Act I
Back to topScene I. Duke Orsino's palace.
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[Enter Duke Orsino, Curio, and other Lords; Musicians attending]
Duke Orsino
1If music be the food of love, play on;
2Give me excess of it, that, surfeiting,
3The appetite may sicken, and so die.
4That strain again! it had a dying fall:
5O, it came o'er my ear like the sweet sound,
6That breathes upon a bank of violets,
7Stealing and giving odour! Enough; no more:
8'Tis not so sweet now as it was before.
9O spirit of love! how quick and fresh art thou,
10That, notwithstanding thy capacity
11Receiveth as the sea, nought enters there,
12Of what validity and pitch soe'er,
13But falls into abatement and low price,
14Even in a minute: so full of shapes is fancy
15That it alone is high fantastical.
Curio
16Will you go hunt, my lord?
Duke Orsino
17What, Curio?
Curio
18The hart.
Duke Orsino
19Why, so I do, the noblest that I have:
20O, when mine eyes did see Olivia first,
21Methought she purged the air of pestilence!
22That instant was I turn'd into a hart;
23And my desires, like fell and cruel hounds,
24E'er since pursue me.
[Enter Valentine]
Duke Orsino
25How now! what news from her?
Valentine
26So please my lord, I might not be admitted;
27But from her handmaid do return this answer:
28The element itself, till seven years' heat,
29Shall not behold her face at ample view;
30But, like a cloistress, she will veiled walk
31And water once a day her chamber round
32With eye-offending brine: all this to season
33A brother's dead love, which she would keep fresh
34And lasting in her sad remembrance.
Duke Orsino
35O, she that hath a heart of that fine frame
36To pay this debt of love but to a brother,
37How will she love, when the rich golden shaft
38Hath kill'd the flock of all affections else
39That live in her; when liver, brain and heart,
40These sovereign thrones, are all supplied, and fill'd
41Her sweet perfections with one self king!
42Away before me to sweet beds of flowers:
43Love-thoughts lie rich when canopied with bowers.
[Exeunt]
Scene II. The sea-coast.
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[Enter Viola, a Captain, and Sailors]
Viola
1What country, friends, is this?
Captain
2This is Illyria, lady.
Viola
3And what should I do in Illyria?
4My brother he is in Elysium.
5Perchance he is not drown'd: what think you, sailors?
Captain
6It is perchance that you yourself were saved.
Viola
7O my poor brother! and so perchance may he be.
Captain
8True, madam: and, to comfort you with chance,
9Assure yourself, after our ship did split,
10When you and those poor number saved with you
11Hung on our driving boat, I saw your brother,
12Most provident in peril, bind himself,
13Courage and hope both teaching him the practise,
14To a strong mast that lived upon the sea;
15Where, like Arion on the dolphin's back,
16I saw him hold acquaintance with the waves
17So long as I could see.
Viola
18For saying so, there's gold:
19Mine own escape unfoldeth to my hope,
20Whereto thy speech serves for authority,
21The like of him. Know'st thou this country?
Captain
22Ay, madam, well; for I was bred and born
23Not three hours' travel from this very place.
Viola
24Who governs here?
Captain
25A noble duke, in nature as in name.
Viola
26What is the name?
Captain
27Orsino.
Viola
28Orsino! I have heard my father name him:
29He was a bachelor then.
Captain
30And so is now, or was so very late;
31For but a month ago I went from hence,
32And then 'twas fresh in murmur,--as, you know,
33What great ones do the less will prattle of,--
34That he did seek the love of fair Olivia.
Viola
35What's she?
Captain
36A virtuous maid, the daughter of a count
37That died some twelvemonth since, then leaving her
38In the protection of his son, her brother,
39Who shortly also died: for whose dear love,
40They say, she hath abjured the company
41And sight of men.
Viola
42O that I served that lady
43And might not be delivered to the world,
44Till I had made mine own occasion mellow,
45What my estate is!
Captain
46That were hard to compass;
47Because she will admit no kind of suit,
48No, not the duke's.
Viola
49There is a fair behavior in thee, captain;
50And though that nature with a beauteous wall
51Doth oft close in pollution, yet of thee
52I will believe thou hast a mind that suits
53With this thy fair and outward character.
54I prithee, and I'll pay thee bounteously,
55Conceal me what I am, and be my aid
56For such disguise as haply shall become
57The form of my intent. I'll serve this duke:
58Thou shall present me as an eunuch to him:
59It may be worth thy pains; for I can sing
60And speak to him in many sorts of music
61That will allow me very worth his service.
62What else may hap to time I will commit;
63Only shape thou thy silence to my wit.
Captain
64Be you his eunuch, and your mute I'll be:
65When my tongue blabs, then let mine eyes not see.
Viola
66I thank thee: lead me on.
[Exeunt]
Scene III. Olivia's house.
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[Enter Sir Toby Belch and Maria]
Sir Toby Belch
1What a plague means my niece, to take the death of
2her brother thus? I am sure care's an enemy to life.
Maria
3By my troth, Sir Toby, you must come in earlier o'
4nights: your cousin, my lady, takes great
5exceptions to your ill hours.
Sir Toby Belch
6Why, let her except, before excepted.
Maria
7Ay, but you must confine yourself within the modest
8limits of order.
Sir Toby Belch
9Confine! I'll confine myself no finer than I am:
10these clothes are good enough to drink in; and so be
11these boots too: an they be not, let them hang
12themselves in their own straps.
Maria
13That quaffing and drinking will undo you: I heard
14my lady talk of it yesterday; and of a foolish
15knight that you brought in one night here to be her wooer.
Sir Toby Belch
16Who, Sir Andrew Aguecheek?
Maria
17Ay, he.
Sir Toby Belch
18He's as tall a man as any's in Illyria.
Maria
19What's that to the purpose?
Sir Toby Belch
20Why, he has three thousand ducats a year.
Maria
21Ay, but he'll have but a year in all these ducats:
22he's a very fool and a prodigal.
Sir Toby Belch
23Fie, that you'll say so! he plays o' the
24viol-de-gamboys, and speaks three or four languages
25word for word without book, and hath all the good
26gifts of nature.
Maria
27He hath indeed, almost natural: for besides that
28he's a fool, he's a great quarreller: and but that
29he hath the gift of a coward to allay the gust he
30hath in quarrelling, 'tis thought among the prudent
31he would quickly have the gift of a grave.
Sir Toby Belch
32By this hand, they are scoundrels and subtractors
33that say so of him. Who are they?
Maria
34They that add, moreover, he's drunk nightly in your company.
Sir Toby Belch
35With drinking healths to my niece: I'll drink to
36her as long as there is a passage in my throat and
37drink in Illyria: he's a coward and a coystrill
38that will not drink to my niece till his brains turn
39o' the toe like a parish-top. What, wench!
40Castiliano vulgo! for here comes Sir Andrew Agueface.
[Enter Sir Andrew]
Sir Andrew
41Sir Toby Belch! how now, Sir Toby Belch!
Sir Toby Belch
42Sweet Sir Andrew!
Sir Andrew
43Bless you, fair shrew.
Maria
44And you too, sir.
Sir Toby Belch
45Accost, Sir Andrew, accost.
Sir Andrew
46What's that?
Sir Toby Belch
47My niece's chambermaid.
Sir Andrew
48Good Mistress Accost, I desire better acquaintance.
Maria
49My name is Mary, sir.
Sir Andrew
50Good Mistress Mary Accost,--
Sir Toby Belch
51You mistake, knight; 'accost' is front her, board
52her, woo her, assail her.
Sir Andrew
53By my troth, I would not undertake her in this
54company. Is that the meaning of 'accost'?
Maria
55Fare you well, gentlemen.
Sir Toby Belch
56An thou let part so, Sir Andrew, would thou mightst
57never draw sword again.
Sir Andrew
58An you part so, mistress, I would I might never
59draw sword again. Fair lady, do you think you have
60fools in hand?
Maria
61Sir, I have not you by the hand.
Sir Andrew
62Marry, but you shall have; and here's my hand.
Maria
63Now, sir, 'thought is free:' I pray you, bring
64your hand to the buttery-bar and let it drink.
Sir Andrew
65Wherefore, sweet-heart? what's your metaphor?
Maria
66It's dry, sir.
Sir Andrew
67Why, I think so: I am not such an ass but I can
68keep my hand dry. But what's your jest?
Maria
69A dry jest, sir.
Sir Andrew
70Are you full of them?
Maria
71Ay, sir, I have them at my fingers' ends: marry,
72now I let go your hand, I am barren.
[Exit]
Sir Toby Belch
73O knight thou lackest a cup of canary: when did I
74see thee so put down?
Sir Andrew
75Never in your life, I think; unless you see canary
76put me down. Methinks sometimes I have no more wit
77than a Christian or an ordinary man has: but I am a
78great eater of beef and I believe that does harm to my wit.
Sir Toby Belch
79No question.
Sir Andrew
80An I thought that, I'ld forswear it. I'll ride home
81to-morrow, Sir Toby.
Sir Toby Belch
82Pourquoi, my dear knight?
Sir Andrew
83What is 'Pourquoi'? do or not do? I would I had
84bestowed that time in the tongues that I have in
85fencing, dancing and bear-baiting: O, had I but
86followed the arts!
Sir Toby Belch
87Then hadst thou had an excellent head of hair.
Sir Andrew
88Why, would that have mended my hair?
Sir Toby Belch
89Past question; for thou seest it will not curl by nature.
Sir Andrew
90But it becomes me well enough, does't not?
Sir Toby Belch
91Excellent; it hangs like flax on a distaff; and I
92hope to see a housewife take thee between her legs
93and spin it off.
Sir Andrew
94Faith, I'll home to-morrow, Sir Toby: your niece
95will not be seen; or if she be, it's four to one
96she'll none of me: the count himself here hard by woos her.
Sir Toby Belch
97She'll none o' the count: she'll not match above
98her degree, neither in estate, years, nor wit; I
99have heard her swear't. Tut, there's life in't,
100man.
Sir Andrew
101I'll stay a month longer. I am a fellow o' the
102strangest mind i' the world; I delight in masques
103and revels sometimes altogether.
Sir Toby Belch
104Art thou good at these kickshawses, knight?
Sir Andrew
105As any man in Illyria, whatsoever he be, under the
106degree of my betters; and yet I will not compare
107with an old man.
Sir Toby Belch
108What is thy excellence in a galliard, knight?
Sir Andrew
109Faith, I can cut a caper.
Sir Toby Belch
110And I can cut the mutton to't.
Sir Andrew
111And I think I have the back-trick simply as strong
112as any man in Illyria.
Sir Toby Belch
113Wherefore are these things hid? wherefore have
114these gifts a curtain before 'em? are they like to
115take dust, like Mistress Mall's picture? why dost
116thou not go to church in a galliard and come home in
117a coranto? My very walk should be a jig; I would not
118so much as make water but in a sink-a-pace. What
119dost thou mean? Is it a world to hide virtues in?
120I did think, by the excellent constitution of thy
121leg, it was formed under the star of a galliard.
Sir Andrew
122Ay, 'tis strong, and it does indifferent well in a
123flame-coloured stock. Shall we set about some revels?
Sir Toby Belch
124What shall we do else? were we not born under Taurus?
Sir Andrew
125Taurus! That's sides and heart.
Sir Toby Belch
126No, sir; it is legs and thighs. Let me see the
127caper; ha! higher: ha, ha! excellent!
[Exeunt]
Scene IV. Duke Orsino's palace.
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[Enter Valentine and Viola in man's attire]
Valentine
1If the duke continue these favours towards you,
2Cesario, you are like to be much advanced: he hath
3known you but three days, and already you are no stranger.
Viola
4You either fear his humour or my negligence, that
5you call in question the continuance of his love:
6is he inconstant, sir, in his favours?
Valentine
7No, believe me.
Viola
8I thank you. Here comes the count.
[Enter Duke Orsino, Curio, and Attendants]
Duke Orsino
9Who saw Cesario, ho?
Viola
10On your attendance, my lord; here.
Duke Orsino
11Stand you a while aloof, Cesario,
12Thou know'st no less but all; I have unclasp'd
13To thee the book even of my secret soul:
14Therefore, good youth, address thy gait unto her;
15Be not denied access, stand at her doors,
16And tell them, there thy fixed foot shall grow
17Till thou have audience.
Viola
18Sure, my noble lord,
19If she be so abandon'd to her sorrow
20As it is spoke, she never will admit me.
Duke Orsino
21Be clamorous and leap all civil bounds
22Rather than make unprofited return.
Viola
23Say I do speak with her, my lord, what then?
Duke Orsino
24O, then unfold the passion of my love,
25Surprise her with discourse of my dear faith:
26It shall become thee well to act my woes;
27She will attend it better in thy youth
28Than in a nuncio's of more grave aspect.
Viola
29I think not so, my lord.
Duke Orsino
30Dear lad, believe it;
31For they shall yet belie thy happy years,
32That say thou art a man: Diana's lip
33Is not more smooth and rubious; thy small pipe
34Is as the maiden's organ, shrill and sound,
35And all is semblative a woman's part.
36I know thy constellation is right apt
37For this affair. Some four or five attend him;
38All, if you will; for I myself am best
39When least in company. Prosper well in this,
40And thou shalt live as freely as thy lord,
41To call his fortunes thine.
Viola
42I'll do my best
43To woo your lady:
[Aside]
Viola
44yet, a barful strife!
45Whoe'er I woo, myself would be his wife.
[Exeunt]
Scene V. Olivia's house.
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[Enter Maria and Clown]
Maria
1Nay, either tell me where thou hast been, or I will
2not open my lips so wide as a bristle may enter in
3way of thy excuse: my lady will hang thee for thy absence.
Clown
4Let her hang me: he that is well hanged in this
5world needs to fear no colours.
Maria
6Make that good.
Clown
7He shall see none to fear.
Maria
8A good lenten answer: I can tell thee where that
9saying was born, of 'I fear no colours.'
Clown
10Where, good Mistress Mary?
Maria
11In the wars; and that may you be bold to say in your foolery.
Clown
12Well, God give them wisdom that have it; and those
13that are fools, let them use their talents.
Maria
14Yet you will be hanged for being so long absent; or,
15to be turned away, is not that as good as a hanging to you?
Clown
16Many a good hanging prevents a bad marriage; and,
17for turning away, let summer bear it out.
Maria
18You are resolute, then?
Clown
19Not so, neither; but I am resolved on two points.
Maria
20That if one break, the other will hold; or, if both
21break, your gaskins fall.
Clown
22Apt, in good faith; very apt. Well, go thy way; if
23Sir Toby would leave drinking, thou wert as witty a
24piece of Eve's flesh as any in Illyria.
Maria
25Peace, you rogue, no more o' that. Here comes my
26lady: make your excuse wisely, you were best.
[Exit]
Clown
27Wit, an't be thy will, put me into good fooling!
28Those wits, that think they have thee, do very oft
29prove fools; and I, that am sure I lack thee, may
30pass for a wise man: for what says Quinapalus?
31'Better a witty fool, than a foolish wit.'
[Enter Olivia with Malvolio]
Clown
32God bless thee, lady!
Olivia
33Take the fool away.
Clown
34Do you not hear, fellows? Take away the lady.
Olivia
35Go to, you're a dry fool; I'll no more of you:
36besides, you grow dishonest.
Clown
37Two faults, madonna, that drink and good counsel
38will amend: for give the dry fool drink, then is
39the fool not dry: bid the dishonest man mend
40himself; if he mend, he is no longer dishonest; if
41he cannot, let the botcher mend him. Any thing
42that's mended is but patched: virtue that
43transgresses is but patched with sin; and sin that
44amends is but patched with virtue. If that this
45simple syllogism will serve, so; if it will not,
46what remedy? As there is no true cuckold but
47calamity, so beauty's a flower. The lady bade take
48away the fool; therefore, I say again, take her away.
Olivia
49Sir, I bade them take away you.
Clown
50Misprision in the highest degree! Lady, cucullus non
51facit monachum; that's as much to say as I wear not
52motley in my brain. Good madonna, give me leave to
53prove you a fool.
Olivia
54Can you do it?
Clown
55Dexterously, good madonna.
Olivia
56Make your proof.
Clown
57I must catechise you for it, madonna: good my mouse
58of virtue, answer me.
Olivia
59Well, sir, for want of other idleness, I'll bide your proof.
Clown
60Good madonna, why mournest thou?
Olivia
61Good fool, for my brother's death.
Clown
62I think his soul is in hell, madonna.
Olivia
63I know his soul is in heaven, fool.
Clown
64The more fool, madonna, to mourn for your brother's
65soul being in heaven. Take away the fool, gentlemen.
Olivia
66What think you of this fool, Malvolio? doth he not mend?
Malvolio
67Yes, and shall do till the pangs of death shake him:
68infirmity, that decays the wise, doth ever make the
69better fool.
Clown
70God send you, sir, a speedy infirmity, for the
71better increasing your folly! Sir Toby will be
72sworn that I am no fox; but he will not pass his
73word for two pence that you are no fool.
Olivia
74How say you to that, Malvolio?
Malvolio
75I marvel your ladyship takes delight in such a
76barren rascal: I saw him put down the other day
77with an ordinary fool that has no more brain
78than a stone. Look you now, he's out of his guard
79already; unless you laugh and minister occasion to
80him, he is gagged. I protest, I take these wise men,
81that crow so at these set kind of fools, no better
82than the fools' zanies.
Olivia
83Oh, you are sick of self-love, Malvolio, and taste
84with a distempered appetite. To be generous,
85guiltless and of free disposition, is to take those
86things for bird-bolts that you deem cannon-bullets:
87there is no slander in an allowed fool, though he do
88nothing but rail; nor no railing in a known discreet
89man, though he do nothing but reprove.
Clown
90Now Mercury endue thee with leasing, for thou
91speakest well of fools!
[Re-enter Maria]
Maria
92Madam, there is at the gate a young gentleman much
93desires to speak with you.
Olivia
94From the Count Orsino, is it?
Maria
95I know not, madam: 'tis a fair young man, and well attended.
Olivia
96Who of my people hold him in delay?
Maria
97Sir Toby, madam, your kinsman.
Olivia
98Fetch him off, I pray you; he speaks nothing but
99madman: fie on him!
[Exit Maria]
Olivia
100Go you, Malvolio: if it be a suit from the count, I
101am sick, or not at home; what you will, to dismiss it.
[Exit Malvolio]
Olivia
102Now you see, sir, how your fooling grows old, and
103people dislike it.
Clown
104Thou hast spoke for us, madonna, as if thy eldest
105son should be a fool; whose skull Jove cram with
106brains! for,--here he comes,--one of thy kin has a
107most weak pia mater.
[Enter Sir Toby Belch]
Olivia
108By mine honour, half drunk. What is he at the gate, cousin?
Sir Toby Belch
109A gentleman.
Olivia
110A gentleman! what gentleman?
Sir Toby Belch
111'Tis a gentle man here--a plague o' these
112pickle-herring! How now, sot!
Clown
113Good Sir Toby!
Olivia
114Cousin, cousin, how have you come so early by this lethargy?
Sir Toby Belch
115Lechery! I defy lechery. There's one at the gate.
Olivia
116Ay, marry, what is he?
Sir Toby Belch
117Let him be the devil, an he will, I care not: give
118me faith, say I. Well, it's all one.
[Exit]
Olivia
119What's a drunken man like, fool?
Clown
120Like a drowned man, a fool and a mad man: one
121draught above heat makes him a fool; the second mads
122him; and a third drowns him.
Olivia
123Go thou and seek the crowner, and let him sit o' my
124coz; for he's in the third degree of drink, he's
125drowned: go, look after him.
Clown
126He is but mad yet, madonna; and the fool shall look
127to the madman.
[Exit]
[Re-enter Malvolio]
Malvolio
128Madam, yond young fellow swears he will speak with
129you. I told him you were sick; he takes on him to
130understand so much, and therefore comes to speak
131with you. I told him you were asleep; he seems to
132have a foreknowledge of that too, and therefore
133comes to speak with you. What is to be said to him,
134lady? he's fortified against any denial.
Olivia
135Tell him he shall not speak with me.
Malvolio
136Has been told so; and he says, he'll stand at your
137door like a sheriff's post, and be the supporter to
138a bench, but he'll speak with you.
Olivia
139What kind o' man is he?
Malvolio
140Why, of mankind.
Olivia
141What manner of man?
Malvolio
142Of very ill manner; he'll speak with you, will you or no.
Olivia
143Of what personage and years is he?
Malvolio
144Not yet old enough for a man, nor young enough for
145a boy; as a squash is before 'tis a peascod, or a
146cooling when 'tis almost an apple: 'tis with him
147in standing water, between boy and man. He is very
148well-favoured and he speaks very shrewishly; one
149would think his mother's milk were scarce out of him.
Olivia
150Let him approach: call in my gentlewoman.
Malvolio
151Gentlewoman, my lady calls.
[Exit]
[Re-enter Maria]
Olivia
152Give me my veil: come, throw it o'er my face.
153We'll once more hear Orsino's embassy.
[Enter Viola, and Attendants]
Viola
154The honourable lady of the house, which is she?
Olivia
155Speak to me; I shall answer for her.
156Your will?
Viola
157Most radiant, exquisite and unmatchable beauty,--I
158pray you, tell me if this be the lady of the house,
159for I never saw her: I would be loath to cast away
160my speech, for besides that it is excellently well
161penned, I have taken great pains to con it. Good
162beauties, let me sustain no scorn; I am very
163comptible, even to the least sinister usage.
Olivia
164Whence came you, sir?
Viola
165I can say little more than I have studied, and that
166question's out of my part. Good gentle one, give me
167modest assurance if you be the lady of the house,
168that I may proceed in my speech.
Olivia
169Are you a comedian?
Viola
170No, my profound heart: and yet, by the very fangs
171of malice I swear, I am not that I play. Are you
172the lady of the house?
Olivia
173If I do not usurp myself, I am.
Viola
174Most certain, if you are she, you do usurp
175yourself; for what is yours to bestow is not yours
176to reserve. But this is from my commission: I will
177on with my speech in your praise, and then show you
178the heart of my message.
Olivia
179Come to what is important in't: I forgive you the praise.
Viola
180Alas, I took great pains to study it, and 'tis poetical.
Olivia
181It is the more like to be feigned: I pray you,
182keep it in. I heard you were saucy at my gates,
183and allowed your approach rather to wonder at you
184than to hear you. If you be not mad, be gone; if
185you have reason, be brief: 'tis not that time of
186moon with me to make one in so skipping a dialogue.
Maria
187Will you hoist sail, sir? here lies your way.
Viola
188No, good swabber; I am to hull here a little
189longer. Some mollification for your giant, sweet
190lady. Tell me your mind: I am a messenger.
Olivia
191Sure, you have some hideous matter to deliver, when
192the courtesy of it is so fearful. Speak your office.
Viola
193It alone concerns your ear. I bring no overture of
194war, no taxation of homage: I hold the olive in my
195hand; my words are as fun of peace as matter.
Olivia
196Yet you began rudely. What are you? what would you?
Viola
197The rudeness that hath appeared in me have I
198learned from my entertainment. What I am, and what I
199would, are as secret as maidenhead; to your ears,
200divinity, to any other's, profanation.
Olivia
201Give us the place alone: we will hear this divinity.
[Exeunt Maria and Attendants]
Olivia
202Now, sir, what is your text?
Viola
203Most sweet lady,--
Olivia
204A comfortable doctrine, and much may be said of it.
205Where lies your text?
Viola
206In Orsino's bosom.
Olivia
207In his bosom! In what chapter of his bosom?
Viola
208To answer by the method, in the first of his heart.
Olivia
209O, I have read it: it is heresy. Have you no more to say?
Viola
210Good madam, let me see your face.
Olivia
211Have you any commission from your lord to negotiate
212with my face? You are now out of your text: but
213we will draw the curtain and show you the picture.
214Look you, sir, such a one I was this present: is't
215not well done?
[Unveiling]
Viola
216Excellently done, if God did all.
Olivia
217'Tis in grain, sir; 'twill endure wind and weather.
Viola
218'Tis beauty truly blent, whose red and white
219Nature's own sweet and cunning hand laid on:
220Lady, you are the cruell'st she alive,
221If you will lead these graces to the grave
222And leave the world no copy.
Olivia
223O, sir, I will not be so hard-hearted; I will give
224out divers schedules of my beauty: it shall be
225inventoried, and every particle and utensil
226labelled to my will: as, item, two lips,
227indifferent red; item, two grey eyes, with lids to
228them; item, one neck, one chin, and so forth. Were
229you sent hither to praise me?
Viola
230I see you what you are, you are too proud;
231But, if you were the devil, you are fair.
232My lord and master loves you: O, such love
233Could be but recompensed, though you were crown'd
234The nonpareil of beauty!
Olivia
235How does he love me?
Viola
236With adorations, fertile tears,
237With groans that thunder love, with sighs of fire.
Olivia
238Your lord does know my mind; I cannot love him:
239Yet I suppose him virtuous, know him noble,
240Of great estate, of fresh and stainless youth;
241In voices well divulged, free, learn'd and valiant;
242And in dimension and the shape of nature
243A gracious person: but yet I cannot love him;
244He might have took his answer long ago.
Viola
245If I did love you in my master's flame,
246With such a suffering, such a deadly life,
247In your denial I would find no sense;
248I would not understand it.
Olivia
249Why, what would you?
Viola
250Make me a willow cabin at your gate,
251And call upon my soul within the house;
252Write loyal cantons of contemned love
253And sing them loud even in the dead of night;
254Halloo your name to the reverberate hills
255And make the babbling gossip of the air
256Cry out 'Olivia!' O, You should not rest
257Between the elements of air and earth,
258But you should pity me!
Olivia
259You might do much.
260What is your parentage?
Viola
261Above my fortunes, yet my state is well:
262I am a gentleman.
Olivia
263Get you to your lord;
264I cannot love him: let him send no more;
265Unless, perchance, you come to me again,
266To tell me how he takes it. Fare you well:
267I thank you for your pains: spend this for me.
Viola
268I am no fee'd post, lady; keep your purse:
269My master, not myself, lacks recompense.
270Love make his heart of flint that you shall love;
271And let your fervor, like my master's, be
272Placed in contempt! Farewell, fair cruelty.
[Exit]
Olivia
273'What is your parentage?'
274'Above my fortunes, yet my state is well:
275I am a gentleman.' I'll be sworn thou art;
276Thy tongue, thy face, thy limbs, actions and spirit,
277Do give thee five-fold blazon: not too fast:
278soft, soft!
279Unless the master were the man. How now!
280Even so quickly may one catch the plague?
281Methinks I feel this youth's perfections
282With an invisible and subtle stealth
283To creep in at mine eyes. Well, let it be.
284What ho, Malvolio!
[Re-enter Malvolio]
Malvolio
285Here, madam, at your service.
Olivia
286Run after that same peevish messenger,
287The county's man: he left this ring behind him,
288Would I or not: tell him I'll none of it.
289Desire him not to flatter with his lord,
290Nor hold him up with hopes; I am not for him:
291If that the youth will come this way to-morrow,
292I'll give him reasons for't: hie thee, Malvolio.
Malvolio
293Madam, I will.
[Exit]
Olivia
294I do I know not what, and fear to find
295Mine eye too great a flatterer for my mind.
296Fate, show thy force: ourselves we do not owe;
297What is decreed must be, and be this so.
[Exit]
Act II
Back to topScene I. The sea-coast.
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[Enter Antonio and Sebastian]
Antonio
1Will you stay no longer? nor will you not that I go with you?
Sebastian
2By your patience, no. My stars shine darkly over
3me: the malignancy of my fate might perhaps
4distemper yours; therefore I shall crave of you your
5leave that I may bear my evils alone: it were a bad
6recompense for your love, to lay any of them on you.
7ANTONIO: Let me yet know of you whither you are bound.
8No, sooth, sir: my determinate voyage is mere
9extravagancy. But I perceive in you so excellent a
10touch of modesty, that you will not extort from me
11what I am willing to keep in; therefore it charges
12me in manners the rather to express myself. You
13must know of me then, Antonio, my name is Sebastian,
14which I called Roderigo. My father was that
15Sebastian of Messaline, whom I know you have heard
16of. He left behind him myself and a sister, both
17born in an hour: if the heavens had been pleased,
18would we had so ended! but you, sir, altered that;
19for some hour before you took me from the breach of
20the sea was my sister drowned.
Antonio
21Alas the day!
Sebastian
22A lady, sir, though it was said she much resembled
23me, was yet of many accounted beautiful: but,
24though I could not with such estimable wonder
25overfar believe that, yet thus far I will boldly
26publish her; she bore a mind that envy could not but
27call fair. She is drowned already, sir, with salt
28water, though I seem to drown her remembrance again with more.
Antonio
29Pardon me, sir, your bad entertainment.
Sebastian
30O good Antonio, forgive me your trouble.
Antonio
31If you will not murder me for my love, let me be
32your servant.
Sebastian
33If you will not undo what you have done, that is,
34kill him whom you have recovered, desire it not.
35Fare ye well at once: my bosom is full of kindness,
36and I am yet so near the manners of my mother, that
37upon the least occasion more mine eyes will tell
38tales of me. I am bound to the Count Orsino's court: farewell.
[Exit]
Antonio
39The gentleness of all the gods go with thee!
40I have many enemies in Orsino's court,
41Else would I very shortly see thee there.
42But, come what may, I do adore thee so,
43That danger shall seem sport, and I will go.
[Exit]
Scene II. A street.
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[Enter Viola, Malvolio following]
Malvolio
1Were not you even now with the Countess Olivia?
Viola
2Even now, sir; on a moderate pace I have since
3arrived but hither.
Malvolio
4She returns this ring to you, sir: you might have
5saved me my pains, to have taken it away yourself.
6She adds, moreover, that you should put your lord
7into a desperate assurance she will none of him:
8and one thing more, that you be never so hardy to
9come again in his affairs, unless it be to report
10your lord's taking of this. Receive it so.
Viola
11She took the ring of me: I'll none of it.
Malvolio
12Come, sir, you peevishly threw it to her; and her
13will is, it should be so returned: if it be worth
14stooping for, there it lies in your eye; if not, be
15it his that finds it.
[Exit]
Viola
16I left no ring with her: what means this lady?
17Fortune forbid my outside have not charm'd her!
18She made good view of me; indeed, so much,
19That sure methought her eyes had lost her tongue,
20For she did speak in starts distractedly.
21She loves me, sure; the cunning of her passion
22Invites me in this churlish messenger.
23None of my lord's ring! why, he sent her none.
24I am the man: if it be so, as 'tis,
25Poor lady, she were better love a dream.
26Disguise, I see, thou art a wickedness,
27Wherein the pregnant enemy does much.
28How easy is it for the proper-false
29In women's waxen hearts to set their forms!
30Alas, our frailty is the cause, not we!
31For such as we are made of, such we be.
32How will this fadge? my master loves her dearly;
33And I, poor monster, fond as much on him;
34And she, mistaken, seems to dote on me.
35What will become of this? As I am man,
36My state is desperate for my master's love;
37As I am woman,--now alas the day!--
38What thriftless sighs shall poor Olivia breathe!
39O time! thou must untangle this, not I;
40It is too hard a knot for me to untie!
[Exit]
Scene III. Olivia's house.
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[Enter Sir Toby Belch and Sir Andrew]
Sir Toby Belch
1Approach, Sir Andrew: not to be abed after
2midnight is to be up betimes; and 'diluculo
3surgere,' thou know'st,--
Sir Andrew
4Nay, my troth, I know not: but I know, to be up
5late is to be up late.
Sir Toby Belch
6A false conclusion: I hate it as an unfilled can.
7To be up after midnight and to go to bed then, is
8early: so that to go to bed after midnight is to go
9to bed betimes. Does not our life consist of the
10four elements?
Sir Andrew
11Faith, so they say; but I think it rather consists
12of eating and drinking.
Sir Toby Belch
13Thou'rt a scholar; let us therefore eat and drink.
14Marian, I say! a stoup of wine!
[Enter Clown]
Sir Andrew
15Here comes the fool, i' faith.
Clown
16How now, my hearts! did you never see the picture
17of 'we three'?
Sir Toby Belch
18Welcome, ass. Now let's have a catch.
Sir Andrew
19By my troth, the fool has an excellent breast. I
20had rather than forty shillings I had such a leg,
21and so sweet a breath to sing, as the fool has. In
22sooth, thou wast in very gracious fooling last
23night, when thou spokest of Pigrogromitus, of the
24Vapians passing the equinoctial of Queubus: 'twas
25very good, i' faith. I sent thee sixpence for thy
26leman: hadst it?
Clown
27I did impeticos thy gratillity; for Malvolio's nose
28is no whipstock: my lady has a white hand, and the
29Myrmidons are no bottle-ale houses.
Sir Andrew
30Excellent! why, this is the best fooling, when all
31is done. Now, a song.
Sir Toby Belch
32Come on; there is sixpence for you: let's have a song.
Sir Andrew
33There's a testril of me too: if one knight give a--
Clown
34Would you have a love-song, or a song of good life?
Sir Toby Belch
35A love-song, a love-song.
Sir Andrew
36Ay, ay: I care not for good life.
Clown
37[Sings]
38O mistress mine, where are you roaming?
39O, stay and hear; your true love's coming,
40That can sing both high and low:
41Trip no further, pretty sweeting;
42Journeys end in lovers meeting,
43Every wise man's son doth know.
Sir Andrew
44Excellent good, i' faith.
Sir Toby Belch
45Good, good.
Clown
46[Sings]
47What is love? 'tis not hereafter;
48Present mirth hath present laughter;
49What's to come is still unsure:
50In delay there lies no plenty;
51Then come kiss me, sweet and twenty,
52Youth's a stuff will not endure.
Sir Andrew
53A mellifluous voice, as I am true knight.
Sir Toby Belch
54A contagious breath.
Sir Andrew
55Very sweet and contagious, i' faith.
Sir Toby Belch
56To hear by the nose, it is dulcet in contagion.
57But shall we make the welkin dance indeed? shall we
58rouse the night-owl in a catch that will draw three
59souls out of one weaver? shall we do that?
Sir Andrew
60An you love me, let's do't: I am dog at a catch.
Clown
61By'r lady, sir, and some dogs will catch well.
Sir Andrew
62Most certain. Let our catch be, 'Thou knave.'
Clown
63'Hold thy peace, thou knave,' knight? I shall be
64constrained in't to call thee knave, knight.
Sir Andrew
65'Tis not the first time I have constrained one to
66call me knave. Begin, fool: it begins 'Hold thy peace.'
Clown
67I shall never begin if I hold my peace.
Sir Andrew
68Good, i' faith. Come, begin.
[Catch sung]
[Enter Maria]
Maria
69What a caterwauling do you keep here! If my lady
70have not called up her steward Malvolio and bid him
71turn you out of doors, never trust me.
Sir Toby Belch
72My lady's a Cataian, we are politicians, Malvolio's
73a Peg-a-Ramsey, and 'Three merry men be we.' Am not
74I consanguineous? am I not of her blood?
75Tillyvally. Lady!
[Sings]
Sir Toby Belch
76'There dwelt a man in Babylon, lady, lady!'
Clown
77Beshrew me, the knight's in admirable fooling.
Sir Andrew
78Ay, he does well enough if he be disposed, and so do
79I too: he does it with a better grace, but I do it
80more natural.
Sir Toby Belch
81[Sings] 'O, the twelfth day of December,'--
Maria
82For the love o' God, peace!
[Enter Malvolio]
Malvolio
83My masters, are you mad? or what are you? Have ye
84no wit, manners, nor honesty, but to gabble like
85tinkers at this time of night? Do ye make an
86alehouse of my lady's house, that ye squeak out your
87coziers' catches without any mitigation or remorse
88of voice? Is there no respect of place, persons, nor
89time in you?
Sir Toby Belch
90We did keep time, sir, in our catches. Sneck up!
Malvolio
91Sir Toby, I must be round with you. My lady bade me
92tell you, that, though she harbours you as her
93kinsman, she's nothing allied to your disorders. If
94you can separate yourself and your misdemeanors, you
95are welcome to the house; if not, an it would please
96you to take leave of her, she is very willing to bid
97you farewell.
Sir Toby Belch
98'Farewell, dear heart, since I must needs be gone.'
Maria
99Nay, good Sir Toby.
Clown
100'His eyes do show his days are almost done.'
Malvolio
101Is't even so?
Sir Toby Belch
102'But I will never die.'
Clown
103Sir Toby, there you lie.
Malvolio
104This is much credit to you.
Sir Toby Belch
105'Shall I bid him go?'
Clown
106'What an if you do?'
Sir Toby Belch
107'Shall I bid him go, and spare not?'
Clown
108'O no, no, no, no, you dare not.'
Sir Toby Belch
109Out o' tune, sir: ye lie. Art any more than a
110steward? Dost thou think, because thou art
111virtuous, there shall be no more cakes and ale?
Clown
112Yes, by Saint Anne, and ginger shall be hot i' the
113mouth too.
Sir Toby Belch
114Thou'rt i' the right. Go, sir, rub your chain with
115crumbs. A stoup of wine, Maria!
Malvolio
116Mistress Mary, if you prized my lady's favour at any
117thing more than contempt, you would not give means
118for this uncivil rule: she shall know of it, by this hand.
[Exit]
Maria
119Go shake your ears.
Sir Andrew
120'Twere as good a deed as to drink when a man's
121a-hungry, to challenge him the field, and then to
122break promise with him and make a fool of him.
Sir Toby Belch
123Do't, knight: I'll write thee a challenge: or I'll
124deliver thy indignation to him by word of mouth.
Maria
125Sweet Sir Toby, be patient for tonight: since the
126youth of the count's was today with thy lady, she is
127much out of quiet. For Monsieur Malvolio, let me
128alone with him: if I do not gull him into a
129nayword, and make him a common recreation, do not
130think I have wit enough to lie straight in my bed:
131I know I can do it.
Sir Toby Belch
132Possess us, possess us; tell us something of him.
Maria
133Marry, sir, sometimes he is a kind of puritan.
Sir Andrew
134O, if I thought that I'ld beat him like a dog!
Sir Toby Belch
135What, for being a puritan? thy exquisite reason,
136dear knight?
Sir Andrew
137I have no exquisite reason for't, but I have reason
138good enough.
Maria
139The devil a puritan that he is, or any thing
140constantly, but a time-pleaser; an affectioned ass,
141that cons state without book and utters it by great
142swarths: the best persuaded of himself, so
143crammed, as he thinks, with excellencies, that it is
144his grounds of faith that all that look on him love
145him; and on that vice in him will my revenge find
146notable cause to work.
Sir Toby Belch
147What wilt thou do?
Maria
148I will drop in his way some obscure epistles of
149love; wherein, by the colour of his beard, the shape
150of his leg, the manner of his gait, the expressure
151of his eye, forehead, and complexion, he shall find
152himself most feelingly personated. I can write very
153like my lady your niece: on a forgotten matter we
154can hardly make distinction of our hands.
Sir Toby Belch
155Excellent! I smell a device.
Sir Andrew
156I have't in my nose too.
Sir Toby Belch
157He shall think, by the letters that thou wilt drop,
158that they come from my niece, and that she's in
159love with him.
Maria
160My purpose is, indeed, a horse of that colour.
Sir Andrew
161And your horse now would make him an ass.
Maria
162Ass, I doubt not.
Sir Andrew
163O, 'twill be admirable!
Maria
164Sport royal, I warrant you: I know my physic will
165work with him. I will plant you two, and let the
166fool make a third, where he shall find the letter:
167observe his construction of it. For this night, to
168bed, and dream on the event. Farewell.
[Exit]
Sir Toby Belch
169Good night, Penthesilea.
Sir Andrew
170Before me, she's a good wench.
Sir Toby Belch
171She's a beagle, true-bred, and one that adores me:
172what o' that?
Sir Andrew
173I was adored once too.
Sir Toby Belch
174Let's to bed, knight. Thou hadst need send for
175more money.
Sir Andrew
176If I cannot recover your niece, I am a foul way out.
Sir Toby Belch
177Send for money, knight: if thou hast her not i'
178the end, call me cut.
Sir Andrew
179If I do not, never trust me, take it how you will.
Sir Toby Belch
180Come, come, I'll go burn some sack; 'tis too late
181to go to bed now: come, knight; come, knight.
[Exeunt]
Scene IV. Duke Orsino's palace.
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[Enter Duke Orsino, Viola, Curio, and others]
Duke Orsino
1Give me some music. Now, good morrow, friends.
2Now, good Cesario, but that piece of song,
3That old and antique song we heard last night:
4Methought it did relieve my passion much,
5More than light airs and recollected terms
6Of these most brisk and giddy-paced times:
7Come, but one verse.
Curio
8He is not here, so please your lordship that should sing it.
Duke Orsino
9Who was it?
Curio
10Feste, the jester, my lord; a fool that the lady
11Olivia's father took much delight in. He is about the house.
Duke Orsino
12Seek him out, and play the tune the while.
[Exit Curio. Music plays]
Duke Orsino
13Come hither, boy: if ever thou shalt love,
14In the sweet pangs of it remember me;
15For such as I am all true lovers are,
16Unstaid and skittish in all motions else,
17Save in the constant image of the creature
18That is beloved. How dost thou like this tune?
Viola
19It gives a very echo to the seat
20Where Love is throned.
Duke Orsino
21Thou dost speak masterly:
22My life upon't, young though thou art, thine eye
23Hath stay'd upon some favour that it loves:
24Hath it not, boy?
Viola
25A little, by your favour.
Duke Orsino
26What kind of woman is't?
Viola
27Of your complexion.
Duke Orsino
28She is not worth thee, then. What years, i' faith?
Viola
29About your years, my lord.
Duke Orsino
30Too old by heaven: let still the woman take
31An elder than herself: so wears she to him,
32So sways she level in her husband's heart:
33For, boy, however we do praise ourselves,
34Our fancies are more giddy and unfirm,
35More longing, wavering, sooner lost and worn,
36Than women's are.
Viola
37I think it well, my lord.
Duke Orsino
38Then let thy love be younger than thyself,
39Or thy affection cannot hold the bent;
40For women are as roses, whose fair flower
41Being once display'd, doth fall that very hour.
Viola
42And so they are: alas, that they are so;
43To die, even when they to perfection grow!
[Re-enter Curio and Clown]
Duke Orsino
44O, fellow, come, the song we had last night.
45Mark it, Cesario, it is old and plain;
46The spinsters and the knitters in the sun
47And the free maids that weave their thread with bones
48Do use to chant it: it is silly sooth,
49And dallies with the innocence of love,
50Like the old age.
Clown
51Are you ready, sir?
Duke Orsino
52Ay; prithee, sing.
[Music]
Duke Orsino
53SONG.
Clown
54Come away, come away, death,
55And in sad cypress let me be laid;
56Fly away, fly away breath;
57I am slain by a fair cruel maid.
58My shroud of white, stuck all with yew,
59O, prepare it!
60My part of death, no one so true
61Did share it.
62Not a flower, not a flower sweet
63On my black coffin let there be strown;
64Not a friend, not a friend greet
65My poor corpse, where my bones shall be thrown:
66A thousand thousand sighs to save,
67Lay me, O, where
68Sad true lover never find my grave,
69To weep there!
Duke Orsino
70There's for thy pains.
Clown
71No pains, sir: I take pleasure in singing, sir.
Duke Orsino
72I'll pay thy pleasure then.
Clown
73Truly, sir, and pleasure will be paid, one time or another.
Duke Orsino
74Give me now leave to leave thee.
Clown
75Now, the melancholy god protect thee; and the
76tailor make thy doublet of changeable taffeta, for
77thy mind is a very opal. I would have men of such
78constancy put to sea, that their business might be
79every thing and their intent every where; for that's
80it that always makes a good voyage of nothing. Farewell.
[Exit]
Duke Orsino
81Let all the rest give place.
[Curio and Attendants retire]
Duke Orsino
82Once more, Cesario,
83Get thee to yond same sovereign cruelty:
84Tell her, my love, more noble than the world,
85Prizes not quantity of dirty lands;
86The parts that fortune hath bestow'd upon her,
87Tell her, I hold as giddily as fortune;
88But 'tis that miracle and queen of gems
89That nature pranks her in attracts my soul.
Viola
90But if she cannot love you, sir?
Duke Orsino
91I cannot be so answer'd.
Viola
92Sooth, but you must.
93Say that some lady, as perhaps there is,
94Hath for your love a great a pang of heart
95As you have for Olivia: you cannot love her;
96You tell her so; must she not then be answer'd?
Duke Orsino
97There is no woman's sides
98Can bide the beating of so strong a passion
99As love doth give my heart; no woman's heart
100So big, to hold so much; they lack retention
101Alas, their love may be call'd appetite,
102No motion of the liver, but the palate,
103That suffer surfeit, cloyment and revolt;
104But mine is all as hungry as the sea,
105And can digest as much: make no compare
106Between that love a woman can bear me
107And that I owe Olivia.
Viola
108Ay, but I know--
Duke Orsino
109What dost thou know?
Viola
110Too well what love women to men may owe:
111In faith, they are as true of heart as we.
112My father had a daughter loved a man,
113As it might be, perhaps, were I a woman,
114I should your lordship.
Duke Orsino
115And what's her history?
Viola
116A blank, my lord. She never told her love,
117But let concealment, like a worm i' the bud,
118Feed on her damask cheek: she pined in thought,
119And with a green and yellow melancholy
120She sat like patience on a monument,
121Smiling at grief. Was not this love indeed?
122We men may say more, swear more: but indeed
123Our shows are more than will; for still we prove
124Much in our vows, but little in our love.
Duke Orsino
125But died thy sister of her love, my boy?
Viola
126I am all the daughters of my father's house,
127And all the brothers too: and yet I know not.
128Sir, shall I to this lady?
Duke Orsino
129Ay, that's the theme.
130To her in haste; give her this jewel; say,
131My love can give no place, bide no denay.
[Exeunt]
Scene V. Olivia's garden.
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[Enter Sir Toby Belch, Sir Andrew, and Fabian]
Sir Toby Belch
1Come thy ways, Signior Fabian.
Fabian
2Nay, I'll come: if I lose a scruple of this sport,
3let me be boiled to death with melancholy.
Sir Toby Belch
4Wouldst thou not be glad to have the niggardly
5rascally sheep-biter come by some notable shame?
Fabian
6I would exult, man: you know, he brought me out o'
7favour with my lady about a bear-baiting here.
Sir Toby Belch
8To anger him we'll have the bear again; and we will
9fool him black and blue: shall we not, Sir Andrew?
Sir Andrew
10An we do not, it is pity of our lives.
Sir Toby Belch
11Here comes the little villain.
[Enter Maria]
Sir Toby Belch
12How now, my metal of India!
Maria
13Get ye all three into the box-tree: Malvolio's
14coming down this walk: he has been yonder i' the
15sun practising behavior to his own shadow this half
16hour: observe him, for the love of mockery; for I
17know this letter will make a contemplative idiot of
18him. Close, in the name of jesting! Lie thou there,
[Throws down a letter]
Maria
19for here comes the trout that must be caught with tickling.
[Exit]
[Enter Malvolio]
Malvolio
20'Tis but fortune; all is fortune. Maria once told
21me she did affect me: and I have heard herself come
22thus near, that, should she fancy, it should be one
23of my complexion. Besides, she uses me with a more
24exalted respect than any one else that follows her.
25What should I think on't?
Sir Toby Belch
26Here's an overweening rogue!
Fabian
27O, peace! Contemplation makes a rare turkey-cock
28of him: how he jets under his advanced plumes!
Sir Andrew
29'Slight, I could so beat the rogue!
Sir Toby Belch
30Peace, I say.
Malvolio
31To be Count Malvolio!
Sir Toby Belch
32Ah, rogue!
Sir Andrew
33Pistol him, pistol him.
Sir Toby Belch
34Peace, peace!
Malvolio
35There is example for't; the lady of the Strachy
36married the yeoman of the wardrobe.
Sir Andrew
37Fie on him, Jezebel!
Fabian
38O, peace! now he's deeply in: look how
39imagination blows him.
Malvolio
40Having been three months married to her, sitting in
41my state,--
Sir Toby Belch
42O, for a stone-bow, to hit him in the eye!
Malvolio
43Calling my officers about me, in my branched velvet
44gown; having come from a day-bed, where I have left
45Olivia sleeping,--
Sir Toby Belch
46Fire and brimstone!
Fabian
47O, peace, peace!
Malvolio
48And then to have the humour of state; and after a
49demure travel of regard, telling them I know my
50place as I would they should do theirs, to for my
51kinsman Toby,--
Sir Toby Belch
52Bolts and shackles!
Fabian
53O peace, peace, peace! now, now.
Malvolio
54Seven of my people, with an obedient start, make
55out for him: I frown the while; and perchance wind
56up watch, or play with my--some rich jewel. Toby
57approaches; courtesies there to me,--
Sir Toby Belch
58Shall this fellow live?
Fabian
59Though our silence be drawn from us with cars, yet peace.
Malvolio
60I extend my hand to him thus, quenching my familiar
61smile with an austere regard of control,--
Sir Toby Belch
62And does not Toby take you a blow o' the lips then?
Malvolio
63Saying, 'Cousin Toby, my fortunes having cast me on
64your niece give me this prerogative of speech,'--
Sir Toby Belch
65What, what?
Malvolio
66'You must amend your drunkenness.'
Sir Toby Belch
67Out, scab!
Fabian
68Nay, patience, or we break the sinews of our plot.
Malvolio
69'Besides, you waste the treasure of your time with
70a foolish knight,'--
Sir Andrew
71That's me, I warrant you.
Malvolio
72'One Sir Andrew,'--
Sir Andrew
73I knew 'twas I; for many do call me fool.
Malvolio
74What employment have we here?
[Taking up the letter]
Fabian
75Now is the woodcock near the gin.
Sir Toby Belch
76O, peace! and the spirit of humour intimate reading
77aloud to him!
Malvolio
78By my life, this is my lady's hand these be her
79very C's, her U's and her T's and thus makes she her
80great P's. It is, in contempt of question, her hand.
Sir Andrew
81Her C's, her U's and her T's: why that?
Malvolio
82[Reads] 'To the unknown beloved, this, and my good
83wishes:'--her very phrases! By your leave, wax.
84Soft! and the impressure her Lucrece, with which she
85uses to seal: 'tis my lady. To whom should this be?
Fabian
86This wins him, liver and all.
Malvolio
87[Reads]
88Jove knows I love: But who?
89Lips, do not move;
90No man must know.
91'No man must know.' What follows? the numbers
92altered! 'No man must know:' if this should be
93thee, Malvolio?
Sir Toby Belch
94Marry, hang thee, brock!
Malvolio
95[Reads]
96I may command where I adore;
97But silence, like a Lucrece knife,
98With bloodless stroke my heart doth gore:
99M, O, A, I, doth sway my life.
Fabian
100A fustian riddle!
Sir Toby Belch
101Excellent wench, say I.
Malvolio
102'M, O, A, I, doth sway my life.' Nay, but first, let
103me see, let me see, let me see.
Fabian
104What dish o' poison has she dressed him!
Sir Toby Belch
105And with what wing the staniel cheques at it!
Malvolio
106'I may command where I adore.' Why, she may command
107me: I serve her; she is my lady. Why, this is
108evident to any formal capacity; there is no
109obstruction in this: and the end,--what should
110that alphabetical position portend? If I could make
111that resemble something in me,--Softly! M, O, A,
112I,--
Sir Toby Belch
113O, ay, make up that: he is now at a cold scent.
Fabian
114Sowter will cry upon't for all this, though it be as
115rank as a fox.
Malvolio
116M,--Malvolio; M,--why, that begins my name.
Fabian
117Did not I say he would work it out? the cur is
118excellent at faults.
Malvolio
119M,--but then there is no consonancy in the sequel;
120that suffers under probation A should follow but O does.
Fabian
121And O shall end, I hope.
Sir Toby Belch
122Ay, or I'll cudgel him, and make him cry O!
Malvolio
123And then I comes behind.
Fabian
124Ay, an you had any eye behind you, you might see
125more detraction at your heels than fortunes before
126you.
Malvolio
127M, O, A, I; this simulation is not as the former: and
128yet, to crush this a little, it would bow to me, for
129every one of these letters are in my name. Soft!
130here follows prose.
[Reads]
Malvolio
131'If this fall into thy hand, revolve. In my stars I
132am above thee; but be not afraid of greatness: some
133are born great, some achieve greatness, and some
134have greatness thrust upon 'em. Thy Fates open
135their hands; let thy blood and spirit embrace them;
136and, to inure thyself to what thou art like to be,
137cast thy humble slough and appear fresh. Be
138opposite with a kinsman, surly with servants; let
139thy tongue tang arguments of state; put thyself into
140the trick of singularity: she thus advises thee
141that sighs for thee. Remember who commended thy
142yellow stockings, and wished to see thee ever
143cross-gartered: I say, remember. Go to, thou art
144made, if thou desirest to be so; if not, let me see
145thee a steward still, the fellow of servants, and
146not worthy to touch Fortune's fingers. Farewell.
147She that would alter services with thee,
148THE FORTUNATE-UNHAPPY.'
149Daylight and champaign discovers not more: this is
150open. I will be proud, I will read politic authors,
151I will baffle Sir Toby, I will wash off gross
152acquaintance, I will be point-devise the very man.
153I do not now fool myself, to let imagination jade
154me; for every reason excites to this, that my lady
155loves me. She did commend my yellow stockings of
156late, she did praise my leg being cross-gartered;
157and in this she manifests herself to my love, and
158with a kind of injunction drives me to these habits
159of her liking. I thank my stars I am happy. I will
160be strange, stout, in yellow stockings, and
161cross-gartered, even with the swiftness of putting
162on. Jove and my stars be praised! Here is yet a
163postscript.
[Reads]
Malvolio
164'Thou canst not choose but know who I am. If thou
165entertainest my love, let it appear in thy smiling;
166thy smiles become thee well; therefore in my
167presence still smile, dear my sweet, I prithee.'
168Jove, I thank thee: I will smile; I will do
169everything that thou wilt have me.
[Exit]
Fabian
170I will not give my part of this sport for a pension
171of thousands to be paid from the Sophy.
Sir Toby Belch
172I could marry this wench for this device.
Sir Andrew
173So could I too.
Sir Toby Belch
174And ask no other dowry with her but such another jest.
Sir Andrew
175Nor I neither.
Fabian
176Here comes my noble gull-catcher.
[Re-enter Maria]
Sir Toby Belch
177Wilt thou set thy foot o' my neck?
Sir Andrew
178Or o' mine either?
Sir Toby Belch
179Shall I play my freedom at traytrip, and become thy
180bond-slave?
Sir Andrew
181I' faith, or I either?
Sir Toby Belch
182Why, thou hast put him in such a dream, that when
183the image of it leaves him he must run mad.
Maria
184Nay, but say true; does it work upon him?
Sir Toby Belch
185Like aqua-vitae with a midwife.
Maria
186If you will then see the fruits of the sport, mark
187his first approach before my lady: he will come to
188her in yellow stockings, and 'tis a colour she
189abhors, and cross-gartered, a fashion she detests;
190and he will smile upon her, which will now be so
191unsuitable to her disposition, being addicted to a
192melancholy as she is, that it cannot but turn him
193into a notable contempt. If you will see it, follow
194me.
Sir Toby Belch
195To the gates of Tartar, thou most excellent devil of wit!
Sir Andrew
196I'll make one too.
[Exeunt]
Act III
Back to topScene I. Olivia's garden.
Want highlights, notes, and AI? Switch this scene to Reader + Notes.
[Enter Viola, and Clown with a tabour]
Viola
1Save thee, friend, and thy music: dost thou live by
2thy tabour?
Clown
3No, sir, I live by the church.
Viola
4Art thou a churchman?
Clown
5No such matter, sir: I do live by the church; for
6I do live at my house, and my house doth stand by
7the church.
Viola
8So thou mayst say, the king lies by a beggar, if a
9beggar dwell near him; or, the church stands by thy
10tabour, if thy tabour stand by the church.
Clown
11You have said, sir. To see this age! A sentence is
12but a cheveril glove to a good wit: how quickly the
13wrong side may be turned outward!
Viola
14Nay, that's certain; they that dally nicely with
15words may quickly make them wanton.
Clown
16I would, therefore, my sister had had no name, sir.
Viola
17Why, man?
Clown
18Why, sir, her name's a word; and to dally with that
19word might make my sister wanton. But indeed words
20are very rascals since bonds disgraced them.
Viola
21Thy reason, man?
Clown
22Troth, sir, I can yield you none without words; and
23words are grown so false, I am loath to prove
24reason with them.
Viola
25I warrant thou art a merry fellow and carest for nothing.
Clown
26Not so, sir, I do care for something; but in my
27conscience, sir, I do not care for you: if that be
28to care for nothing, sir, I would it would make you invisible.
Viola
29Art not thou the Lady Olivia's fool?
Clown
30No, indeed, sir; the Lady Olivia has no folly: she
31will keep no fool, sir, till she be married; and
32fools are as like husbands as pilchards are to
33herrings; the husband's the bigger: I am indeed not
34her fool, but her corrupter of words.
Viola
35I saw thee late at the Count Orsino's.
Clown
36Foolery, sir, does walk about the orb like the sun,
37it shines every where. I would be sorry, sir, but
38the fool should be as oft with your master as with
39my mistress: I think I saw your wisdom there.
Viola
40Nay, an thou pass upon me, I'll no more with thee.
41Hold, there's expenses for thee.
Clown
42Now Jove, in his next commodity of hair, send thee a beard!
Viola
43By my troth, I'll tell thee, I am almost sick for
44one;
[Aside]
Viola
45though I would not have it grow on my chin. Is thy
46lady within?
Clown
47Would not a pair of these have bred, sir?
Viola
48Yes, being kept together and put to use.
Clown
49I would play Lord Pandarus of Phrygia, sir, to bring
50a Cressida to this Troilus.
Viola
51I understand you, sir; 'tis well begged.
Clown
52The matter, I hope, is not great, sir, begging but
53a beggar: Cressida was a beggar. My lady is
54within, sir. I will construe to them whence you
55come; who you are and what you would are out of my
56welkin, I might say 'element,' but the word is over-worn.
[Exit]
Viola
57This fellow is wise enough to play the fool;
58And to do that well craves a kind of wit:
59He must observe their mood on whom he jests,
60The quality of persons, and the time,
61And, like the haggard, cheque at every feather
62That comes before his eye. This is a practise
63As full of labour as a wise man's art
64For folly that he wisely shows is fit;
65But wise men, folly-fall'n, quite taint their wit.
[Enter Sir Toby Belch, and Sir Andrew]
Sir Toby Belch
66Save you, gentleman.
Viola
67And you, sir.
Sir Andrew
68Dieu vous garde, monsieur.
Viola
69Et vous aussi; votre serviteur.
Sir Andrew
70I hope, sir, you are; and I am yours.
Sir Toby Belch
71Will you encounter the house? my niece is desirous
72you should enter, if your trade be to her.
Viola
73I am bound to your niece, sir; I mean, she is the
74list of my voyage.
Sir Toby Belch
75Taste your legs, sir; put them to motion.
Viola
76My legs do better understand me, sir, than I
77understand what you mean by bidding me taste my legs.
Sir Toby Belch
78I mean, to go, sir, to enter.
Viola
79I will answer you with gait and entrance. But we
80are prevented.
[Enter Olivia and Maria]
Viola
81Most excellent accomplished lady, the heavens rain
82odours on you!
Sir Andrew
83That youth's a rare courtier: 'Rain odours;' well.
Viola
84My matter hath no voice, to your own most pregnant
85and vouchsafed ear.
Sir Andrew
86'Odours,' 'pregnant' and 'vouchsafed:' I'll get 'em
87all three all ready.
Olivia
88Let the garden door be shut, and leave me to my hearing.
[Exeunt Sir Toby Belch, Sir Andrew, and Maria]
Olivia
89Give me your hand, sir.
Viola
90My duty, madam, and most humble service.
Olivia
91What is your name?
Viola
92Cesario is your servant's name, fair princess.
Olivia
93My servant, sir! 'Twas never merry world
94Since lowly feigning was call'd compliment:
95You're servant to the Count Orsino, youth.
Viola
96And he is yours, and his must needs be yours:
97Your servant's servant is your servant, madam.
Olivia
98For him, I think not on him: for his thoughts,
99Would they were blanks, rather than fill'd with me!
Viola
100Madam, I come to whet your gentle thoughts
101On his behalf.
Olivia
102O, by your leave, I pray you,
103I bade you never speak again of him:
104But, would you undertake another suit,
105I had rather hear you to solicit that
106Than music from the spheres.
Viola
107Dear lady,--
Olivia
108Give me leave, beseech you. I did send,
109After the last enchantment you did here,
110A ring in chase of you: so did I abuse
111Myself, my servant and, I fear me, you:
112Under your hard construction must I sit,
113To force that on you, in a shameful cunning,
114Which you knew none of yours: what might you think?
115Have you not set mine honour at the stake
116And baited it with all the unmuzzled thoughts
117That tyrannous heart can think? To one of your receiving
118Enough is shown: a cypress, not a bosom,
119Hideth my heart. So, let me hear you speak.
Viola
120I pity you.
Olivia
121That's a degree to love.
Viola
122No, not a grize; for 'tis a vulgar proof,
123That very oft we pity enemies.
Olivia
124Why, then, methinks 'tis time to smile again.
125O, world, how apt the poor are to be proud!
126If one should be a prey, how much the better
127To fall before the lion than the wolf!
[Clock strikes]
Olivia
128The clock upbraids me with the waste of time.
129Be not afraid, good youth, I will not have you:
130And yet, when wit and youth is come to harvest,
131Your were is alike to reap a proper man:
132There lies your way, due west.
Viola
133Then westward-ho! Grace and good disposition
134Attend your ladyship!
135You'll nothing, madam, to my lord by me?
Olivia
136Stay:
137I prithee, tell me what thou thinkest of me.
Viola
138That you do think you are not what you are.
Olivia
139If I think so, I think the same of you.
Viola
140Then think you right: I am not what I am.
Olivia
141I would you were as I would have you be!
Viola
142Would it be better, madam, than I am?
143I wish it might, for now I am your fool.
Olivia
144O, what a deal of scorn looks beautiful
145In the contempt and anger of his lip!
146A murderous guilt shows not itself more soon
147Than love that would seem hid: love's night is noon.
148Cesario, by the roses of the spring,
149By maidhood, honour, truth and every thing,
150I love thee so, that, maugre all thy pride,
151Nor wit nor reason can my passion hide.
152Do not extort thy reasons from this clause,
153For that I woo, thou therefore hast no cause,
154But rather reason thus with reason fetter,
155Love sought is good, but given unsought better.
Viola
156By innocence I swear, and by my youth
157I have one heart, one bosom and one truth,
158And that no woman has; nor never none
159Shall mistress be of it, save I alone.
160And so adieu, good madam: never more
161Will I my master's tears to you deplore.
Olivia
162Yet come again; for thou perhaps mayst move
163That heart, which now abhors, to like his love.
[Exeunt]
Scene II. Olivia's house.
Want highlights, notes, and AI? Switch this scene to Reader + Notes.
[Enter Sir Toby Belch, Sir Andrew, and Fabian]
Sir Andrew
1No, faith, I'll not stay a jot longer.
Sir Toby Belch
2Thy reason, dear venom, give thy reason.
Fabian
3You must needs yield your reason, Sir Andrew.
Sir Andrew
4Marry, I saw your niece do more favours to the
5count's serving-man than ever she bestowed upon me;
6I saw't i' the orchard.
Sir Toby Belch
7Did she see thee the while, old boy? tell me that.
Sir Andrew
8As plain as I see you now.
Fabian
9This was a great argument of love in her toward you.
Sir Andrew
10'Slight, will you make an ass o' me?
Fabian
11I will prove it legitimate, sir, upon the oaths of
12judgment and reason.
Sir Toby Belch
13And they have been grand-jury-men since before Noah
14was a sailor.
Fabian
15She did show favour to the youth in your sight only
16to exasperate you, to awake your dormouse valour, to
17put fire in your heart and brimstone in your liver.
18You should then have accosted her; and with some
19excellent jests, fire-new from the mint, you should
20have banged the youth into dumbness. This was
21looked for at your hand, and this was balked: the
22double gilt of this opportunity you let time wash
23off, and you are now sailed into the north of my
24lady's opinion; where you will hang like an icicle
25on a Dutchman's beard, unless you do redeem it by
26some laudable attempt either of valour or policy.
Sir Andrew
27An't be any way, it must be with valour; for policy
28I hate: I had as lief be a Brownist as a
29politician.
Sir Toby Belch
30Why, then, build me thy fortunes upon the basis of
31valour. Challenge me the count's youth to fight
32with him; hurt him in eleven places: my niece shall
33take note of it; and assure thyself, there is no
34love-broker in the world can more prevail in man's
35commendation with woman than report of valour.
Fabian
36There is no way but this, Sir Andrew.
Sir Andrew
37Will either of you bear me a challenge to him?
Sir Toby Belch
38Go, write it in a martial hand; be curst and brief;
39it is no matter how witty, so it be eloquent and fun
40of invention: taunt him with the licence of ink:
41if thou thou'st him some thrice, it shall not be
42amiss; and as many lies as will lie in thy sheet of
43paper, although the sheet were big enough for the
44bed of Ware in England, set 'em down: go, about it.
45Let there be gall enough in thy ink, though thou
46write with a goose-pen, no matter: about it.
Sir Andrew
47Where shall I find you?
Sir Toby Belch
48We'll call thee at the cubiculo: go.
[Exit Sir Andrew]
Fabian
49This is a dear manikin to you, Sir Toby.
Sir Toby Belch
50I have been dear to him, lad, some two thousand
51strong, or so.
Fabian
52We shall have a rare letter from him: but you'll
53not deliver't?
Sir Toby Belch
54Never trust me, then; and by all means stir on the
55youth to an answer. I think oxen and wainropes
56cannot hale them together. For Andrew, if he were
57opened, and you find so much blood in his liver as
58will clog the foot of a flea, I'll eat the rest of
59the anatomy.
Fabian
60And his opposite, the youth, bears in his visage no
61great presage of cruelty.
[Enter Maria]
Sir Toby Belch
62Look, where the youngest wren of nine comes.
Maria
63If you desire the spleen, and will laugh yourself
64into stitches, follow me. Yond gull Malvolio is
65turned heathen, a very renegado; for there is no
66Christian, that means to be saved by believing
67rightly, can ever believe such impossible passages
68of grossness. He's in yellow stockings.
Sir Toby Belch
69And cross-gartered?
Maria
70Most villanously; like a pedant that keeps a school
71i' the church. I have dogged him, like his
72murderer. He does obey every point of the letter
73that I dropped to betray him: he does smile his
74face into more lines than is in the new map with the
75augmentation of the Indies: you have not seen such
76a thing as 'tis. I can hardly forbear hurling things
77at him. I know my lady will strike him: if she do,
78he'll smile and take't for a great favour.
Sir Toby Belch
79Come, bring us, bring us where he is.
[Exeunt]
Scene III. A street.
Want highlights, notes, and AI? Switch this scene to Reader + Notes.
[Enter Sebastian and Antonio]
Sebastian
1I would not by my will have troubled you;
2But, since you make your pleasure of your pains,
3I will no further chide you.
Antonio
4I could not stay behind you: my desire,
5More sharp than filed steel, did spur me forth;
6And not all love to see you, though so much
7As might have drawn one to a longer voyage,
8But jealousy what might befall your travel,
9Being skilless in these parts; which to a stranger,
10Unguided and unfriended, often prove
11Rough and unhospitable: my willing love,
12The rather by these arguments of fear,
13Set forth in your pursuit.
Sebastian
14My kind Antonio,
15I can no other answer make but thanks,
16And thanks; and ever [ ] oft good turns
17Are shuffled off with such uncurrent pay:
18But, were my worth as is my conscience firm,
19You should find better dealing. What's to do?
20Shall we go see the reliques of this town?
Antonio
21To-morrow, sir: best first go see your lodging.
Sebastian
22I am not weary, and 'tis long to night:
23I pray you, let us satisfy our eyes
24With the memorials and the things of fame
25That do renown this city.
Antonio
26Would you'ld pardon me;
27I do not without danger walk these streets:
28Once, in a sea-fight, 'gainst the count his galleys
29I did some service; of such note indeed,
30That were I ta'en here it would scarce be answer'd.
Sebastian
31Belike you slew great number of his people.
Antonio
32The offence is not of such a bloody nature;
33Albeit the quality of the time and quarrel
34Might well have given us bloody argument.
35It might have since been answer'd in repaying
36What we took from them; which, for traffic's sake,
37Most of our city did: only myself stood out;
38For which, if I be lapsed in this place,
39I shall pay dear.
Sebastian
40Do not then walk too open.
Antonio
41It doth not fit me. Hold, sir, here's my purse.
42In the south suburbs, at the Elephant,
43Is best to lodge: I will bespeak our diet,
44Whiles you beguile the time and feed your knowledge
45With viewing of the town: there shall you have me.
Sebastian
46Why I your purse?
Antonio
47Haply your eye shall light upon some toy
48You have desire to purchase; and your store,
49I think, is not for idle markets, sir.
Sebastian
50I'll be your purse-bearer and leave you
51For an hour.
Antonio
52To the Elephant.
Sebastian
53I do remember.
[Exeunt]
Scene IV. Olivia's garden.
Want highlights, notes, and AI? Switch this scene to Reader + Notes.
[Enter Olivia and Maria]
Olivia
1I have sent after him: he says he'll come;
2How shall I feast him? what bestow of him?
3For youth is bought more oft than begg'd or borrow'd.
4I speak too loud.
5Where is Malvolio? he is sad and civil,
6And suits well for a servant with my fortunes:
7Where is Malvolio?
Maria
8He's coming, madam; but in very strange manner. He
9is, sure, possessed, madam.
Olivia
10Why, what's the matter? does he rave?
Maria
11No. madam, he does nothing but smile: your
12ladyship were best to have some guard about you, if
13he come; for, sure, the man is tainted in's wits.
Olivia
14Go call him hither.
[Exit Maria]
Olivia
15I am as mad as he,
16If sad and merry madness equal be.
[Re-enter Maria, with Malvolio]
Olivia
17How now, Malvolio!
Malvolio
18Sweet lady, ho, ho.
Olivia
19Smilest thou?
20I sent for thee upon a sad occasion.
Malvolio
21Sad, lady! I could be sad: this does make some
22obstruction in the blood, this cross-gartering; but
23what of that? if it please the eye of one, it is
24with me as the very true sonnet is, 'Please one, and
25please all.'
Olivia
26Why, how dost thou, man? what is the matter with thee?
Malvolio
27Not black in my mind, though yellow in my legs. It
28did come to his hands, and commands shall be
29executed: I think we do know the sweet Roman hand.
Olivia
30Wilt thou go to bed, Malvolio?
Malvolio
31To bed! ay, sweet-heart, and I'll come to thee.
Olivia
32God comfort thee! Why dost thou smile so and kiss
33thy hand so oft?
Maria
34How do you, Malvolio?
Malvolio
35At your request! yes; nightingales answer daws.
Maria
36Why appear you with this ridiculous boldness before my lady?
Malvolio
37'Be not afraid of greatness:' 'twas well writ.
Olivia
38What meanest thou by that, Malvolio?
Malvolio
39'Some are born great,'--
Olivia
40Ha!
Malvolio
41'Some achieve greatness,'--
Olivia
42What sayest thou?
Malvolio
43'And some have greatness thrust upon them.'
Olivia
44Heaven restore thee!
Malvolio
45'Remember who commended thy yellow stocking s,'--
Olivia
46Thy yellow stockings!
Malvolio
47'And wished to see thee cross-gartered.'
Olivia
48Cross-gartered!
Malvolio
49'Go to thou art made, if thou desirest to be so;'--
Olivia
50Am I made?
Malvolio
51'If not, let me see thee a servant still.'
Olivia
52Why, this is very midsummer madness.
[Enter Servant]
Servant
53Madam, the young gentleman of the Count Orsino's is
54returned: I could hardly entreat him back: he
55attends your ladyship's pleasure.
Olivia
56I'll come to him.
[Exit Servant]
Olivia
57Good Maria, let this fellow be looked to. Where's
58my cousin Toby? Let some of my people have a special
59care of him: I would not have him miscarry for the
60half of my dowry.
[Exeunt Olivia and Maria]
Malvolio
61O, ho! do you come near me now? no worse man than
62Sir Toby to look to me! This concurs directly with
63the letter: she sends him on purpose, that I may
64appear stubborn to him; for she incites me to that
65in the letter. 'Cast thy humble slough,' says she;
66'be opposite with a kinsman, surly with servants;
67let thy tongue tang with arguments of state; put
68thyself into the trick of singularity;' and
69consequently sets down the manner how; as, a sad
70face, a reverend carriage, a slow tongue, in the
71habit of some sir of note, and so forth. I have
72limed her; but it is Jove's doing, and Jove make me
73thankful! And when she went away now, 'Let this
74fellow be looked to:' fellow! not Malvolio, nor
75after my degree, but fellow. Why, every thing
76adheres together, that no dram of a scruple, no
77scruple of a scruple, no obstacle, no incredulous
78or unsafe circumstance--What can be said? Nothing
79that can be can come between me and the full
80prospect of my hopes. Well, Jove, not I, is the
81doer of this, and he is to be thanked.
[Re-enter Maria, with Sir Toby Belch and Fabian]
Sir Toby Belch
82Which way is he, in the name of sanctity? If all
83the devils of hell be drawn in little, and Legion
84himself possessed him, yet I'll speak to him.
Fabian
85Here he is, here he is. How is't with you, sir?
86how is't with you, man?
Malvolio
87Go off; I discard you: let me enjoy my private: go
88off.
Maria
89Lo, how hollow the fiend speaks within him! did not
90I tell you? Sir Toby, my lady prays you to have a
91care of him.
Malvolio
92Ah, ha! does she so?
Sir Toby Belch
93Go to, go to; peace, peace; we must deal gently
94with him: let me alone. How do you, Malvolio? how
95is't with you? What, man! defy the devil:
96consider, he's an enemy to mankind.
Malvolio
97Do you know what you say?
Maria
98La you, an you speak ill of the devil, how he takes
99it at heart! Pray God, he be not bewitched!
Fabian
100Carry his water to the wise woman.
Maria
101Marry, and it shall be done to-morrow morning, if I
102live. My lady would not lose him for more than I'll say.
Malvolio
103How now, mistress!
Maria
104O Lord!
Sir Toby Belch
105Prithee, hold thy peace; this is not the way: do
106you not see you move him? let me alone with him.
Fabian
107No way but gentleness; gently, gently: the fiend is
108rough, and will not be roughly used.
Sir Toby Belch
109Why, how now, my bawcock! how dost thou, chuck?
Malvolio
110Sir!
Sir Toby Belch
111Ay, Biddy, come with me. What, man! 'tis not for
112gravity to play at cherry-pit with Satan: hang
113him, foul collier!
Maria
114Get him to say his prayers, good Sir Toby, get him to pray.
Malvolio
115My prayers, minx!
Maria
116No, I warrant you, he will not hear of godliness.
Malvolio
117Go, hang yourselves all! you are idle shallow
118things: I am not of your element: you shall know
119more hereafter.
[Exit]
Sir Toby Belch
120Is't possible?
Fabian
121If this were played upon a stage now, I could
122condemn it as an improbable fiction.
Sir Toby Belch
123His very genius hath taken the infection of the device, man.
Maria
124Nay, pursue him now, lest the device take air and taint.
Fabian
125Why, we shall make him mad indeed.
Maria
126The house will be the quieter.
Sir Toby Belch
127Come, we'll have him in a dark room and bound. My
128niece is already in the belief that he's mad: we
129may carry it thus, for our pleasure and his penance,
130till our very pastime, tired out of breath, prompt
131us to have mercy on him: at which time we will
132bring the device to the bar and crown thee for a
133finder of madmen. But see, but see.
[Enter Sir Andrew]
Fabian
134More matter for a May morning.
Sir Andrew
135Here's the challenge, read it: warrant there's
136vinegar and pepper in't.
Fabian
137Is't so saucy?
Sir Andrew
138Ay, is't, I warrant him: do but read.
Sir Toby Belch
139Give me.
[Reads]
Sir Toby Belch
140'Youth, whatsoever thou art, thou art but a scurvy fellow.'
Fabian
141Good, and valiant.
Sir Toby Belch
142[Reads] 'Wonder not, nor admire not in thy mind,
143why I do call thee so, for I will show thee no reason for't.'
Fabian
144A good note; that keeps you from the blow of the law.
Sir Toby Belch
145[Reads] 'Thou comest to the lady Olivia, and in my
146sight she uses thee kindly: but thou liest in thy
147throat; that is not the matter I challenge thee for.'
Fabian
148Very brief, and to exceeding good sense--less.
Sir Toby Belch
149[Reads] 'I will waylay thee going home; where if it
150be thy chance to kill me,'--
Fabian
151Good.
Sir Toby Belch
152[Reads] 'Thou killest me like a rogue and a villain.'
Fabian
153Still you keep o' the windy side of the law: good.
Sir Toby Belch
154[Reads] 'Fare thee well; and God have mercy upon
155one of our souls! He may have mercy upon mine; but
156my hope is better, and so look to thyself. Thy
157friend, as thou usest him, and thy sworn enemy,
158ANDREW AGUECHEEK.
159If this letter move him not, his legs cannot:
160I'll give't him.
Maria
161You may have very fit occasion for't: he is now in
162some commerce with my lady, and will by and by depart.
Sir Toby Belch
163Go, Sir Andrew: scout me for him at the corner the
164orchard like a bum-baily: so soon as ever thou seest
165him, draw; and, as thou drawest swear horrible; for
166it comes to pass oft that a terrible oath, with a
167swaggering accent sharply twanged off, gives manhood
168more approbation than ever proof itself would have
169earned him. Away!
Sir Andrew
170Nay, let me alone for swearing.
[Exit]
Sir Toby Belch
171Now will not I deliver his letter: for the behavior
172of the young gentleman gives him out to be of good
173capacity and breeding; his employment between his
174lord and my niece confirms no less: therefore this
175letter, being so excellently ignorant, will breed no
176terror in the youth: he will find it comes from a
177clodpole. But, sir, I will deliver his challenge by
178word of mouth; set upon Aguecheek a notable report
179of valour; and drive the gentleman, as I know his
180youth will aptly receive it, into a most hideous
181opinion of his rage, skill, fury and impetuosity.
182This will so fright them both that they will kill
183one another by the look, like cockatrices.
[Re-enter Olivia, with Viola]
Fabian
184Here he comes with your niece: give them way till
185he take leave, and presently after him.
Sir Toby Belch
186I will meditate the while upon some horrid message
187for a challenge.
[Exeunt Sir Toby Belch, Fabian, and Maria]
Olivia
188I have said too much unto a heart of stone
189And laid mine honour too unchary out:
190There's something in me that reproves my fault;
191But such a headstrong potent fault it is,
192That it but mocks reproof.
Viola
193With the same 'havior that your passion bears
194Goes on my master's grief.
Olivia
195Here, wear this jewel for me, 'tis my picture;
196Refuse it not; it hath no tongue to vex you;
197And I beseech you come again to-morrow.
198What shall you ask of me that I'll deny,
199That honour saved may upon asking give?
Viola
200Nothing but this; your true love for my master.
Olivia
201How with mine honour may I give him that
202Which I have given to you?
Viola
203I will acquit you.
Olivia
204Well, come again to-morrow: fare thee well:
205A fiend like thee might bear my soul to hell.
[Exit]
[Re-enter Sir Toby Belch and Fabian]
Sir Toby Belch
206Gentleman, God save thee.
Viola
207And you, sir.
Sir Toby Belch
208That defence thou hast, betake thee to't: of what
209nature the wrongs are thou hast done him, I know
210not; but thy intercepter, full of despite, bloody as
211the hunter, attends thee at the orchard-end:
212dismount thy tuck, be yare in thy preparation, for
213thy assailant is quick, skilful and deadly.
Viola
214You mistake, sir; I am sure no man hath any quarrel
215to me: my remembrance is very free and clear from
216any image of offence done to any man.
Sir Toby Belch
217You'll find it otherwise, I assure you: therefore,
218if you hold your life at any price, betake you to
219your guard; for your opposite hath in him what
220youth, strength, skill and wrath can furnish man withal.
Viola
221I pray you, sir, what is he?
Sir Toby Belch
222He is knight, dubbed with unhatched rapier and on
223carpet consideration; but he is a devil in private
224brawl: souls and bodies hath he divorced three; and
225his incensement at this moment is so implacable,
226that satisfaction can be none but by pangs of death
227and sepulchre. Hob, nob, is his word; give't or take't.
Viola
228I will return again into the house and desire some
229conduct of the lady. I am no fighter. I have heard
230of some kind of men that put quarrels purposely on
231others, to taste their valour: belike this is a man
232of that quirk.
Sir Toby Belch
233Sir, no; his indignation derives itself out of a
234very competent injury: therefore, get you on and
235give him his desire. Back you shall not to the
236house, unless you undertake that with me which with
237as much safety you might answer him: therefore, on,
238or strip your sword stark naked; for meddle you
239must, that's certain, or forswear to wear iron about you.
Viola
240This is as uncivil as strange. I beseech you, do me
241this courteous office, as to know of the knight what
242my offence to him is: it is something of my
243negligence, nothing of my purpose.
Sir Toby Belch
244I will do so. Signior Fabian, stay you by this
245gentleman till my return.
[Exit]
Viola
246Pray you, sir, do you know of this matter?
Fabian
247I know the knight is incensed against you, even to a
248mortal arbitrement; but nothing of the circumstance more.
Viola
249I beseech you, what manner of man is he?
Fabian
250Nothing of that wonderful promise, to read him by
251his form, as you are like to find him in the proof
252of his valour. He is, indeed, sir, the most skilful,
253bloody and fatal opposite that you could possibly
254have found in any part of Illyria. Will you walk
255towards him? I will make your peace with him if I
256can.
Viola
257I shall be much bound to you for't: I am one that
258had rather go with sir priest than sir knight: I
259care not who knows so much of my mettle.
[Exeunt]
[Re-enter Sir Toby Belch, with Sir Andrew]
Sir Toby Belch
260Why, man, he's a very devil; I have not seen such a
261firago. I had a pass with him, rapier, scabbard and
262all, and he gives me the stuck in with such a mortal
263motion, that it is inevitable; and on the answer, he
264pays you as surely as your feet hit the ground they
265step on. They say he has been fencer to the Sophy.
Sir Andrew
266Pox on't, I'll not meddle with him.
Sir Toby Belch
267Ay, but he will not now be pacified: Fabian can
268scarce hold him yonder.
Sir Andrew
269Plague on't, an I thought he had been valiant and so
270cunning in fence, I'ld have seen him damned ere I'ld
271have challenged him. Let him let the matter slip,
272and I'll give him my horse, grey Capilet.
Sir Toby Belch
273I'll make the motion: stand here, make a good show
274on't: this shall end without the perdition of souls.
[Aside]
Sir Toby Belch
275Marry, I'll ride your horse as well as I ride you.
[Re-enter Fabian and Viola]
[To Fabian]
Sir Toby Belch
276I have his horse to take up the quarrel:
277I have persuaded him the youth's a devil.
Fabian
278He is as horribly conceited of him; and pants and
279looks pale, as if a bear were at his heels.
Sir Toby Belch
280[To VIOLA] There's no remedy, sir; he will fight
281with you for's oath sake: marry, he hath better
282bethought him of his quarrel, and he finds that now
283scarce to be worth talking of: therefore draw, for
284the supportance of his vow; he protests he will not hurt you.
Viola
285[Aside] Pray God defend me! A little thing would
286make me tell them how much I lack of a man.
Fabian
287Give ground, if you see him furious.
Sir Toby Belch
288Come, Sir Andrew, there's no remedy; the gentleman
289will, for his honour's sake, have one bout with you;
290he cannot by the duello avoid it: but he has
291promised me, as he is a gentleman and a soldier, he
292will not hurt you. Come on; to't.
Sir Andrew
293Pray God, he keep his oath!
Viola
294I do assure you, 'tis against my will.
[They draw]
[Enter Antonio]
Antonio
295Put up your sword. If this young gentleman
296Have done offence, I take the fault on me:
297If you offend him, I for him defy you.
Sir Toby Belch
298You, sir! why, what are you?
Antonio
299One, sir, that for his love dares yet do more
300Than you have heard him brag to you he will.
Sir Toby Belch
301Nay, if you be an undertaker, I am for you.
[They draw]
[Enter Officers]
Fabian
302O good Sir Toby, hold! here come the officers.
Sir Toby Belch
303I'll be with you anon.
Viola
304Pray, sir, put your sword up, if you please.
Sir Andrew
305Marry, will I, sir; and, for that I promised you,
306I'll be as good as my word: he will bear you easily
307and reins well.
First Officer
308This is the man; do thy office.
Second Officer
309Antonio, I arrest thee at the suit of Count Orsino.
Antonio
310You do mistake me, sir.
First Officer
311No, sir, no jot; I know your favour well,
312Though now you have no sea-cap on your head.
313Take him away: he knows I know him well.
Antonio
314I must obey.
[To Viola]
Antonio
315This comes with seeking you:
316But there's no remedy; I shall answer it.
317What will you do, now my necessity
318Makes me to ask you for my purse? It grieves me
319Much more for what I cannot do for you
320Than what befalls myself. You stand amazed;
321But be of comfort.
Second Officer
322Come, sir, away.
Antonio
323I must entreat of you some of that money.
Viola
324What money, sir?
325For the fair kindness you have show'd me here,
326And, part, being prompted by your present trouble,
327Out of my lean and low ability
328I'll lend you something: my having is not much;
329I'll make division of my present with you:
330Hold, there's half my coffer.
Antonio
331Will you deny me now?
332Is't possible that my deserts to you
333Can lack persuasion? Do not tempt my misery,
334Lest that it make me so unsound a man
335As to upbraid you with those kindnesses
336That I have done for you.
Viola
337I know of none;
338Nor know I you by voice or any feature:
339I hate ingratitude more in a man
340Than lying, vainness, babbling, drunkenness,
341Or any taint of vice whose strong corruption
342Inhabits our frail blood.
Antonio
343O heavens themselves!
Second Officer
344Come, sir, I pray you, go.
Antonio
345Let me speak a little. This youth that you see here
346I snatch'd one half out of the jaws of death,
347Relieved him with such sanctity of love,
348And to his image, which methought did promise
349Most venerable worth, did I devotion.
First Officer
350What's that to us? The time goes by: away!
Antonio
351But O how vile an idol proves this god
352Thou hast, Sebastian, done good feature shame.
353In nature there's no blemish but the mind;
354None can be call'd deform'd but the unkind:
355Virtue is beauty, but the beauteous evil
356Are empty trunks o'erflourish'd by the devil.
First Officer
357The man grows mad: away with him! Come, come, sir.
Antonio
358Lead me on.
[Exit with Officers]
Viola
359Methinks his words do from such passion fly,
360That he believes himself: so do not I.
361Prove true, imagination, O, prove true,
362That I, dear brother, be now ta'en for you!
Sir Toby Belch
363Come hither, knight; come hither, Fabian: we'll
364whisper o'er a couplet or two of most sage saws.
Viola
365He named Sebastian: I my brother know
366Yet living in my glass; even such and so
367In favour was my brother, and he went
368Still in this fashion, colour, ornament,
369For him I imitate: O, if it prove,
370Tempests are kind and salt waves fresh in love.
[Exit]
Sir Toby Belch
371A very dishonest paltry boy, and more a coward than
372a hare: his dishonesty appears in leaving his
373friend here in necessity and denying him; and for
374his cowardship, ask Fabian.
Fabian
375A coward, a most devout coward, religious in it.
Sir Andrew
376'Slid, I'll after him again and beat him.
Sir Toby Belch
377Do; cuff him soundly, but never draw thy sword.
Sir Andrew
378An I do not,--
Fabian
379Come, let's see the event.
Sir Toby Belch
380I dare lay any money 'twill be nothing yet.
[Exeunt]
Act IV
Back to topScene I. Before Olivia's house.
Want highlights, notes, and AI? Switch this scene to Reader + Notes.
[Enter Sebastian and Clown]
Clown
1Will you make me believe that I am not sent for you?
Sebastian
2Go to, go to, thou art a foolish fellow:
3Let me be clear of thee.
Clown
4Well held out, i' faith! No, I do not know you; nor
5I am not sent to you by my lady, to bid you come
6speak with her; nor your name is not Master Cesario;
7nor this is not my nose neither. Nothing that is so is so.
Sebastian
8I prithee, vent thy folly somewhere else: Thou
9know'st not me.
Clown
10Vent my folly! he has heard that word of some
11great man and now applies it to a fool. Vent my
12folly! I am afraid this great lubber, the world,
13will prove a cockney. I prithee now, ungird thy
14strangeness and tell me what I shall vent to my
15lady: shall I vent to her that thou art coming?
Sebastian
16I prithee, foolish Greek, depart from me: There's
17money for thee: if you tarry longer, I shall give
18worse payment.
Clown
19By my troth, thou hast an open hand. These wise men
20that give fools money get themselves a good
21report--after fourteen years' purchase.
[Enter Sir Andrew, Sir Toby Belch, and Fabian]
Sir Andrew
22Now, sir, have I met you again? there's for you.
Sebastian
23Why, there's for thee, and there, and there. Are all
24the people mad?
Sir Toby Belch
25Hold, sir, or I'll throw your dagger o'er the house.
Clown
26This will I tell my lady straight: I would not be
27in some of your coats for two pence.
[Exit]
Sir Toby Belch
28Come on, sir; hold.
Sir Andrew
29Nay, let him alone: I'll go another way to work
30with him; I'll have an action of battery against
31him, if there be any law in Illyria: though I
32struck him first, yet it's no matter for that.
Sebastian
33Let go thy hand.
Sir Toby Belch
34Come, sir, I will not let you go. Come, my young
35soldier, put up your iron: you are well fleshed; come on.
Sebastian
36I will be free from thee. What wouldst thou now? If
37thou darest tempt me further, draw thy sword.
Sir Toby Belch
38What, what? Nay, then I must have an ounce or two
39of this malapert blood from you.
[Enter Olivia]
Olivia
40Hold, Toby; on thy life I charge thee, hold!
Sir Toby Belch
41Madam!
Olivia
42Will it be ever thus? Ungracious wretch,
43Fit for the mountains and the barbarous caves,
44Where manners ne'er were preach'd! out of my sight!
45Be not offended, dear Cesario.
46Rudesby, be gone!
[Exeunt Sir Toby Belch, Sir Andrew, and Fabian]
Olivia
47I prithee, gentle friend,
48Let thy fair wisdom, not thy passion, sway
49In this uncivil and thou unjust extent
50Against thy peace. Go with me to my house,
51And hear thou there how many fruitless pranks
52This ruffian hath botch'd up, that thou thereby
53Mayst smile at this: thou shalt not choose but go:
54Do not deny. Beshrew his soul for me,
55He started one poor heart of mine in thee.
Sebastian
56What relish is in this? how runs the stream?
57Or I am mad, or else this is a dream:
58Let fancy still my sense in Lethe steep;
59If it be thus to dream, still let me sleep!
Olivia
60Nay, come, I prithee; would thou'ldst be ruled by me!
Sebastian
61Madam, I will.
Olivia
62O, say so, and so be!
[Exeunt]
Scene II. Olivia's house.
Want highlights, notes, and AI? Switch this scene to Reader + Notes.
[Enter Maria and Clown]
Maria
1Nay, I prithee, put on this gown and this beard;
2make him believe thou art Sir Topas the curate: do
3it quickly; I'll call Sir Toby the whilst.
[Exit]
Clown
4Well, I'll put it on, and I will dissemble myself
5in't; and I would I were the first that ever
6dissembled in such a gown. I am not tall enough to
7become the function well, nor lean enough to be
8thought a good student; but to be said an honest man
9and a good housekeeper goes as fairly as to say a
10careful man and a great scholar. The competitors enter.
[Enter Sir Toby Belch and Maria]
Sir Toby Belch
11Jove bless thee, master Parson.
Clown
12Bonos dies, Sir Toby: for, as the old hermit of
13Prague, that never saw pen and ink, very wittily
14said to a niece of King Gorboduc, 'That that is is;'
15so I, being Master Parson, am Master Parson; for,
16what is 'that' but 'that,' and 'is' but 'is'?
Sir Toby Belch
17To him, Sir Topas.
Clown
18What, ho, I say! peace in this prison!
Sir Toby Belch
19The knave counterfeits well; a good knave.
Malvolio
20[Within] Who calls there?
Clown
21Sir Topas the curate, who comes to visit Malvolio
22the lunatic.
Malvolio
23Sir Topas, Sir Topas, good Sir Topas, go to my lady.
Clown
24Out, hyperbolical fiend! how vexest thou this man!
25talkest thou nothing but of ladies?
Sir Toby Belch
26Well said, Master Parson.
Malvolio
27Sir Topas, never was man thus wronged: good Sir
28Topas, do not think I am mad: they have laid me
29here in hideous darkness.
Clown
30Fie, thou dishonest Satan! I call thee by the most
31modest terms; for I am one of those gentle ones
32that will use the devil himself with courtesy:
33sayest thou that house is dark?
Malvolio
34As hell, Sir Topas.
Clown
35Why it hath bay windows transparent as barricadoes,
36and the clearstores toward the south north are as
37lustrous as ebony; and yet complainest thou of
38obstruction?
Malvolio
39I am not mad, Sir Topas: I say to you, this house is dark.
Clown
40Madman, thou errest: I say, there is no darkness
41but ignorance; in which thou art more puzzled than
42the Egyptians in their fog.
Malvolio
43I say, this house is as dark as ignorance, though
44ignorance were as dark as hell; and I say, there
45was never man thus abused. I am no more mad than you
46are: make the trial of it in any constant question.
Clown
47What is the opinion of Pythagoras concerning wild fowl?
Malvolio
48That the soul of our grandam might haply inhabit a bird.
Clown
49What thinkest thou of his opinion?
Malvolio
50I think nobly of the soul, and no way approve his opinion.
Clown
51Fare thee well. Remain thou still in darkness:
52thou shalt hold the opinion of Pythagoras ere I will
53allow of thy wits, and fear to kill a woodcock, lest
54thou dispossess the soul of thy grandam. Fare thee well.
Malvolio
55Sir Topas, Sir Topas!
Sir Toby Belch
56My most exquisite Sir Topas!
Clown
57Nay, I am for all waters.
Maria
58Thou mightst have done this without thy beard and
59gown: he sees thee not.
Sir Toby Belch
60To him in thine own voice, and bring me word how
61thou findest him: I would we were well rid of this
62knavery. If he may be conveniently delivered, I
63would he were, for I am now so far in offence with
64my niece that I cannot pursue with any safety this
65sport to the upshot. Come by and by to my chamber.
[Exeunt Sir Toby Belch and Maria]
Clown
66[Singing]
67'Hey, Robin, jolly Robin,
68Tell me how thy lady does.'
Malvolio
69Fool!
Clown
70'My lady is unkind, perdy.'
Malvolio
71Fool!
Clown
72'Alas, why is she so?'
Malvolio
73Fool, I say!
Clown
74'She loves another'--Who calls, ha?
Malvolio
75Good fool, as ever thou wilt deserve well at my
76hand, help me to a candle, and pen, ink and paper:
77as I am a gentleman, I will live to be thankful to
78thee for't.
Clown
79Master Malvolio?
Malvolio
80Ay, good fool.
Clown
81Alas, sir, how fell you besides your five wits?
Malvolio
82Fool, there was never a man so notoriously abused: I
83am as well in my wits, fool, as thou art.
Clown
84But as well? then you are mad indeed, if you be no
85better in your wits than a fool.
Malvolio
86They have here propertied me; keep me in darkness,
87send ministers to me, asses, and do all they can to
88face me out of my wits.
Clown
89Advise you what you say; the minister is here.
90Malvolio, Malvolio, thy wits the heavens restore!
91endeavour thyself to sleep, and leave thy vain
92bibble babble.
Malvolio
93Sir Topas!
Clown
94Maintain no words with him, good fellow. Who, I,
95sir? not I, sir. God be wi' you, good Sir Topas.
96Merry, amen. I will, sir, I will.
Malvolio
97Fool, fool, fool, I say!
Clown
98Alas, sir, be patient. What say you sir? I am
99shent for speaking to you.
Malvolio
100Good fool, help me to some light and some paper: I
101tell thee, I am as well in my wits as any man in Illyria.
Clown
102Well-a-day that you were, sir
Malvolio
103By this hand, I am. Good fool, some ink, paper and
104light; and convey what I will set down to my lady:
105it shall advantage thee more than ever the bearing
106of letter did.
Clown
107I will help you to't. But tell me true, are you
108not mad indeed? or do you but counterfeit?
Malvolio
109Believe me, I am not; I tell thee true.
Clown
110Nay, I'll ne'er believe a madman till I see his
111brains. I will fetch you light and paper and ink.
Malvolio
112Fool, I'll requite it in the highest degree: I
113prithee, be gone.
Clown
114[Singing]
115I am gone, sir,
116And anon, sir,
117I'll be with you again,
118In a trice,
119Like to the old Vice,
120Your need to sustain;
121Who, with dagger of lath,
122In his rage and his wrath,
123Cries, ah, ha! to the devil:
124Like a mad lad,
125Pare thy nails, dad;
126Adieu, good man devil.
[Exit]
Scene III. Olivia's garden.
Want highlights, notes, and AI? Switch this scene to Reader + Notes.
[Enter Sebastian]
Sebastian
1This is the air; that is the glorious sun;
2This pearl she gave me, I do feel't and see't;
3And though 'tis wonder that enwraps me thus,
4Yet 'tis not madness. Where's Antonio, then?
5I could not find him at the Elephant:
6Yet there he was; and there I found this credit,
7That he did range the town to seek me out.
8His counsel now might do me golden service;
9For though my soul disputes well with my sense,
10That this may be some error, but no madness,
11Yet doth this accident and flood of fortune
12So far exceed all instance, all discourse,
13That I am ready to distrust mine eyes
14And wrangle with my reason that persuades me
15To any other trust but that I am mad
16Or else the lady's mad; yet, if 'twere so,
17She could not sway her house, command her followers,
18Take and give back affairs and their dispatch
19With such a smooth, discreet and stable bearing
20As I perceive she does: there's something in't
21That is deceiveable. But here the lady comes.
[Enter Olivia and Priest]
Olivia
22Blame not this haste of mine. If you mean well,
23Now go with me and with this holy man
24Into the chantry by: there, before him,
25And underneath that consecrated roof,
26Plight me the full assurance of your faith;
27That my most jealous and too doubtful soul
28May live at peace. He shall conceal it
29Whiles you are willing it shall come to note,
30What time we will our celebration keep
31According to my birth. What do you say?
Sebastian
32I'll follow this good man, and go with you;
33And, having sworn truth, ever will be true.
Olivia
34Then lead the way, good father; and heavens so shine,
35That they may fairly note this act of mine!
[Exeunt]
Act V
Back to topScene I. Before Olivia's house.
Want highlights, notes, and AI? Switch this scene to Reader + Notes.
[Enter Clown and Fabian]
Fabian
1Now, as thou lovest me, let me see his letter.
Clown
2Good Master Fabian, grant me another request.
Fabian
3Any thing.
Clown
4Do not desire to see this letter.
Fabian
5This is, to give a dog, and in recompense desire my
6dog again.
[Enter Duke Orsino, Viola, Curio, and Lords]
Duke Orsino
7Belong you to the Lady Olivia, friends?
Clown
8Ay, sir; we are some of her trappings.
Duke Orsino
9I know thee well; how dost thou, my good fellow?
Clown
10Truly, sir, the better for my foes and the worse
11for my friends.
Duke Orsino
12Just the contrary; the better for thy friends.
Clown
13No, sir, the worse.
Duke Orsino
14How can that be?
Clown
15Marry, sir, they praise me and make an ass of me;
16now my foes tell me plainly I am an ass: so that by
17my foes, sir I profit in the knowledge of myself,
18and by my friends, I am abused: so that,
19conclusions to be as kisses, if your four negatives
20make your two affirmatives why then, the worse for
21my friends and the better for my foes.
Duke Orsino
22Why, this is excellent.
Clown
23By my troth, sir, no; though it please you to be
24one of my friends.
Duke Orsino
25Thou shalt not be the worse for me: there's gold.
Clown
26But that it would be double-dealing, sir, I would
27you could make it another.
Duke Orsino
28O, you give me ill counsel.
Clown
29Put your grace in your pocket, sir, for this once,
30and let your flesh and blood obey it.
Duke Orsino
31Well, I will be so much a sinner, to be a
32double-dealer: there's another.
Clown
33Primo, secundo, tertio, is a good play; and the old
34saying is, the third pays for all: the triplex,
35sir, is a good tripping measure; or the bells of
36Saint Bennet, sir, may put you in mind; one, two, three.
Duke Orsino
37You can fool no more money out of me at this throw:
38if you will let your lady know I am here to speak
39with her, and bring her along with you, it may awake
40my bounty further.
Clown
41Marry, sir, lullaby to your bounty till I come
42again. I go, sir; but I would not have you to think
43that my desire of having is the sin of covetousness:
44but, as you say, sir, let your bounty take a nap, I
45will awake it anon.
[Exit]
Viola
46Here comes the man, sir, that did rescue me.
[Enter Antonio and Officers]
Duke Orsino
47That face of his I do remember well;
48Yet, when I saw it last, it was besmear'd
49As black as Vulcan in the smoke of war:
50A bawbling vessel was he captain of,
51For shallow draught and bulk unprizable;
52With which such scathful grapple did he make
53With the most noble bottom of our fleet,
54That very envy and the tongue of loss
55Cried fame and honour on him. What's the matter?
First Officer
56Orsino, this is that Antonio
57That took the Phoenix and her fraught from Candy;
58And this is he that did the Tiger board,
59When your young nephew Titus lost his leg:
60Here in the streets, desperate of shame and state,
61In private brabble did we apprehend him.
Viola
62He did me kindness, sir, drew on my side;
63But in conclusion put strange speech upon me:
64I know not what 'twas but distraction.
Duke Orsino
65Notable pirate! thou salt-water thief!
66What foolish boldness brought thee to their mercies,
67Whom thou, in terms so bloody and so dear,
68Hast made thine enemies?
Antonio
69Orsino, noble sir,
70Be pleased that I shake off these names you give me:
71Antonio never yet was thief or pirate,
72Though I confess, on base and ground enough,
73Orsino's enemy. A witchcraft drew me hither:
74That most ingrateful boy there by your side,
75From the rude sea's enraged and foamy mouth
76Did I redeem; a wreck past hope he was:
77His life I gave him and did thereto add
78My love, without retention or restraint,
79All his in dedication; for his sake
80Did I expose myself, pure for his love,
81Into the danger of this adverse town;
82Drew to defend him when he was beset:
83Where being apprehended, his false cunning,
84Not meaning to partake with me in danger,
85Taught him to face me out of his acquaintance,
86And grew a twenty years removed thing
87While one would wink; denied me mine own purse,
88Which I had recommended to his use
89Not half an hour before.
Viola
90How can this be?
Duke Orsino
91When came he to this town?
Antonio
92To-day, my lord; and for three months before,
93No interim, not a minute's vacancy,
94Both day and night did we keep company.
[Enter Olivia and Attendants]
Duke Orsino
95Here comes the countess: now heaven walks on earth.
96But for thee, fellow; fellow, thy words are madness:
97Three months this youth hath tended upon me;
98But more of that anon. Take him aside.
Olivia
99What would my lord, but that he may not have,
100Wherein Olivia may seem serviceable?
101Cesario, you do not keep promise with me.
Viola
102Madam!
Duke Orsino
103Gracious Olivia,--
Olivia
104What do you say, Cesario? Good my lord,--
Viola
105My lord would speak; my duty hushes me.
Olivia
106If it be aught to the old tune, my lord,
107It is as fat and fulsome to mine ear
108As howling after music.
Duke Orsino
109Still so cruel?
Olivia
110Still so constant, lord.
Duke Orsino
111What, to perverseness? you uncivil lady,
112To whose ingrate and unauspicious altars
113My soul the faithfull'st offerings hath breathed out
114That e'er devotion tender'd! What shall I do?
Olivia
115Even what it please my lord, that shall become him.
Duke Orsino
116Why should I not, had I the heart to do it,
117Like to the Egyptian thief at point of death,
118Kill what I love?--a savage jealousy
119That sometimes savours nobly. But hear me this:
120Since you to non-regardance cast my faith,
121And that I partly know the instrument
122That screws me from my true place in your favour,
123Live you the marble-breasted tyrant still;
124But this your minion, whom I know you love,
125And whom, by heaven I swear, I tender dearly,
126Him will I tear out of that cruel eye,
127Where he sits crowned in his master's spite.
128Come, boy, with me; my thoughts are ripe in mischief:
129I'll sacrifice the lamb that I do love,
130To spite a raven's heart within a dove.
Viola
131And I, most jocund, apt and willingly,
132To do you rest, a thousand deaths would die.
Olivia
133Where goes Cesario?
Viola
134After him I love
135More than I love these eyes, more than my life,
136More, by all mores, than e'er I shall love wife.
137If I do feign, you witnesses above
138Punish my life for tainting of my love!
Olivia
139Ay me, detested! how am I beguiled!
Viola
140Who does beguile you? who does do you wrong?
Olivia
141Hast thou forgot thyself? is it so long?
142Call forth the holy father.
Duke Orsino
143Come, away!
Olivia
144Whither, my lord? Cesario, husband, stay.
Duke Orsino
145Husband!
Olivia
146Ay, husband: can he that deny?
Duke Orsino
147Her husband, sirrah!
Viola
148No, my lord, not I.
Olivia
149Alas, it is the baseness of thy fear
150That makes thee strangle thy propriety:
151Fear not, Cesario; take thy fortunes up;
152Be that thou know'st thou art, and then thou art
153As great as that thou fear'st.
[Enter Priest]
Olivia
154O, welcome, father!
155Father, I charge thee, by thy reverence,
156Here to unfold, though lately we intended
157To keep in darkness what occasion now
158Reveals before 'tis ripe, what thou dost know
159Hath newly pass'd between this youth and me.
Priest
160A contract of eternal bond of love,
161Confirm'd by mutual joinder of your hands,
162Attested by the holy close of lips,
163Strengthen'd by interchangement of your rings;
164And all the ceremony of this compact
165Seal'd in my function, by my testimony:
166Since when, my watch hath told me, toward my grave
167I have travell'd but two hours.
Duke Orsino
168O thou dissembling cub! what wilt thou be
169When time hath sow'd a grizzle on thy case?
170Or will not else thy craft so quickly grow,
171That thine own trip shall be thine overthrow?
172Farewell, and take her; but direct thy feet
173Where thou and I henceforth may never meet.
Viola
174My lord, I do protest--
Olivia
175O, do not swear!
176Hold little faith, though thou hast too much fear.
[Enter Sir Andrew]
Sir Andrew
177For the love of God, a surgeon! Send one presently
178to Sir Toby.
Olivia
179What's the matter?
Sir Andrew
180He has broke my head across and has given Sir Toby
181a bloody coxcomb too: for the love of God, your
182help! I had rather than forty pound I were at home.
Olivia
183Who has done this, Sir Andrew?
Sir Andrew
184The count's gentleman, one Cesario: we took him for
185a coward, but he's the very devil incardinate.
Duke Orsino
186My gentleman, Cesario?
Sir Andrew
187'Od's lifelings, here he is! You broke my head for
188nothing; and that that I did, I was set on to do't
189by Sir Toby.
Viola
190Why do you speak to me? I never hurt you:
191You drew your sword upon me without cause;
192But I bespoke you fair, and hurt you not.
Sir Andrew
193If a bloody coxcomb be a hurt, you have hurt me: I
194think you set nothing by a bloody coxcomb.
[Enter Sir Toby Belch and Clown]
Sir Andrew
195Here comes Sir Toby halting; you shall hear more:
196but if he had not been in drink, he would have
197tickled you othergates than he did.
Duke Orsino
198How now, gentleman! how is't with you?
Sir Toby Belch
199That's all one: has hurt me, and there's the end
200on't. Sot, didst see Dick surgeon, sot?
Clown
201O, he's drunk, Sir Toby, an hour agone; his eyes
202were set at eight i' the morning.
Sir Toby Belch
203Then he's a rogue, and a passy measures panyn: I
204hate a drunken rogue.
Olivia
205Away with him! Who hath made this havoc with them?
Sir Andrew
206I'll help you, Sir Toby, because well be dressed together.
Sir Toby Belch
207Will you help? an ass-head and a coxcomb and a
208knave, a thin-faced knave, a gull!
Olivia
209Get him to bed, and let his hurt be look'd to.
[Exeunt Clown, Fabian, Sir Toby Belch, and Sir Andrew]
[Enter Sebastian]
Sebastian
210I am sorry, madam, I have hurt your kinsman:
211But, had it been the brother of my blood,
212I must have done no less with wit and safety.
213You throw a strange regard upon me, and by that
214I do perceive it hath offended you:
215Pardon me, sweet one, even for the vows
216We made each other but so late ago.
Duke Orsino
217One face, one voice, one habit, and two persons,
218A natural perspective, that is and is not!
Sebastian
219Antonio, O my dear Antonio!
220How have the hours rack'd and tortured me,
221Since I have lost thee!
Antonio
222Sebastian are you?
Sebastian
223Fear'st thou that, Antonio?
Antonio
224How have you made division of yourself?
225An apple, cleft in two, is not more twin
226Than these two creatures. Which is Sebastian?
Olivia
227Most wonderful!
Sebastian
228Do I stand there? I never had a brother;
229Nor can there be that deity in my nature,
230Of here and every where. I had a sister,
231Whom the blind waves and surges have devour'd.
232Of charity, what kin are you to me?
233What countryman? what name? what parentage?
Viola
234Of Messaline: Sebastian was my father;
235Such a Sebastian was my brother too,
236So went he suited to his watery tomb:
237If spirits can assume both form and suit
238You come to fright us.
Sebastian
239A spirit I am indeed;
240But am in that dimension grossly clad
241Which from the womb I did participate.
242Were you a woman, as the rest goes even,
243I should my tears let fall upon your cheek,
244And say 'Thrice-welcome, drowned Viola!'
Viola
245My father had a mole upon his brow.
Sebastian
246And so had mine.
Viola
247And died that day when Viola from her birth
248Had number'd thirteen years.
Sebastian
249O, that record is lively in my soul!
250He finished indeed his mortal act
251That day that made my sister thirteen years.
Viola
252If nothing lets to make us happy both
253But this my masculine usurp'd attire,
254Do not embrace me till each circumstance
255Of place, time, fortune, do cohere and jump
256That I am Viola: which to confirm,
257I'll bring you to a captain in this town,
258Where lie my maiden weeds; by whose gentle help
259I was preserved to serve this noble count.
260All the occurrence of my fortune since
261Hath been between this lady and this lord.
Sebastian
262[To OLIVIA] So comes it, lady, you have been mistook:
263But nature to her bias drew in that.
264You would have been contracted to a maid;
265Nor are you therein, by my life, deceived,
266You are betroth'd both to a maid and man.
Duke Orsino
267Be not amazed; right noble is his blood.
268If this be so, as yet the glass seems true,
269I shall have share in this most happy wreck.
[To Viola]
Duke Orsino
270Boy, thou hast said to me a thousand times
271Thou never shouldst love woman like to me.
Viola
272And all those sayings will I overswear;
273And those swearings keep as true in soul
274As doth that orbed continent the fire
275That severs day from night.
Duke Orsino
276Give me thy hand;
277And let me see thee in thy woman's weeds.
Viola
278The captain that did bring me first on shore
279Hath my maid's garments: he upon some action
280Is now in durance, at Malvolio's suit,
281A gentleman, and follower of my lady's.
Olivia
282He shall enlarge him: fetch Malvolio hither:
283And yet, alas, now I remember me,
284They say, poor gentleman, he's much distract.
[Re-enter Clown with a letter, and Fabian]
Olivia
285A most extracting frenzy of mine own
286From my remembrance clearly banish'd his.
287How does he, sirrah?
Clown
288Truly, madam, he holds Belzebub at the staves's end as
289well as a man in his case may do: has here writ a
290letter to you; I should have given't you to-day
291morning, but as a madman's epistles are no gospels,
292so it skills not much when they are delivered.
Olivia
293Open't, and read it.
Clown
294Look then to be well edified when the fool delivers
295the madman.
[Reads]
Clown
296'By the Lord, madam,'--
Olivia
297How now! art thou mad?
Clown
298No, madam, I do but read madness: an your ladyship
299will have it as it ought to be, you must allow Vox.
Olivia
300Prithee, read i' thy right wits.
Clown
301So I do, madonna; but to read his right wits is to
302read thus: therefore perpend, my princess, and give ear.
Olivia
303Read it you, sirrah.
[To Fabian]
Fabian
304[Reads] 'By the Lord, madam, you wrong me, and the
305world shall know it: though you have put me into
306darkness and given your drunken cousin rule over
307me, yet have I the benefit of my senses as well as
308your ladyship. I have your own letter that induced
309me to the semblance I put on; with the which I doubt
310not but to do myself much right, or you much shame.
311Think of me as you please. I leave my duty a little
312unthought of and speak out of my injury.
313THE MADLY-USED MALVOLIO.'
Olivia
314Did he write this?
Clown
315Ay, madam.
Duke Orsino
316This savours not much of distraction.
Olivia
317See him deliver'd, Fabian; bring him hither.
[Exit Fabian]
Olivia
318My lord so please you, these things further
319thought on,
320To think me as well a sister as a wife,
321One day shall crown the alliance on't, so please you,
322Here at my house and at my proper cost.
Duke Orsino
323Madam, I am most apt to embrace your offer.
[To Viola]
Duke Orsino
324Your master quits you; and for your service done him,
325So much against the mettle of your sex,
326So far beneath your soft and tender breeding,
327And since you call'd me master for so long,
328Here is my hand: you shall from this time be
329Your master's mistress.
Olivia
330A sister! you are she.
[Re-enter Fabian, with Malvolio]
Duke Orsino
331Is this the madman?
Olivia
332Ay, my lord, this same.
333How now, Malvolio!
Malvolio
334Madam, you have done me wrong,
335Notorious wrong.
Olivia
336Have I, Malvolio? no.
Malvolio
337Lady, you have. Pray you, peruse that letter.
338You must not now deny it is your hand:
339Write from it, if you can, in hand or phrase;
340Or say 'tis not your seal, nor your invention:
341You can say none of this: well, grant it then
342And tell me, in the modesty of honour,
343Why you have given me such clear lights of favour,
344Bade me come smiling and cross-garter'd to you,
345To put on yellow stockings and to frown
346Upon Sir Toby and the lighter people;
347And, acting this in an obedient hope,
348Why have you suffer'd me to be imprison'd,
349Kept in a dark house, visited by the priest,
350And made the most notorious geck and gull
351That e'er invention play'd on? tell me why.
Olivia
352Alas, Malvolio, this is not my writing,
353Though, I confess, much like the character
354But out of question 'tis Maria's hand.
355And now I do bethink me, it was she
356First told me thou wast mad; then camest in smiling,
357And in such forms which here were presupposed
358Upon thee in the letter. Prithee, be content:
359This practise hath most shrewdly pass'd upon thee;
360But when we know the grounds and authors of it,
361Thou shalt be both the plaintiff and the judge
362Of thine own cause.
Fabian
363Good madam, hear me speak,
364And let no quarrel nor no brawl to come
365Taint the condition of this present hour,
366Which I have wonder'd at. In hope it shall not,
367Most freely I confess, myself and Toby
368Set this device against Malvolio here,
369Upon some stubborn and uncourteous parts
370We had conceived against him: Maria writ
371The letter at Sir Toby's great importance;
372In recompense whereof he hath married her.
373How with a sportful malice it was follow'd,
374May rather pluck on laughter than revenge;
375If that the injuries be justly weigh'd
376That have on both sides pass'd.
Olivia
377Alas, poor fool, how have they baffled thee!
Clown
378Why, 'some are born great, some achieve greatness,
379and some have greatness thrown upon them.' I was
380one, sir, in this interlude; one Sir Topas, sir; but
381that's all one. 'By the Lord, fool, I am not mad.'
382But do you remember? 'Madam, why laugh you at such
383a barren rascal? an you smile not, he's gagged:'
384and thus the whirligig of time brings in his revenges.
Malvolio
385I'll be revenged on the whole pack of you.
[Exit]
Olivia
386He hath been most notoriously abused.
Duke Orsino
387Pursue him and entreat him to a peace:
388He hath not told us of the captain yet:
389When that is known and golden time convents,
390A solemn combination shall be made
391Of our dear souls. Meantime, sweet sister,
392We will not part from hence. Cesario, come;
393For so you shall be, while you are a man;
394But when in other habits you are seen,
395Orsino's mistress and his fancy's queen.
[Exeunt all, except Clown]
Clown
396[Sings]
397When that I was and a little tiny boy,
398With hey, ho, the wind and the rain,
399A foolish thing was but a toy,
400For the rain it raineth every day.
401But when I came to man's estate,
402With hey, ho, & c.
403'Gainst knaves and thieves men shut their gate,
404For the rain, & c.
405But when I came, alas! to wive,
406With hey, ho, & c.
407By swaggering could I never thrive,
408For the rain, & c.
409But when I came unto my beds,
410With hey, ho, & c.
411With toss-pots still had drunken heads,
412For the rain, & c.
413A great while ago the world begun,
414With hey, ho, & c.
415But that's all one, our play is done,
416And we'll strive to please you every day.
[Exit]