92altered! 'No man must know:' if this should be

93thee, Malvolio?

Sir Toby Belch

94Marry, hang thee, brock!

Malvolio

95[Reads]

96I may command where I adore;

97But silence, like a Lucrece knife,

98With bloodless stroke my heart doth gore:

99M, O, A, I, doth sway my life.

Fabian

100A fustian riddle!

Sir Toby Belch

101Excellent wench, say I.

Malvolio

102'M, O, A, I, doth sway my life.' Nay, but first, let

103me see, let me see, let me see.

Fabian

104What dish o' poison has she dressed him!

Sir Toby Belch

105And with what wing the staniel cheques at it!

Malvolio

106'I may command where I adore.' Why, she may command

107me: I serve her; she is my lady. Why, this is

108evident to any formal capacity; there is no

109obstruction in this: and the end,--what should

110that alphabetical position portend? If I could make

111that resemble something in me,--Softly! M, O, A,

112I,--

Sir Toby Belch

113O, ay, make up that: he is now at a cold scent.

Fabian

114Sowter will cry upon't for all this, though it be as

115rank as a fox.

Malvolio

116M,--Malvolio; M,--why, that begins my name.

Fabian

117Did not I say he would work it out? the cur is

118excellent at faults.

Malvolio

119M,--but then there is no consonancy in the sequel;

120that suffers under probation A should follow but O does.

Fabian

121And O shall end, I hope.

Sir Toby Belch

122Ay, or I'll cudgel him, and make him cry O!

Malvolio

123And then I comes behind.

Fabian

124Ay, an you had any eye behind you, you might see

125more detraction at your heels than fortunes before

126you.

Malvolio

127M, O, A, I; this simulation is not as the former: and

128yet, to crush this a little, it would bow to me, for

129every one of these letters are in my name. Soft!

130here follows prose.

[Reads]

Malvolio

131'If this fall into thy hand, revolve. In my stars I

132am above thee; but be not afraid of greatness: some

133are born great, some achieve greatness, and some

134have greatness thrust upon 'em. Thy Fates open

135their hands; let thy blood and spirit embrace them;

136and, to inure thyself to what thou art like to be,

137cast thy humble slough and appear fresh. Be

138opposite with a kinsman, surly with servants; let

139thy tongue tang arguments of state; put thyself into

140the trick of singularity: she thus advises thee

141that sighs for thee. Remember who commended thy

142yellow stockings, and wished to see thee ever

143cross-gartered: I say, remember. Go to, thou art

144made, if thou desirest to be so; if not, let me see

145thee a steward still, the fellow of servants, and

146not worthy to touch Fortune's fingers. Farewell.

147She that would alter services with thee,

148THE FORTUNATE-UNHAPPY.'

149Daylight and champaign discovers not more: this is

150open. I will be proud, I will read politic authors,

151I will baffle Sir Toby, I will wash off gross

152acquaintance, I will be point-devise the very man.

153I do not now fool myself, to let imagination jade

154me; for every reason excites to this, that my lady

155loves me. She did commend my yellow stockings of

156late, she did praise my leg being cross-gartered;

157and in this she manifests herself to my love, and

158with a kind of injunction drives me to these habits

159of her liking. I thank my stars I am happy. I will

160be strange, stout, in yellow stockings, and

161cross-gartered, even with the swiftness of putting

162on. Jove and my stars be praised! Here is yet a

163postscript.

[Reads]

Malvolio

164'Thou canst not choose but know who I am. If thou

165entertainest my love, let it appear in thy smiling;

166thy smiles become thee well; therefore in my

167presence still smile, dear my sweet, I prithee.'

168Jove, I thank thee: I will smile; I will do

169everything that thou wilt have me.

[Exit]

Fabian

170I will not give my part of this sport for a pension

171of thousands to be paid from the Sophy.

Sir Toby Belch

172I could marry this wench for this device.

Sir Andrew

173So could I too.

Sir Toby Belch

174And ask no other dowry with her but such another jest.

Sir Andrew

175Nor I neither.

Fabian

176Here comes my noble gull-catcher.

[Re-enter Maria]

Sir Toby Belch

177Wilt thou set thy foot o' my neck?

Sir Andrew

178Or o' mine either?

Sir Toby Belch

179Shall I play my freedom at traytrip, and become thy

180bond-slave?

Sir Andrew

181I' faith, or I either?

Sir Toby Belch

182Why, thou hast put him in such a dream, that when

183the image of it leaves him he must run mad.

Maria

184Nay, but say true; does it work upon him?

Sir Toby Belch

185Like aqua-vitae with a midwife.

Maria

186If you will then see the fruits of the sport, mark

187his first approach before my lady: he will come to

188her in yellow stockings, and 'tis a colour she

189abhors, and cross-gartered, a fashion she detests;

190and he will smile upon her, which will now be so

191unsuitable to her disposition, being addicted to a

192melancholy as she is, that it cannot but turn him

193into a notable contempt. If you will see it, follow

194me.

Sir Toby Belch

195To the gates of Tartar, thou most excellent devil of wit!

Sir Andrew

196I'll make one too.

[Exeunt]

Act III

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Scene I. Olivia's garden.

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[Enter Viola, and Clown with a tabour]

Viola

1Save thee, friend, and thy music: dost thou live by

2thy tabour?

Clown

3No, sir, I live by the church.

Viola

4Art thou a churchman?

Clown

5No such matter, sir: I do live by the church; for

6I do live at my house, and my house doth stand by

7the church.

Viola

8So thou mayst say, the king lies by a beggar, if a

9beggar dwell near him; or, the church stands by thy

10tabour, if thy tabour stand by the church.

Clown

11You have said, sir. To see this age! A sentence is

12but a cheveril glove to a good wit: how quickly the

13wrong side may be turned outward!

Viola

14Nay, that's certain; they that dally nicely with

15words may quickly make them wanton.

Clown

16I would, therefore, my sister had had no name, sir.

Viola

17Why, man?

Clown

18Why, sir, her name's a word; and to dally with that

19word might make my sister wanton. But indeed words

20are very rascals since bonds disgraced them.

Viola

21Thy reason, man?

Clown

22Troth, sir, I can yield you none without words; and

23words are grown so false, I am loath to prove

24reason with them.

Viola

25I warrant thou art a merry fellow and carest for nothing.

Clown

26Not so, sir, I do care for something; but in my

27conscience, sir, I do not care for you: if that be

28to care for nothing, sir, I would it would make you invisible.

Viola

29Art not thou the Lady Olivia's fool?

Clown

30No, indeed, sir; the Lady Olivia has no folly: she

31will keep no fool, sir, till she be married; and

32fools are as like husbands as pilchards are to

33herrings; the husband's the bigger: I am indeed not

34her fool, but her corrupter of words.

Viola

35I saw thee late at the Count Orsino's.

Clown

36Foolery, sir, does walk about the orb like the sun,

37it shines every where. I would be sorry, sir, but

38the fool should be as oft with your master as with

39my mistress: I think I saw your wisdom there.

Viola

40Nay, an thou pass upon me, I'll no more with thee.

41Hold, there's expenses for thee.

Clown

42Now Jove, in his next commodity of hair, send thee a beard!

Viola

43By my troth, I'll tell thee, I am almost sick for

44one;

[Aside]

Viola

45though I would not have it grow on my chin. Is thy

46lady within?

Clown

47Would not a pair of these have bred, sir?

Viola

48Yes, being kept together and put to use.

Clown

49I would play Lord Pandarus of Phrygia, sir, to bring

50a Cressida to this Troilus.

Viola

51I understand you, sir; 'tis well begged.

Clown

52The matter, I hope, is not great, sir, begging but

53a beggar: Cressida was a beggar. My lady is

54within, sir. I will construe to them whence you

55come; who you are and what you would are out of my

56welkin, I might say 'element,' but the word is over-worn.

[Exit]

Viola

57This fellow is wise enough to play the fool;

58And to do that well craves a kind of wit:

59He must observe their mood on whom he jests,

60The quality of persons, and the time,

61And, like the haggard, cheque at every feather

62That comes before his eye. This is a practise

63As full of labour as a wise man's art

64For folly that he wisely shows is fit;

65But wise men, folly-fall'n, quite taint their wit.

[Enter Sir Toby Belch, and Sir Andrew]

Sir Toby Belch

66Save you, gentleman.

Viola

67And you, sir.

Sir Andrew

68Dieu vous garde, monsieur.

Viola

69Et vous aussi; votre serviteur.

Sir Andrew

70I hope, sir, you are; and I am yours.

Sir Toby Belch

71Will you encounter the house? my niece is desirous

72you should enter, if your trade be to her.

Viola

73I am bound to your niece, sir; I mean, she is the

74list of my voyage.

Sir Toby Belch

75Taste your legs, sir; put them to motion.

Viola

76My legs do better understand me, sir, than I

77understand what you mean by bidding me taste my legs.

Sir Toby Belch

78I mean, to go, sir, to enter.

Viola

79I will answer you with gait and entrance. But we

80are prevented.

[Enter Olivia and Maria]

Viola

81Most excellent accomplished lady, the heavens rain

82odours on you!

Sir Andrew

83That youth's a rare courtier: 'Rain odours;' well.

Viola

84My matter hath no voice, to your own most pregnant

85and vouchsafed ear.

Sir Andrew

86'Odours,' 'pregnant' and 'vouchsafed:' I'll get 'em

87all three all ready.

Olivia

88Let the garden door be shut, and leave me to my hearing.

[Exeunt Sir Toby Belch, Sir Andrew, and Maria]

Olivia

89Give me your hand, sir.

Viola

90My duty, madam, and most humble service.

Olivia

91What is your name?

Viola

92Cesario is your servant's name, fair princess.

Olivia

93My servant, sir! 'Twas never merry world

94Since lowly feigning was call'd compliment:

95You're servant to the Count Orsino, youth.

Viola

96And he is yours, and his must needs be yours:

97Your servant's servant is your servant, madam.

Olivia

98For him, I think not on him: for his thoughts,

99Would they were blanks, rather than fill'd with me!

Viola

100Madam, I come to whet your gentle thoughts

101On his behalf.

Olivia

102O, by your leave, I pray you,

103I bade you never speak again of him:

104But, would you undertake another suit,

105I had rather hear you to solicit that

106Than music from the spheres.

Viola

107Dear lady,--

Olivia

108Give me leave, beseech you. I did send,

109After the last enchantment you did here,

110A ring in chase of you: so did I abuse

111Myself, my servant and, I fear me, you:

112Under your hard construction must I sit,

113To force that on you, in a shameful cunning,

114Which you knew none of yours: what might you think?

115Have you not set mine honour at the stake

116And baited it with all the unmuzzled thoughts

117That tyrannous heart can think? To one of your receiving

118Enough is shown: a cypress, not a bosom,

119Hideth my heart. So, let me hear you speak.

Viola

120I pity you.

Olivia

121That's a degree to love.

Viola

122No, not a grize; for 'tis a vulgar proof,

123That very oft we pity enemies.

Olivia

124Why, then, methinks 'tis time to smile again.

125O, world, how apt the poor are to be proud!

126If one should be a prey, how much the better

127To fall before the lion than the wolf!

[Clock strikes]

Olivia

128The clock upbraids me with the waste of time.

129Be not afraid, good youth, I will not have you:

130And yet, when wit and youth is come to harvest,

131Your were is alike to reap a proper man:

132There lies your way, due west.

Viola

133Then westward-ho! Grace and good disposition

134Attend your ladyship!

135You'll nothing, madam, to my lord by me?

Olivia

136Stay:

137I prithee, tell me what thou thinkest of me.

Viola

138That you do think you are not what you are.

Olivia

139If I think so, I think the same of you.

Viola

140Then think you right: I am not what I am.

Olivia

141I would you were as I would have you be!

Viola

142Would it be better, madam, than I am?

143I wish it might, for now I am your fool.

Olivia

144O, what a deal of scorn looks beautiful

145In the contempt and anger of his lip!

146A murderous guilt shows not itself more soon

147Than love that would seem hid: love's night is noon.

148Cesario, by the roses of the spring,

149By maidhood, honour, truth and every thing,

150I love thee so, that, maugre all thy pride,

151Nor wit nor reason can my passion hide.

152Do not extort thy reasons from this clause,

153For that I woo, thou therefore hast no cause,

154But rather reason thus with reason fetter,

155Love sought is good, but given unsought better.

Viola

156By innocence I swear, and by my youth

157I have one heart, one bosom and one truth,

158And that no woman has; nor never none

159Shall mistress be of it, save I alone.

160And so adieu, good madam: never more

161Will I my master's tears to you deplore.

Olivia

162Yet come again; for thou perhaps mayst move

163That heart, which now abhors, to like his love.

[Exeunt]

Scene II. Olivia's house.

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[Enter Sir Toby Belch, Sir Andrew, and Fabian]

Sir Andrew

1No, faith, I'll not stay a jot longer.

Sir Toby Belch

2Thy reason, dear venom, give thy reason.

Fabian

3You must needs yield your reason, Sir Andrew.

Sir Andrew

4Marry, I saw your niece do more favours to the

5count's serving-man than ever she bestowed upon me;

6I saw't i' the orchard.

Sir Toby Belch

7Did she see thee the while, old boy? tell me that.

Sir Andrew

8As plain as I see you now.

Fabian

9This was a great argument of love in her toward you.

Sir Andrew

10'Slight, will you make an ass o' me?

Fabian

11I will prove it legitimate, sir, upon the oaths of

12judgment and reason.

Sir Toby Belch

13And they have been grand-jury-men since before Noah

14was a sailor.

Fabian

15She did show favour to the youth in your sight only

16to exasperate you, to awake your dormouse valour, to

17put fire in your heart and brimstone in your liver.

18You should then have accosted her; and with some

19excellent jests, fire-new from the mint, you should

20have banged the youth into dumbness. This was

21looked for at your hand, and this was balked: the

22double gilt of this opportunity you let time wash

23off, and you are now sailed into the north of my

24lady's opinion; where you will hang like an icicle

25on a Dutchman's beard, unless you do redeem it by

26some laudable attempt either of valour or policy.

Sir Andrew

27An't be any way, it must be with valour; for policy

28I hate: I had as lief be a Brownist as a

29politician.

Sir Toby Belch

30Why, then, build me thy fortunes upon the basis of

31valour. Challenge me the count's youth to fight

32with him; hurt him in eleven places: my niece shall

33take note of it; and assure thyself, there is no

34love-broker in the world can more prevail in man's

35commendation with woman than report of valour.

Fabian

36There is no way but this, Sir Andrew.

Sir Andrew

37Will either of you bear me a challenge to him?

Sir Toby Belch

38Go, write it in a martial hand; be curst and brief;

39it is no matter how witty, so it be eloquent and fun

40of invention: taunt him with the licence of ink:

41if thou thou'st him some thrice, it shall not be

42amiss; and as many lies as will lie in thy sheet of

43paper, although the sheet were big enough for the

44bed of Ware in England, set 'em down: go, about it.

45Let there be gall enough in thy ink, though thou

46write with a goose-pen, no matter: about it.

Sir Andrew

47Where shall I find you?

Sir Toby Belch

48We'll call thee at the cubiculo: go.

[Exit Sir Andrew]

Fabian

49This is a dear manikin to you, Sir Toby.

Sir Toby Belch

50I have been dear to him, lad, some two thousand

51strong, or so.

Fabian

52We shall have a rare letter from him: but you'll

53not deliver't?

Sir Toby Belch

54Never trust me, then; and by all means stir on the

55youth to an answer. I think oxen and wainropes

56cannot hale them together. For Andrew, if he were

57opened, and you find so much blood in his liver as

58will clog the foot of a flea, I'll eat the rest of

59the anatomy.

Fabian

60And his opposite, the youth, bears in his visage no

61great presage of cruelty.

[Enter Maria]

Sir Toby Belch

62Look, where the youngest wren of nine comes.

Maria

63If you desire the spleen, and will laugh yourself

64into stitches, follow me. Yond gull Malvolio is

65turned heathen, a very renegado; for there is no

66Christian, that means to be saved by believing

67rightly, can ever believe such impossible passages

68of grossness. He's in yellow stockings.

Sir Toby Belch

69And cross-gartered?

Maria

70Most villanously; like a pedant that keeps a school

71i' the church. I have dogged him, like his

72murderer. He does obey every point of the letter

73that I dropped to betray him: he does smile his

74face into more lines than is in the new map with the

75augmentation of the Indies: you have not seen such

76a thing as 'tis. I can hardly forbear hurling things

77at him. I know my lady will strike him: if she do,

78he'll smile and take't for a great favour.

Sir Toby Belch

79Come, bring us, bring us where he is.

[Exeunt]

Scene III. A street.

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[Enter Sebastian and Antonio]

Sebastian

1I would not by my will have troubled you;

2But, since you make your pleasure of your pains,

3I will no further chide you.

Antonio

4I could not stay behind you: my desire,

5More sharp than filed steel, did spur me forth;

6And not all love to see you, though so much

7As might have drawn one to a longer voyage,

8But jealousy what might befall your travel,

9Being skilless in these parts; which to a stranger,

10Unguided and unfriended, often prove

11Rough and unhospitable: my willing love,

12The rather by these arguments of fear,

13Set forth in your pursuit.

Sebastian

14My kind Antonio,

15I can no other answer make but thanks,

16And thanks; and ever [ ] oft good turns

17Are shuffled off with such uncurrent pay:

18But, were my worth as is my conscience firm,

19You should find better dealing. What's to do?

20Shall we go see the reliques of this town?

Antonio

21To-morrow, sir: best first go see your lodging.

Sebastian

22I am not weary, and 'tis long to night:

23I pray you, let us satisfy our eyes

24With the memorials and the things of fame

25That do renown this city.

Antonio

26Would you'ld pardon me;

27I do not without danger walk these streets:

28Once, in a sea-fight, 'gainst the count his galleys

29I did some service; of such note indeed,

30That were I ta'en here it would scarce be answer'd.

Sebastian

31Belike you slew great number of his people.

Antonio

32The offence is not of such a bloody nature;

33Albeit the quality of the time and quarrel

34Might well have given us bloody argument.

35It might have since been answer'd in repaying

36What we took from them; which, for traffic's sake,

37Most of our city did: only myself stood out;

38For which, if I be lapsed in this place,

39I shall pay dear.

Sebastian

40Do not then walk too open.

Antonio

41It doth not fit me. Hold, sir, here's my purse.

42In the south suburbs, at the Elephant,

43Is best to lodge: I will bespeak our diet,

44Whiles you beguile the time and feed your knowledge

45With viewing of the town: there shall you have me.

Sebastian

46Why I your purse?

Antonio

47Haply your eye shall light upon some toy

48You have desire to purchase; and your store,

49I think, is not for idle markets, sir.

Sebastian

50I'll be your purse-bearer and leave you

51For an hour.

Antonio

52To the Elephant.

Sebastian

53I do remember.

[Exeunt]

Scene IV. Olivia's garden.

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[Enter Olivia and Maria]

Olivia

1I have sent after him: he says he'll come;

2How shall I feast him? what bestow of him?

3For youth is bought more oft than begg'd or borrow'd.

4I speak too loud.

5Where is Malvolio? he is sad and civil,

6And suits well for a servant with my fortunes:

7Where is Malvolio?

Maria

8He's coming, madam; but in very strange manner. He

9is, sure, possessed, madam.

Olivia

10Why, what's the matter? does he rave?

Maria

11No. madam, he does nothing but smile: your

12ladyship were best to have some guard about you, if

13he come; for, sure, the man is tainted in's wits.

Olivia

14Go call him hither.

[Exit Maria]

Olivia

15I am as mad as he,

16If sad and merry madness equal be.

[Re-enter Maria, with Malvolio]

Olivia

17How now, Malvolio!

Malvolio

18Sweet lady, ho, ho.

Olivia

19Smilest thou?

20I sent for thee upon a sad occasion.

Malvolio

21Sad, lady! I could be sad: this does make some

22obstruction in the blood, this cross-gartering; but

23what of that? if it please the eye of one, it is

24with me as the very true sonnet is, 'Please one, and

25please all.'

Olivia

26Why, how dost thou, man? what is the matter with thee?

Malvolio

27Not black in my mind, though yellow in my legs. It

28did come to his hands, and commands shall be

29executed: I think we do know the sweet Roman hand.

Olivia

30Wilt thou go to bed, Malvolio?

Malvolio

31To bed! ay, sweet-heart, and I'll come to thee.

Olivia

32God comfort thee! Why dost thou smile so and kiss

33thy hand so oft?

Maria

34How do you, Malvolio?

Malvolio

35At your request! yes; nightingales answer daws.

Maria

36Why appear you with this ridiculous boldness before my lady?

Malvolio

37'Be not afraid of greatness:' 'twas well writ.

Olivia

38What meanest thou by that, Malvolio?

Malvolio

39'Some are born great,'--

Olivia

40Ha!

Malvolio

41'Some achieve greatness,'--

Olivia

42What sayest thou?

Malvolio

43'And some have greatness thrust upon them.'

Olivia

44Heaven restore thee!

Malvolio

45'Remember who commended thy yellow stocking s,'--

Olivia

46Thy yellow stockings!

Malvolio

47'And wished to see thee cross-gartered.'

Olivia

48Cross-gartered!

Malvolio

49'Go to thou art made, if thou desirest to be so;'--

Olivia

50Am I made?

Malvolio

51'If not, let me see thee a servant still.'

Olivia

52Why, this is very midsummer madness.

[Enter Servant]

Servant

53Madam, the young gentleman of the Count Orsino's is

54returned: I could hardly entreat him back: he

55attends your ladyship's pleasure.

Olivia

56I'll come to him.

[Exit Servant]

Olivia

57Good Maria, let this fellow be looked to. Where's

58my cousin Toby? Let some of my people have a special

59care of him: I would not have him miscarry for the

60half of my dowry.

[Exeunt Olivia and Maria]

Malvolio

61O, ho! do you come near me now? no worse man than

62Sir Toby to look to me! This concurs directly with

63the letter: she sends him on purpose, that I may

64appear stubborn to him; for she incites me to that

65in the letter. 'Cast thy humble slough,' says she;

66'be opposite with a kinsman, surly with servants;

67let thy tongue tang with arguments of state; put

68thyself into the trick of singularity;' and

69consequently sets down the manner how; as, a sad

70face, a reverend carriage, a slow tongue, in the

71habit of some sir of note, and so forth. I have

72limed her; but it is Jove's doing, and Jove make me

73thankful! And when she went away now, 'Let this

74fellow be looked to:' fellow! not Malvolio, nor

75after my degree, but fellow. Why, every thing

76adheres together, that no dram of a scruple, no

77scruple of a scruple, no obstacle, no incredulous

78or unsafe circumstance--What can be said? Nothing

79that can be can come between me and the full

80prospect of my hopes. Well, Jove, not I, is the

81doer of this, and he is to be thanked.

[Re-enter Maria, with Sir Toby Belch and Fabian]

Sir Toby Belch

82Which way is he, in the name of sanctity? If all

83the devils of hell be drawn in little, and Legion

84himself possessed him, yet I'll speak to him.

Fabian

85Here he is, here he is. How is't with you, sir?

86how is't with you, man?

Malvolio

87Go off; I discard you: let me enjoy my private: go

88off.

Maria

89Lo, how hollow the fiend speaks within him! did not

90I tell you? Sir Toby, my lady prays you to have a

91care of him.

Malvolio

92Ah, ha! does she so?

Sir Toby Belch

93Go to, go to; peace, peace; we must deal gently

94with him: let me alone. How do you, Malvolio? how

95is't with you? What, man! defy the devil:

96consider, he's an enemy to mankind.

Malvolio

97Do you know what you say?

Maria

98La you, an you speak ill of the devil, how he takes

99it at heart! Pray God, he be not bewitched!

Fabian

100Carry his water to the wise woman.

Maria

101Marry, and it shall be done to-morrow morning, if I

102live. My lady would not lose him for more than I'll say.

Malvolio

103How now, mistress!

Maria

104O Lord!

Sir Toby Belch

105Prithee, hold thy peace; this is not the way: do

106you not see you move him? let me alone with him.

Fabian

107No way but gentleness; gently, gently: the fiend is

108rough, and will not be roughly used.

Sir Toby Belch

109Why, how now, my bawcock! how dost thou, chuck?

Malvolio

110Sir!

Sir Toby Belch

111Ay, Biddy, come with me. What, man! 'tis not for

112gravity to play at cherry-pit with Satan: hang

113him, foul collier!

Maria

114Get him to say his prayers, good Sir Toby, get him to pray.

Malvolio

115My prayers, minx!

Maria

116No, I warrant you, he will not hear of godliness.

Malvolio

117Go, hang yourselves all! you are idle shallow

118things: I am not of your element: you shall know

119more hereafter.

[Exit]

Sir Toby Belch

120Is't possible?

Fabian

121If this were played upon a stage now, I could

122condemn it as an improbable fiction.

Sir Toby Belch

123His very genius hath taken the infection of the device, man.

Maria

124Nay, pursue him now, lest the device take air and taint.

Fabian

125Why, we shall make him mad indeed.

Maria

126The house will be the quieter.

Sir Toby Belch

127Come, we'll have him in a dark room and bound. My

128niece is already in the belief that he's mad: we

129may carry it thus, for our pleasure and his penance,

130till our very pastime, tired out of breath, prompt

131us to have mercy on him: at which time we will

132bring the device to the bar and crown thee for a

133finder of madmen. But see, but see.

[Enter Sir Andrew]

Fabian

134More matter for a May morning.

Sir Andrew

135Here's the challenge, read it: warrant there's

136vinegar and pepper in't.

Fabian

137Is't so saucy?

Sir Andrew

138Ay, is't, I warrant him: do but read.

Sir Toby Belch

139Give me.

[Reads]

Sir Toby Belch

140'Youth, whatsoever thou art, thou art but a scurvy fellow.'

Fabian

141Good, and valiant.

Sir Toby Belch

142[Reads] 'Wonder not, nor admire not in thy mind,

143why I do call thee so, for I will show thee no reason for't.'

Fabian

144A good note; that keeps you from the blow of the law.

Sir Toby Belch

145[Reads] 'Thou comest to the lady Olivia, and in my

146sight she uses thee kindly: but thou liest in thy

147throat; that is not the matter I challenge thee for.'

Fabian

148Very brief, and to exceeding good sense--less.

Sir Toby Belch

149[Reads] 'I will waylay thee going home; where if it

150be thy chance to kill me,'--

Fabian

151Good.

Sir Toby Belch

152[Reads] 'Thou killest me like a rogue and a villain.'

Fabian

153Still you keep o' the windy side of the law: good.

Sir Toby Belch

154[Reads] 'Fare thee well; and God have mercy upon

155one of our souls! He may have mercy upon mine; but

156my hope is better, and so look to thyself. Thy

157friend, as thou usest him, and thy sworn enemy,

158ANDREW AGUECHEEK.

159If this letter move him not, his legs cannot:

160I'll give't him.

Maria

161You may have very fit occasion for't: he is now in

162some commerce with my lady, and will by and by depart.

Sir Toby Belch

163Go, Sir Andrew: scout me for him at the corner the

164orchard like a bum-baily: so soon as ever thou seest

165him, draw; and, as thou drawest swear horrible; for

166it comes to pass oft that a terrible oath, with a

167swaggering accent sharply twanged off, gives manhood

168more approbation than ever proof itself would have

169earned him. Away!

Sir Andrew

170Nay, let me alone for swearing.

[Exit]

Sir Toby Belch

171Now will not I deliver his letter: for the behavior

172of the young gentleman gives him out to be of good

173capacity and breeding; his employment between his

174lord and my niece confirms no less: therefore this

175letter, being so excellently ignorant, will breed no

176terror in the youth: he will find it comes from a

177clodpole. But, sir, I will deliver his challenge by

178word of mouth; set upon Aguecheek a notable report

179of valour; and drive the gentleman, as I know his

180youth will aptly receive it, into a most hideous

181opinion of his rage, skill, fury and impetuosity.

182This will so fright them both that they will kill

183one another by the look, like cockatrices.

[Re-enter Olivia, with Viola]

Fabian

184Here he comes with your niece: give them way till

185he take leave, and presently after him.

Sir Toby Belch

186I will meditate the while upon some horrid message

187for a challenge.

[Exeunt Sir Toby Belch, Fabian, and Maria]

Olivia

188I have said too much unto a heart of stone

189And laid mine honour too unchary out:

190There's something in me that reproves my fault;

191But such a headstrong potent fault it is,

192That it but mocks reproof.

Viola

193With the same 'havior that your passion bears

194Goes on my master's grief.

Olivia

195Here, wear this jewel for me, 'tis my picture;

196Refuse it not; it hath no tongue to vex you;

197And I beseech you come again to-morrow.

198What shall you ask of me that I'll deny,

199That honour saved may upon asking give?

Viola

200Nothing but this; your true love for my master.

Olivia

201How with mine honour may I give him that

202Which I have given to you?

Viola

203I will acquit you.

Olivia

204Well, come again to-morrow: fare thee well:

205A fiend like thee might bear my soul to hell.

[Exit]

[Re-enter Sir Toby Belch and Fabian]

Sir Toby Belch

206Gentleman, God save thee.

Viola

207And you, sir.

Sir Toby Belch

208That defence thou hast, betake thee to't: of what

209nature the wrongs are thou hast done him, I know

210not; but thy intercepter, full of despite, bloody as

211the hunter, attends thee at the orchard-end:

212dismount thy tuck, be yare in thy preparation, for

213thy assailant is quick, skilful and deadly.

Viola

214You mistake, sir; I am sure no man hath any quarrel

215to me: my remembrance is very free and clear from

216any image of offence done to any man.

Sir Toby Belch

217You'll find it otherwise, I assure you: therefore,

218if you hold your life at any price, betake you to

219your guard; for your opposite hath in him what

220youth, strength, skill and wrath can furnish man withal.

Viola

221I pray you, sir, what is he?

Sir Toby Belch

222He is knight, dubbed with unhatched rapier and on

223carpet consideration; but he is a devil in private

224brawl: souls and bodies hath he divorced three; and

225his incensement at this moment is so implacable,

226that satisfaction can be none but by pangs of death

227and sepulchre. Hob, nob, is his word; give't or take't.

Viola

228I will return again into the house and desire some

229conduct of the lady. I am no fighter. I have heard

230of some kind of men that put quarrels purposely on

231others, to taste their valour: belike this is a man

232of that quirk.

Sir Toby Belch

233Sir, no; his indignation derives itself out of a

234very competent injury: therefore, get you on and

235give him his desire. Back you shall not to the

236house, unless you undertake that with me which with

237as much safety you might answer him: therefore, on,

238or strip your sword stark naked; for meddle you

239must, that's certain, or forswear to wear iron about you.

Viola

240This is as uncivil as strange. I beseech you, do me

241this courteous office, as to know of the knight what

242my offence to him is: it is something of my

243negligence, nothing of my purpose.

Sir Toby Belch

244I will do so. Signior Fabian, stay you by this

245gentleman till my return.

[Exit]

Viola

246Pray you, sir, do you know of this matter?

Fabian

247I know the knight is incensed against you, even to a

248mortal arbitrement; but nothing of the circumstance more.

Viola

249I beseech you, what manner of man is he?

Fabian

250Nothing of that wonderful promise, to read him by

251his form, as you are like to find him in the proof

252of his valour. He is, indeed, sir, the most skilful,

253bloody and fatal opposite that you could possibly

254have found in any part of Illyria. Will you walk

255towards him? I will make your peace with him if I

256can.

Viola

257I shall be much bound to you for't: I am one that

258had rather go with sir priest than sir knight: I

259care not who knows so much of my mettle.

[Exeunt]

[Re-enter Sir Toby Belch, with Sir Andrew]

Sir Toby Belch

260Why, man, he's a very devil; I have not seen such a

261firago. I had a pass with him, rapier, scabbard and

262all, and he gives me the stuck in with such a mortal

263motion, that it is inevitable; and on the answer, he

264pays you as surely as your feet hit the ground they

265step on. They say he has been fencer to the Sophy.

Sir Andrew

266Pox on't, I'll not meddle with him.

Sir Toby Belch

267Ay, but he will not now be pacified: Fabian can

268scarce hold him yonder.

Sir Andrew

269Plague on't, an I thought he had been valiant and so

270cunning in fence, I'ld have seen him damned ere I'ld

271have challenged him. Let him let the matter slip,

272and I'll give him my horse, grey Capilet.

Sir Toby Belch

273I'll make the motion: stand here, make a good show

274on't: this shall end without the perdition of souls.

[Aside]

Sir Toby Belch

275Marry, I'll ride your horse as well as I ride you.

[Re-enter Fabian and Viola]

[To Fabian]

Sir Toby Belch

276I have his horse to take up the quarrel:

277I have persuaded him the youth's a devil.

Fabian

278He is as horribly conceited of him; and pants and

279looks pale, as if a bear were at his heels.

Sir Toby Belch

280[To VIOLA] There's no remedy, sir; he will fight

281with you for's oath sake: marry, he hath better

282bethought him of his quarrel, and he finds that now

283scarce to be worth talking of: therefore draw, for

284the supportance of his vow; he protests he will not hurt you.

Viola

285[Aside] Pray God defend me! A little thing would

286make me tell them how much I lack of a man.

Fabian

287Give ground, if you see him furious.

Sir Toby Belch

288Come, Sir Andrew, there's no remedy; the gentleman

289will, for his honour's sake, have one bout with you;

290he cannot by the duello avoid it: but he has

291promised me, as he is a gentleman and a soldier, he

292will not hurt you. Come on; to't.

Sir Andrew

293Pray God, he keep his oath!

Viola

294I do assure you, 'tis against my will.

[They draw]

[Enter Antonio]

Antonio

295Put up your sword. If this young gentleman

296Have done offence, I take the fault on me:

297If you offend him, I for him defy you.

Sir Toby Belch

298You, sir! why, what are you?

Antonio

299One, sir, that for his love dares yet do more

300Than you have heard him brag to you he will.

Sir Toby Belch

301Nay, if you be an undertaker, I am for you.

[They draw]

[Enter Officers]

Fabian

302O good Sir Toby, hold! here come the officers.

Sir Toby Belch

303I'll be with you anon.

Viola

304Pray, sir, put your sword up, if you please.

Sir Andrew

305Marry, will I, sir; and, for that I promised you,

306I'll be as good as my word: he will bear you easily

307and reins well.

First Officer

308This is the man; do thy office.

Second Officer

309Antonio, I arrest thee at the suit of Count Orsino.

Antonio

310You do mistake me, sir.

First Officer

311No, sir, no jot; I know your favour well,

312Though now you have no sea-cap on your head.

313Take him away: he knows I know him well.

Antonio

314I must obey.

[To Viola]

Antonio

315This comes with seeking you:

316But there's no remedy; I shall answer it.

317What will you do, now my necessity

318Makes me to ask you for my purse? It grieves me

319Much more for what I cannot do for you

320Than what befalls myself. You stand amazed;

321But be of comfort.

Second Officer

322Come, sir, away.

Antonio

323I must entreat of you some of that money.

Viola

324What money, sir?

325For the fair kindness you have show'd me here,

326And, part, being prompted by your present trouble,

327Out of my lean and low ability

328I'll lend you something: my having is not much;

329I'll make division of my present with you:

330Hold, there's half my coffer.

Antonio

331Will you deny me now?

332Is't possible that my deserts to you

333Can lack persuasion? Do not tempt my misery,

334Lest that it make me so unsound a man

335As to upbraid you with those kindnesses

336That I have done for you.

Viola

337I know of none;

338Nor know I you by voice or any feature:

339I hate ingratitude more in a man

340Than lying, vainness, babbling, drunkenness,

341Or any taint of vice whose strong corruption

342Inhabits our frail blood.

Antonio

343O heavens themselves!

Second Officer

344Come, sir, I pray you, go.

Antonio

345Let me speak a little. This youth that you see here

346I snatch'd one half out of the jaws of death,

347Relieved him with such sanctity of love,

348And to his image, which methought did promise

349Most venerable worth, did I devotion.

First Officer

350What's that to us? The time goes by: away!

Antonio

351But O how vile an idol proves this god

352Thou hast, Sebastian, done good feature shame.

353In nature there's no blemish but the mind;

354None can be call'd deform'd but the unkind:

355Virtue is beauty, but the beauteous evil

356Are empty trunks o'erflourish'd by the devil.

First Officer

357The man grows mad: away with him! Come, come, sir.

Antonio

358Lead me on.

[Exit with Officers]

Viola

359Methinks his words do from such passion fly,

360That he believes himself: so do not I.

361Prove true, imagination, O, prove true,

362That I, dear brother, be now ta'en for you!

Sir Toby Belch

363Come hither, knight; come hither, Fabian: we'll

364whisper o'er a couplet or two of most sage saws.

Viola

365He named Sebastian: I my brother know

366Yet living in my glass; even such and so

367In favour was my brother, and he went

368Still in this fashion, colour, ornament,

369For him I imitate: O, if it prove,

370Tempests are kind and salt waves fresh in love.

[Exit]

Sir Toby Belch

371A very dishonest paltry boy, and more a coward than

372a hare: his dishonesty appears in leaving his

373friend here in necessity and denying him; and for

374his cowardship, ask Fabian.

Fabian

375A coward, a most devout coward, religious in it.

Sir Andrew

376'Slid, I'll after him again and beat him.

Sir Toby Belch

377Do; cuff him soundly, but never draw thy sword.

Sir Andrew

378An I do not,--

Fabian

379Come, let's see the event.

Sir Toby Belch

380I dare lay any money 'twill be nothing yet.

[Exeunt]

Act IV

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Scene I. Before Olivia's house.

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[Enter Sebastian and Clown]

Clown

1Will you make me believe that I am not sent for you?

Sebastian

2Go to, go to, thou art a foolish fellow:

3Let me be clear of thee.

Clown

4Well held out, i' faith! No, I do not know you; nor

5I am not sent to you by my lady, to bid you come

6speak with her; nor your name is not Master Cesario;

7nor this is not my nose neither. Nothing that is so is so.

Sebastian

8I prithee, vent thy folly somewhere else: Thou

9know'st not me.

Clown

10Vent my folly! he has heard that word of some

11great man and now applies it to a fool. Vent my

12folly! I am afraid this great lubber, the world,

13will prove a cockney. I prithee now, ungird thy

14strangeness and tell me what I shall vent to my

15lady: shall I vent to her that thou art coming?

Sebastian

16I prithee, foolish Greek, depart from me: There's

17money for thee: if you tarry longer, I shall give

18worse payment.

Clown

19By my troth, thou hast an open hand. These wise men

20that give fools money get themselves a good

21report--after fourteen years' purchase.

[Enter Sir Andrew, Sir Toby Belch, and Fabian]

Sir Andrew

22Now, sir, have I met you again? there's for you.

Sebastian

23Why, there's for thee, and there, and there. Are all

24the people mad?

Sir Toby Belch

25Hold, sir, or I'll throw your dagger o'er the house.

Clown

26This will I tell my lady straight: I would not be

27in some of your coats for two pence.

[Exit]

Sir Toby Belch

28Come on, sir; hold.

Sir Andrew

29Nay, let him alone: I'll go another way to work

30with him; I'll have an action of battery against

31him, if there be any law in Illyria: though I

32struck him first, yet it's no matter for that.

Sebastian

33Let go thy hand.

Sir Toby Belch

34Come, sir, I will not let you go. Come, my young

35soldier, put up your iron: you are well fleshed; come on.

Sebastian

36I will be free from thee. What wouldst thou now? If

37thou darest tempt me further, draw thy sword.

Sir Toby Belch

38What, what? Nay, then I must have an ounce or two

39of this malapert blood from you.

[Enter Olivia]

Olivia

40Hold, Toby; on thy life I charge thee, hold!

Sir Toby Belch

41Madam!

Olivia

42Will it be ever thus? Ungracious wretch,

43Fit for the mountains and the barbarous caves,

44Where manners ne'er were preach'd! out of my sight!

45Be not offended, dear Cesario.

46Rudesby, be gone!

[Exeunt Sir Toby Belch, Sir Andrew, and Fabian]

Olivia

47I prithee, gentle friend,

48Let thy fair wisdom, not thy passion, sway

49In this uncivil and thou unjust extent

50Against thy peace. Go with me to my house,

51And hear thou there how many fruitless pranks

52This ruffian hath botch'd up, that thou thereby

53Mayst smile at this: thou shalt not choose but go:

54Do not deny. Beshrew his soul for me,

55He started one poor heart of mine in thee.

Sebastian

56What relish is in this? how runs the stream?

57Or I am mad, or else this is a dream:

58Let fancy still my sense in Lethe steep;

59If it be thus to dream, still let me sleep!

Olivia

60Nay, come, I prithee; would thou'ldst be ruled by me!

Sebastian

61Madam, I will.

Olivia

62O, say so, and so be!

[Exeunt]

Scene II. Olivia's house.

Want highlights, notes, and AI? Switch this scene to Reader + Notes.

[Enter Maria and Clown]

Maria

1Nay, I prithee, put on this gown and this beard;

2make him believe thou art Sir Topas the curate: do

3it quickly; I'll call Sir Toby the whilst.

[Exit]

Clown

4Well, I'll put it on, and I will dissemble myself

5in't; and I would I were the first that ever

6dissembled in such a gown. I am not tall enough to

7become the function well, nor lean enough to be

8thought a good student; but to be said an honest man

9and a good housekeeper goes as fairly as to say a

10careful man and a great scholar. The competitors enter.

[Enter Sir Toby Belch and Maria]

Sir Toby Belch

11Jove bless thee, master Parson.

Clown

12Bonos dies, Sir Toby: for, as the old hermit of

13Prague, that never saw pen and ink, very wittily

14said to a niece of King Gorboduc, 'That that is is;'

15so I, being Master Parson, am Master Parson; for,

16what is 'that' but 'that,' and 'is' but 'is'?

Sir Toby Belch

17To him, Sir Topas.

Clown

18What, ho, I say! peace in this prison!

Sir Toby Belch

19The knave counterfeits well; a good knave.

Malvolio

20[Within] Who calls there?

Clown

21Sir Topas the curate, who comes to visit Malvolio

22the lunatic.

Malvolio

23Sir Topas, Sir Topas, good Sir Topas, go to my lady.

Clown

24Out, hyperbolical fiend! how vexest thou this man!

25talkest thou nothing but of ladies?

Sir Toby Belch

26Well said, Master Parson.

Malvolio

27Sir Topas, never was man thus wronged: good Sir

28Topas, do not think I am mad: they have laid me

29here in hideous darkness.

Clown

30Fie, thou dishonest Satan! I call thee by the most

31modest terms; for I am one of those gentle ones

32that will use the devil himself with courtesy:

33sayest thou that house is dark?

Malvolio

34As hell, Sir Topas.

Clown

35Why it hath bay windows transparent as barricadoes,

36and the clearstores toward the south north are as

37lustrous as ebony; and yet complainest thou of

38obstruction?

Malvolio

39I am not mad, Sir Topas: I say to you, this house is dark.

Clown

40Madman, thou errest: I say, there is no darkness

41but ignorance; in which thou art more puzzled than

42the Egyptians in their fog.

Malvolio

43I say, this house is as dark as ignorance, though

44ignorance were as dark as hell; and I say, there

45was never man thus abused. I am no more mad than you

46are: make the trial of it in any constant question.

Clown

47What is the opinion of Pythagoras concerning wild fowl?

Malvolio

48That the soul of our grandam might haply inhabit a bird.

Clown

49What thinkest thou of his opinion?

Malvolio

50I think nobly of the soul, and no way approve his opinion.

Clown

51Fare thee well. Remain thou still in darkness:

52thou shalt hold the opinion of Pythagoras ere I will

53allow of thy wits, and fear to kill a woodcock, lest

54thou dispossess the soul of thy grandam. Fare thee well.

Malvolio

55Sir Topas, Sir Topas!

Sir Toby Belch

56My most exquisite Sir Topas!

Clown

57Nay, I am for all waters.

Maria

58Thou mightst have done this without thy beard and

59gown: he sees thee not.

Sir Toby Belch

60To him in thine own voice, and bring me word how

61thou findest him: I would we were well rid of this

62knavery. If he may be conveniently delivered, I

63would he were, for I am now so far in offence with

64my niece that I cannot pursue with any safety this

65sport to the upshot. Come by and by to my chamber.

[Exeunt Sir Toby Belch and Maria]

Clown

66[Singing]

67'Hey, Robin, jolly Robin,

68Tell me how thy lady does.'

Malvolio

69Fool!

Clown

70'My lady is unkind, perdy.'

Malvolio

71Fool!

Clown

72'Alas, why is she so?'

Malvolio

73Fool, I say!

Clown

74'She loves another'--Who calls, ha?

Malvolio

75Good fool, as ever thou wilt deserve well at my

76hand, help me to a candle, and pen, ink and paper:

77as I am a gentleman, I will live to be thankful to

78thee for't.

Clown

79Master Malvolio?

Malvolio

80Ay, good fool.

Clown

81Alas, sir, how fell you besides your five wits?

Malvolio

82Fool, there was never a man so notoriously abused: I

83am as well in my wits, fool, as thou art.

Clown

84But as well? then you are mad indeed, if you be no

85better in your wits than a fool.

Malvolio

86They have here propertied me; keep me in darkness,

87send ministers to me, asses, and do all they can to

88face me out of my wits.

Clown

89Advise you what you say; the minister is here.

90Malvolio, Malvolio, thy wits the heavens restore!

91endeavour thyself to sleep, and leave thy vain

92bibble babble.

Malvolio

93Sir Topas!

Clown

94Maintain no words with him, good fellow. Who, I,

95sir? not I, sir. God be wi' you, good Sir Topas.

96Merry, amen. I will, sir, I will.

Malvolio

97Fool, fool, fool, I say!

Clown

98Alas, sir, be patient. What say you sir? I am

99shent for speaking to you.

Malvolio

100Good fool, help me to some light and some paper: I

101tell thee, I am as well in my wits as any man in Illyria.

Clown

102Well-a-day that you were, sir

Malvolio

103By this hand, I am. Good fool, some ink, paper and

104light; and convey what I will set down to my lady:

105it shall advantage thee more than ever the bearing

106of letter did.

Clown

107I will help you to't. But tell me true, are you

108not mad indeed? or do you but counterfeit?

Malvolio

109Believe me, I am not; I tell thee true.

Clown

110Nay, I'll ne'er believe a madman till I see his

111brains. I will fetch you light and paper and ink.

Malvolio

112Fool, I'll requite it in the highest degree: I

113prithee, be gone.

Clown

114[Singing]

115I am gone, sir,

116And anon, sir,

117I'll be with you again,

118In a trice,

119Like to the old Vice,

120Your need to sustain;

121Who, with dagger of lath,

122In his rage and his wrath,

123Cries, ah, ha! to the devil:

124Like a mad lad,

125Pare thy nails, dad;

126Adieu, good man devil.

[Exit]

Scene III. Olivia's garden.

Want highlights, notes, and AI? Switch this scene to Reader + Notes.

[Enter Sebastian]

Sebastian

1This is the air; that is the glorious sun;

2This pearl she gave me, I do feel't and see't;

3And though 'tis wonder that enwraps me thus,

4Yet 'tis not madness. Where's Antonio, then?

5I could not find him at the Elephant:

6Yet there he was; and there I found this credit,

7That he did range the town to seek me out.

8His counsel now might do me golden service;

9For though my soul disputes well with my sense,

10That this may be some error, but no madness,

11Yet doth this accident and flood of fortune

12So far exceed all instance, all discourse,

13That I am ready to distrust mine eyes

14And wrangle with my reason that persuades me

15To any other trust but that I am mad

16Or else the lady's mad; yet, if 'twere so,

17She could not sway her house, command her followers,

18Take and give back affairs and their dispatch

19With such a smooth, discreet and stable bearing

20As I perceive she does: there's something in't

21That is deceiveable. But here the lady comes.

[Enter Olivia and Priest]

Olivia

22Blame not this haste of mine. If you mean well,

23Now go with me and with this holy man

24Into the chantry by: there, before him,

25And underneath that consecrated roof,

26Plight me the full assurance of your faith;

27That my most jealous and too doubtful soul

28May live at peace. He shall conceal it

29Whiles you are willing it shall come to note,

30What time we will our celebration keep

31According to my birth. What do you say?

Sebastian

32I'll follow this good man, and go with you;

33And, having sworn truth, ever will be true.

Olivia

34Then lead the way, good father; and heavens so shine,

35That they may fairly note this act of mine!

[Exeunt]

Act V

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Scene I. Before Olivia's house.

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[Enter Clown and Fabian]

Fabian

1Now, as thou lovest me, let me see his letter.

Clown

2Good Master Fabian, grant me another request.

Fabian

3Any thing.

Clown

4Do not desire to see this letter.

Fabian

5This is, to give a dog, and in recompense desire my

6dog again.

[Enter Duke Orsino, Viola, Curio, and Lords]

Duke Orsino

7Belong you to the Lady Olivia, friends?

Clown

8Ay, sir; we are some of her trappings.

Duke Orsino

9I know thee well; how dost thou, my good fellow?

Clown

10Truly, sir, the better for my foes and the worse

11for my friends.

Duke Orsino

12Just the contrary; the better for thy friends.

Clown

13No, sir, the worse.

Duke Orsino

14How can that be?

Clown

15Marry, sir, they praise me and make an ass of me;

16now my foes tell me plainly I am an ass: so that by

17my foes, sir I profit in the knowledge of myself,

18and by my friends, I am abused: so that,

19conclusions to be as kisses, if your four negatives

20make your two affirmatives why then, the worse for

21my friends and the better for my foes.

Duke Orsino

22Why, this is excellent.

Clown

23By my troth, sir, no; though it please you to be

24one of my friends.

Duke Orsino

25Thou shalt not be the worse for me: there's gold.

Clown

26But that it would be double-dealing, sir, I would

27you could make it another.

Duke Orsino

28O, you give me ill counsel.

Clown

29Put your grace in your pocket, sir, for this once,

30and let your flesh and blood obey it.

Duke Orsino

31Well, I will be so much a sinner, to be a

32double-dealer: there's another.

Clown

33Primo, secundo, tertio, is a good play; and the old

34saying is, the third pays for all: the triplex,

35sir, is a good tripping measure; or the bells of

36Saint Bennet, sir, may put you in mind; one, two, three.

Duke Orsino

37You can fool no more money out of me at this throw:

38if you will let your lady know I am here to speak

39with her, and bring her along with you, it may awake

40my bounty further.

Clown

41Marry, sir, lullaby to your bounty till I come

42again. I go, sir; but I would not have you to think

43that my desire of having is the sin of covetousness:

44but, as you say, sir, let your bounty take a nap, I

45will awake it anon.

[Exit]

Viola

46Here comes the man, sir, that did rescue me.

[Enter Antonio and Officers]

Duke Orsino

47That face of his I do remember well;

48Yet, when I saw it last, it was besmear'd

49As black as Vulcan in the smoke of war:

50A bawbling vessel was he captain of,

51For shallow draught and bulk unprizable;

52With which such scathful grapple did he make

53With the most noble bottom of our fleet,

54That very envy and the tongue of loss

55Cried fame and honour on him. What's the matter?

First Officer

56Orsino, this is that Antonio

57That took the Phoenix and her fraught from Candy;

58And this is he that did the Tiger board,

59When your young nephew Titus lost his leg:

60Here in the streets, desperate of shame and state,

61In private brabble did we apprehend him.

Viola

62He did me kindness, sir, drew on my side;

63But in conclusion put strange speech upon me:

64I know not what 'twas but distraction.

Duke Orsino

65Notable pirate! thou salt-water thief!

66What foolish boldness brought thee to their mercies,

67Whom thou, in terms so bloody and so dear,

68Hast made thine enemies?

Antonio

69Orsino, noble sir,

70Be pleased that I shake off these names you give me:

71Antonio never yet was thief or pirate,

72Though I confess, on base and ground enough,

73Orsino's enemy. A witchcraft drew me hither:

74That most ingrateful boy there by your side,

75From the rude sea's enraged and foamy mouth

76Did I redeem; a wreck past hope he was:

77His life I gave him and did thereto add

78My love, without retention or restraint,

79All his in dedication; for his sake

80Did I expose myself, pure for his love,

81Into the danger of this adverse town;

82Drew to defend him when he was beset:

83Where being apprehended, his false cunning,

84Not meaning to partake with me in danger,

85Taught him to face me out of his acquaintance,

86And grew a twenty years removed thing

87While one would wink; denied me mine own purse,

88Which I had recommended to his use

89Not half an hour before.

Viola

90How can this be?

Duke Orsino

91When came he to this town?

Antonio

92To-day, my lord; and for three months before,

93No interim, not a minute's vacancy,

94Both day and night did we keep company.

[Enter Olivia and Attendants]

Duke Orsino

95Here comes the countess: now heaven walks on earth.

96But for thee, fellow; fellow, thy words are madness:

97Three months this youth hath tended upon me;

98But more of that anon. Take him aside.

Olivia

99What would my lord, but that he may not have,

100Wherein Olivia may seem serviceable?

101Cesario, you do not keep promise with me.

Viola

102Madam!

Duke Orsino

103Gracious Olivia,--

Olivia

104What do you say, Cesario? Good my lord,--

Viola

105My lord would speak; my duty hushes me.

Olivia

106If it be aught to the old tune, my lord,

107It is as fat and fulsome to mine ear

108As howling after music.

Duke Orsino

109Still so cruel?

Olivia

110Still so constant, lord.

Duke Orsino

111What, to perverseness? you uncivil lady,

112To whose ingrate and unauspicious altars

113My soul the faithfull'st offerings hath breathed out

114That e'er devotion tender'd! What shall I do?

Olivia

115Even what it please my lord, that shall become him.

Duke Orsino

116Why should I not, had I the heart to do it,

117Like to the Egyptian thief at point of death,

118Kill what I love?--a savage jealousy

119That sometimes savours nobly. But hear me this:

120Since you to non-regardance cast my faith,

121And that I partly know the instrument

122That screws me from my true place in your favour,

123Live you the marble-breasted tyrant still;

124But this your minion, whom I know you love,

125And whom, by heaven I swear, I tender dearly,

126Him will I tear out of that cruel eye,

127Where he sits crowned in his master's spite.

128Come, boy, with me; my thoughts are ripe in mischief:

129I'll sacrifice the lamb that I do love,

130To spite a raven's heart within a dove.

Viola

131And I, most jocund, apt and willingly,

132To do you rest, a thousand deaths would die.

Olivia

133Where goes Cesario?

Viola

134After him I love

135More than I love these eyes, more than my life,

136More, by all mores, than e'er I shall love wife.

137If I do feign, you witnesses above

138Punish my life for tainting of my love!

Olivia

139Ay me, detested! how am I beguiled!

Viola

140Who does beguile you? who does do you wrong?

Olivia

141Hast thou forgot thyself? is it so long?

142Call forth the holy father.

Duke Orsino

143Come, away!

Olivia

144Whither, my lord? Cesario, husband, stay.

Duke Orsino

145Husband!

Olivia

146Ay, husband: can he that deny?

Duke Orsino

147Her husband, sirrah!

Viola

148No, my lord, not I.

Olivia

149Alas, it is the baseness of thy fear

150That makes thee strangle thy propriety:

151Fear not, Cesario; take thy fortunes up;

152Be that thou know'st thou art, and then thou art

153As great as that thou fear'st.

[Enter Priest]

Olivia

154O, welcome, father!

155Father, I charge thee, by thy reverence,

156Here to unfold, though lately we intended

157To keep in darkness what occasion now

158Reveals before 'tis ripe, what thou dost know

159Hath newly pass'd between this youth and me.

Priest

160A contract of eternal bond of love,

161Confirm'd by mutual joinder of your hands,

162Attested by the holy close of lips,

163Strengthen'd by interchangement of your rings;

164And all the ceremony of this compact

165Seal'd in my function, by my testimony:

166Since when, my watch hath told me, toward my grave

167I have travell'd but two hours.

Duke Orsino

168O thou dissembling cub! what wilt thou be

169When time hath sow'd a grizzle on thy case?

170Or will not else thy craft so quickly grow,

171That thine own trip shall be thine overthrow?

172Farewell, and take her; but direct thy feet

173Where thou and I henceforth may never meet.

Viola

174My lord, I do protest--

Olivia

175O, do not swear!

176Hold little faith, though thou hast too much fear.

[Enter Sir Andrew]

Sir Andrew

177For the love of God, a surgeon! Send one presently

178to Sir Toby.

Olivia

179What's the matter?

Sir Andrew

180He has broke my head across and has given Sir Toby

181a bloody coxcomb too: for the love of God, your

182help! I had rather than forty pound I were at home.

Olivia

183Who has done this, Sir Andrew?

Sir Andrew

184The count's gentleman, one Cesario: we took him for

185a coward, but he's the very devil incardinate.

Duke Orsino

186My gentleman, Cesario?

Sir Andrew

187'Od's lifelings, here he is! You broke my head for

188nothing; and that that I did, I was set on to do't

189by Sir Toby.

Viola

190Why do you speak to me? I never hurt you:

191You drew your sword upon me without cause;

192But I bespoke you fair, and hurt you not.

Sir Andrew

193If a bloody coxcomb be a hurt, you have hurt me: I

194think you set nothing by a bloody coxcomb.

[Enter Sir Toby Belch and Clown]

Sir Andrew

195Here comes Sir Toby halting; you shall hear more:

196but if he had not been in drink, he would have

197tickled you othergates than he did.

Duke Orsino

198How now, gentleman! how is't with you?

Sir Toby Belch

199That's all one: has hurt me, and there's the end

200on't. Sot, didst see Dick surgeon, sot?

Clown

201O, he's drunk, Sir Toby, an hour agone; his eyes

202were set at eight i' the morning.

Sir Toby Belch

203Then he's a rogue, and a passy measures panyn: I

204hate a drunken rogue.

Olivia

205Away with him! Who hath made this havoc with them?

Sir Andrew

206I'll help you, Sir Toby, because well be dressed together.

Sir Toby Belch

207Will you help? an ass-head and a coxcomb and a

208knave, a thin-faced knave, a gull!

Olivia

209Get him to bed, and let his hurt be look'd to.

[Exeunt Clown, Fabian, Sir Toby Belch, and Sir Andrew]

[Enter Sebastian]

Sebastian

210I am sorry, madam, I have hurt your kinsman:

211But, had it been the brother of my blood,

212I must have done no less with wit and safety.

213You throw a strange regard upon me, and by that

214I do perceive it hath offended you:

215Pardon me, sweet one, even for the vows

216We made each other but so late ago.

Duke Orsino

217One face, one voice, one habit, and two persons,

218A natural perspective, that is and is not!

Sebastian

219Antonio, O my dear Antonio!

220How have the hours rack'd and tortured me,

221Since I have lost thee!

Antonio

222Sebastian are you?

Sebastian

223Fear'st thou that, Antonio?

Antonio

224How have you made division of yourself?

225An apple, cleft in two, is not more twin

226Than these two creatures. Which is Sebastian?

Olivia

227Most wonderful!

Sebastian

228Do I stand there? I never had a brother;

229Nor can there be that deity in my nature,

230Of here and every where. I had a sister,

231Whom the blind waves and surges have devour'd.

232Of charity, what kin are you to me?

233What countryman? what name? what parentage?

Viola

234Of Messaline: Sebastian was my father;

235Such a Sebastian was my brother too,

236So went he suited to his watery tomb:

237If spirits can assume both form and suit

238You come to fright us.

Sebastian

239A spirit I am indeed;

240But am in that dimension grossly clad

241Which from the womb I did participate.

242Were you a woman, as the rest goes even,

243I should my tears let fall upon your cheek,

244And say 'Thrice-welcome, drowned Viola!'

Viola

245My father had a mole upon his brow.

Sebastian

246And so had mine.

Viola

247And died that day when Viola from her birth

248Had number'd thirteen years.

Sebastian

249O, that record is lively in my soul!

250He finished indeed his mortal act

251That day that made my sister thirteen years.

Viola

252If nothing lets to make us happy both

253But this my masculine usurp'd attire,

254Do not embrace me till each circumstance

255Of place, time, fortune, do cohere and jump

256That I am Viola: which to confirm,

257I'll bring you to a captain in this town,

258Where lie my maiden weeds; by whose gentle help

259I was preserved to serve this noble count.

260All the occurrence of my fortune since

261Hath been between this lady and this lord.

Sebastian

262[To OLIVIA] So comes it, lady, you have been mistook:

263But nature to her bias drew in that.

264You would have been contracted to a maid;

265Nor are you therein, by my life, deceived,

266You are betroth'd both to a maid and man.

Duke Orsino

267Be not amazed; right noble is his blood.

268If this be so, as yet the glass seems true,

269I shall have share in this most happy wreck.

[To Viola]

Duke Orsino

270Boy, thou hast said to me a thousand times

271Thou never shouldst love woman like to me.

Viola

272And all those sayings will I overswear;

273And those swearings keep as true in soul

274As doth that orbed continent the fire

275That severs day from night.

Duke Orsino

276Give me thy hand;

277And let me see thee in thy woman's weeds.

Viola

278The captain that did bring me first on shore

279Hath my maid's garments: he upon some action

280Is now in durance, at Malvolio's suit,

281A gentleman, and follower of my lady's.

Olivia

282He shall enlarge him: fetch Malvolio hither:

283And yet, alas, now I remember me,

284They say, poor gentleman, he's much distract.

[Re-enter Clown with a letter, and Fabian]

Olivia

285A most extracting frenzy of mine own

286From my remembrance clearly banish'd his.

287How does he, sirrah?

Clown

288Truly, madam, he holds Belzebub at the staves's end as

289well as a man in his case may do: has here writ a

290letter to you; I should have given't you to-day

291morning, but as a madman's epistles are no gospels,

292so it skills not much when they are delivered.

Olivia

293Open't, and read it.

Clown

294Look then to be well edified when the fool delivers

295the madman.

[Reads]

Clown

296'By the Lord, madam,'--

Olivia

297How now! art thou mad?

Clown

298No, madam, I do but read madness: an your ladyship

299will have it as it ought to be, you must allow Vox.

Olivia

300Prithee, read i' thy right wits.

Clown

301So I do, madonna; but to read his right wits is to

302read thus: therefore perpend, my princess, and give ear.

Olivia

303Read it you, sirrah.

[To Fabian]

Fabian

304[Reads] 'By the Lord, madam, you wrong me, and the

305world shall know it: though you have put me into

306darkness and given your drunken cousin rule over

307me, yet have I the benefit of my senses as well as

308your ladyship. I have your own letter that induced

309me to the semblance I put on; with the which I doubt

310not but to do myself much right, or you much shame.

311Think of me as you please. I leave my duty a little

312unthought of and speak out of my injury.

313THE MADLY-USED MALVOLIO.'

Olivia

314Did he write this?

Clown

315Ay, madam.

Duke Orsino

316This savours not much of distraction.

Olivia

317See him deliver'd, Fabian; bring him hither.

[Exit Fabian]

Olivia

318My lord so please you, these things further

319thought on,

320To think me as well a sister as a wife,

321One day shall crown the alliance on't, so please you,

322Here at my house and at my proper cost.

Duke Orsino

323Madam, I am most apt to embrace your offer.

[To Viola]

Duke Orsino

324Your master quits you; and for your service done him,

325So much against the mettle of your sex,

326So far beneath your soft and tender breeding,

327And since you call'd me master for so long,

328Here is my hand: you shall from this time be

329Your master's mistress.

Olivia

330A sister! you are she.

[Re-enter Fabian, with Malvolio]

Duke Orsino

331Is this the madman?

Olivia

332Ay, my lord, this same.

333How now, Malvolio!

Malvolio

334Madam, you have done me wrong,

335Notorious wrong.

Olivia

336Have I, Malvolio? no.

Malvolio

337Lady, you have. Pray you, peruse that letter.

338You must not now deny it is your hand:

339Write from it, if you can, in hand or phrase;

340Or say 'tis not your seal, nor your invention:

341You can say none of this: well, grant it then

342And tell me, in the modesty of honour,

343Why you have given me such clear lights of favour,

344Bade me come smiling and cross-garter'd to you,

345To put on yellow stockings and to frown

346Upon Sir Toby and the lighter people;

347And, acting this in an obedient hope,

348Why have you suffer'd me to be imprison'd,

349Kept in a dark house, visited by the priest,

350And made the most notorious geck and gull

351That e'er invention play'd on? tell me why.

Olivia

352Alas, Malvolio, this is not my writing,

353Though, I confess, much like the character

354But out of question 'tis Maria's hand.

355And now I do bethink me, it was she

356First told me thou wast mad; then camest in smiling,

357And in such forms which here were presupposed

358Upon thee in the letter. Prithee, be content:

359This practise hath most shrewdly pass'd upon thee;

360But when we know the grounds and authors of it,

361Thou shalt be both the plaintiff and the judge

362Of thine own cause.

Fabian

363Good madam, hear me speak,

364And let no quarrel nor no brawl to come

365Taint the condition of this present hour,

366Which I have wonder'd at. In hope it shall not,

367Most freely I confess, myself and Toby

368Set this device against Malvolio here,

369Upon some stubborn and uncourteous parts

370We had conceived against him: Maria writ

371The letter at Sir Toby's great importance;

372In recompense whereof he hath married her.

373How with a sportful malice it was follow'd,

374May rather pluck on laughter than revenge;

375If that the injuries be justly weigh'd

376That have on both sides pass'd.

Olivia

377Alas, poor fool, how have they baffled thee!

Clown

378Why, 'some are born great, some achieve greatness,

379and some have greatness thrown upon them.' I was

380one, sir, in this interlude; one Sir Topas, sir; but

381that's all one. 'By the Lord, fool, I am not mad.'

382But do you remember? 'Madam, why laugh you at such

383a barren rascal? an you smile not, he's gagged:'

384and thus the whirligig of time brings in his revenges.

Malvolio

385I'll be revenged on the whole pack of you.

[Exit]

Olivia

386He hath been most notoriously abused.

Duke Orsino

387Pursue him and entreat him to a peace:

388He hath not told us of the captain yet:

389When that is known and golden time convents,

390A solemn combination shall be made

391Of our dear souls. Meantime, sweet sister,

392We will not part from hence. Cesario, come;

393For so you shall be, while you are a man;

394But when in other habits you are seen,

395Orsino's mistress and his fancy's queen.

[Exeunt all, except Clown]

Clown

396[Sings]

397When that I was and a little tiny boy,

398With hey, ho, the wind and the rain,

399A foolish thing was but a toy,

400For the rain it raineth every day.

401But when I came to man's estate,

402With hey, ho, & c.

403'Gainst knaves and thieves men shut their gate,

404For the rain, & c.

405But when I came, alas! to wive,

406With hey, ho, & c.

407By swaggering could I never thrive,

408For the rain, & c.

409But when I came unto my beds,

410With hey, ho, & c.

411With toss-pots still had drunken heads,

412For the rain, & c.

413A great while ago the world begun,

414With hey, ho, & c.

415But that's all one, our play is done,

416And we'll strive to please you every day.

[Exit]